Locomotive Breath
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Locomotive Breath
"Locomotive Breath" is a song by British progressive rock band Jethro Tull from their 1971 album, '' Aqualung''. Written as a comment on population growth, "Locomotive Breath" was meant to replicate the chugging rhythm of a train. In addition to its release on ''Aqualung'', "Locomotive Breath" saw two different single releases and has been a live favorite. It is one of Jethro Tull's best-known songs. Background Lyrically, "Locomotive Breath" was inspired by Anderson's concern regarding overpopulation. He explained, "It was my first song that was perhaps on a topic that would be a little more appropriate to today's world. It was about the runaway train of population growth and capitalism, it was based on those sorts of unstoppable ideas. We’re on this crazy train, we can’t get off it. Where is it going? Bearing in mind, of course, when I was born in 1947, the population of planet earth was slightly less than a third of what it is today, so it should be a sobering thought that ...
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Jethro Tull (band)
Jethro Tull are a British rock band formed in Blackpool, England, in 1967. Initially playing blues rock and jazz fusion, the band soon incorporated elements of English folk, hard rock, and classical music, forging a signature progressive rock sound. The group’s bandleader, founder, primary composer, and only constant member is Ian Anderson, a multi-instrumentalist who mainly plays flute and acoustic guitar, and is also the lead vocalist. The group has featured a revolving door of musicians throughout the decades, including significant contributors such as electric guitarist Martin Barre (the longest serving member besides Anderson), keyboardists John Evan, Dee Palmer, Peter-John Vettese, and Andrew Giddings, drummers Clive Bunker, Barrie "Barriemore" Barlow, and Doane Perry, and bassists Glenn Cornick, Jeffrey Hammond, John Glascock, Dave Pegg, and Jonathan Noyce. After achieving moderate recognition performing in the London club scene, the band released their debut album ...
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Bass Drum
The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. The heads may be made of calfskin or plastic and there is normally a means of adjusting the tension either by threaded taps or by strings. Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes, Del Mar, Norman (1981). ''Anatomy of the Orchestra''. . but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments and vary in size and are used in several musical genres. Three major types of bass drums can be distinguished. * The type usually seen or heard in orchestral, ensemble or concert band music is the orchestral, or concert bass drum (in Italian: gran cassa, gran tamburo). It is the largest dr ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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Radio Station
Radio broadcasting is transmission of audio (sound), sometimes with related metadata, by radio waves to radio receivers belonging to a public audience. In terrestrial radio broadcasting the radio waves are broadcast by a land-based radio station, while in satellite radio the radio waves are broadcast by a satellite in Earth orbit. To receive the content the listener must have a broadcast radio receiver (''radio''). Stations are often affiliated with