Log Line
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Log Line
A log line or logline is a brief (usually one-sentence) summary of a television program, film, short film, or book that states the central conflict of the story, often providing both a synopsis of the story's plot, and an emotional "hook" to stimulate interest. A one-sentence program summary in ''TV Guide'' is a log line. "A log line is a single sentence describing your entire story," however, "it is not a straight summary of the project. It goes to the heart of what a project is about in one or two sentences, defining the theme of the project...and suggest nga bigger meaning."Perebinossoff, Philippe; Gross, Brian; and Gross, Lynne S. (2005). ''Programming for TV, Radio, and the Internet: Strategy, Development, and Evaluation'', p.73. Taylor & Francis. . "A logline is a one-sentence summary of the story's main conflict. It is not a statement of theme but rather a premise." "A logline...helps content creators simply and easily sell their work in a single sentence, because the empha ...
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Television Program
Television, sometimes shortened to TV, is a telecommunication medium for transmitting moving images and sound. The term can refer to a television set, or the medium of television transmission. Television is a mass medium for advertising, entertainment, news, and sports. Television became available in crude experimental forms in the late 1920s, but only after several years of further development was the new technology marketed to consumers. After World War II, an improved form of black-and-white television broadcasting became popular in the United Kingdom and the United States, and television sets became commonplace in homes, businesses, and institutions. During the 1950s, television was the primary medium for influencing public opinion.Diggs-Brown, Barbara (2011''Strategic Public Relations: Audience Focused Practice''p. 48 In the mid-1960s, color broadcasting was introduced in the U.S. and most other developed countries. The availability of various types of archival storag ...
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Inciting Incident
In a literary work, film, or other narrative, the plot is the sequence of events in which each event affects the next one through the principle of cause-and-effect. The causal events of a plot can be thought of as a series of events linked by the connector "and so". Plots can vary from the simple—such as in a traditional ballad—to forming complex interwoven structures, with each part sometimes referred to as a subplot or ''imbroglio''. Plot is similar in meaning to the term ''storyline''. In the narrative sense, the term highlights important points which have consequences within the story, according to American science fiction writer Ansen Dibell. The term ''plot'' can also serve as a verb, referring to either the writer's crafting of a plot (devising and ordering story events), or else to a character's planning of future actions in the story. The term ''plot'', however, in common usage (for example, a "movie plot") can mean a narrative summary or story synopsis, rather t ...
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Writer's Digest Books
''Writer's Digest'' is an American magazine aimed at beginning and established writers. It contains interviews, market listings, calls for manuscripts, and how-to articles. History ''Writer's Digest'' was first published in December 1920 under the name ''Successful Writing''. It changed name to ''Writer's Digest'' with the March 1921 issue. By the late 1920s, it shifted emphasis more from literary-quality writing to the rapidly growing pulp magazine field, which offered the widest opportunities to freelance writers. Its most important competitor was '' The Author & Journalist''. An important feature in WD from 1933 forward was the New York Market Letter, edited by Harriet Bradfield, which gave timely updates on editor needs in the magazine field. As the pulp field collapsed in the 1950s, ''Writer's Digest'' shifted emphasis to famous writers and quality fiction. Until 2019, it was owned by F+W Media. The magazine is published eight times per year. F+W Media, facing near-term ...
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High Concept
High concept is a type of artistic work that can be easily pitched with a succinctly stated premise. It can be contrasted with ''low concept'', which is more concerned with character development and other subtleties that are not as easily summarized. The origin of the term is disputed. Terminology High-concept narratives are typically characterised by an overarching "what if?" scenario that acts as a catalyst for the following events. Often, the most popular summer blockbuster movies are built on a high-concept idea, such as "what if we could clone dinosaurs?", as in ''Jurassic Park'' or ''Air Force One'' explained as "''Die Hard'' on a plane". High-concept narratives differ from analogous narratives. In the case of the latter, a high-concept story may be employed to allow commentary on an implicit subtext. A prime example of this might be George Orwell's ''Nineteen Eighty-Four'', which asks, "What if we lived in a future of totalitarian government?" while simultaneously genera ...
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A Novel Of Sex, Theft, Friendship, And Musical Theater
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ...
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It's The Great Pumpkin, Charlie Brown
''It's the Great Pumpkin, Charlie Brown'' is a 1966 American prime time animated television special based on the comic strip ''Peanuts'' by Charles M. Schulz. A Halloween special, it was the third ''Peanuts'' special (and second holiday-themed special, following '' A Charlie Brown Christmas'') to be produced and animated by Bill Melendez. The special features music composed by jazz pianist Vince Guaraldi, whose contributions include the theme song "Linus and Lucy". It was also the first ''Peanuts'' special whose title used the pattern of a short phrase followed by "Charlie Brown", a pattern which remained the norm for almost all subsequent ''Peanuts'' specials. Its initial broadcast took place on October 27, 1966 on CBS, preempting ''My Three Sons'', and tied '' Bonanza'' as the No. 1 broadcast in that week's Nielsen TV ratings. The original sponsors were Coca-Cola (which had been the original sponsor of ''A Charlie Brown Christmas'') and the Dolly Madison brand of baked snack ...
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Goal
A goal is an idea of the future or desired result that a person or a group of people envision, plan and commit to achieve. People endeavour to reach goals within a finite time by setting deadlines. A goal is roughly similar to a purpose or aim, the anticipated result which guides reaction, or an end, which is an object, either a physical object or an abstract object, that has intrinsic value. Goal setting Goal-setting theory was formulated based on empirical research and has been called one of the most important theories in organizational psychology. Edwin A. Locke and Gary P. Latham, the fathers of goal-setting theory, provided a comprehensive review of the core findings of the theory in 2002. In summary, Locke and Latham found that specific, difficult goals lead to higher performance than either easy goals or instructions to "do your best", as long as feedback about progress is provided, the person is committed to the goal, and the person has the ability and knowledge ...
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Conflict (narrative)
Traditionally, conflict is a major literary element of narrative or dramatic structure that creates challenges in a story by adding uncertainty as to whether the goal will be achieved. In works of narrative, conflict is the challenge main characters need to solve to achieve their goals. However, narrative is not limited to a single conflict. While conflicts may not always resolve in a narrative, the resolution of a conflict creates closure or fulfillment, which may or may not occur at a story's end. Basic nature Conflict in literature refers to the different drives of the characters or forces involved. Conflict may be internal or external—that is, it may occur within a character's mind or between a character and exterior forces, (or point(s) of view). Conflict is most visible between two or more characters, usually a protagonist and an antagonist/enemy/villain, but can occur in many different forms. A character may as easily find themselves in conflict with a natural force, s ...
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Antagonist
An antagonist is a character in a story who is presented as the chief foe of the protagonist. Etymology The English word antagonist comes from the Greek ἀνταγωνιστής – ''antagonistēs'', "opponent, competitor, villain, enemy, rival," which is derived from ''anti-'' ("against") and ''agonizesthai'' ("to contend for a prize"). Types Heroes and villains The antagonist is commonly positioned against the protagonist and their world order. While most narratives will often portray the protagonist as a hero and the antagonist as a villain, like Harry Potter and Lord Voldemort in '' Harry Potter'', the antagonist does not always appear as the villain. In some narratives, like Light Yagami and L in '' Death Note'', the protagonist is a villain and the antagonist is an opposing hero. Antagonists are conventionally presented as making moral choices less savory than those of protagonists. This condition is often used by an author to create conflict within a story. This is ...
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Film
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photography, photographing actual scenes with a movie camera, motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of computer-generated imagery, CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still imag ...
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Protagonist
A protagonist () is the main character of a story. The protagonist makes key decisions that affect the plot, primarily influencing the story and propelling it forward, and is often the character who faces the most significant obstacles. If a story contains a subplot, or is a narrative made up of several stories, then each subplot may have its own protagonist. The protagonist is the character whose fate is most closely followed by the reader or audience, and who is opposed by the antagonist. The antagonist provides obstacles and complications and creates conflicts that test the protagonist, revealing the strengths and weaknesses of the protagonist's character, and having the protagonist develop as a result. Etymology The term ''protagonist'' comes , combined of (, 'first') and (, 'actor, competitor'), which stems from (, 'contest') via (, 'I contend for a prize'). Ancient Greece The earliest known examples of a protagonist are found in Ancient Greece. At first, dramatic pe ...
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Setting (narrative)
A setting (or backdrop) is the time and geographic location within a narrative, either non-fiction or fiction. It is a literary element. The setting initiates the main backdrop and mood for a story. The setting can be referred to as story world or ''milieu'' to include a context (especially society) beyond the immediate surroundings of the story. Elements of setting may include culture, historical period, geography, and hour. Along with the plot, character, theme, and style, setting is considered one of the fundamental components of fiction. Role Setting may refer to the social milieu in which the events of a novel occur. The elements of the story setting include the passage of time, which may be static in some stories or dynamic in others with, for example, changing seasons. A setting can take three basic forms. One is the natural world, or in an outside place. In this setting, the natural landscapes of the world play an important part in a narrative, along with living creature ...
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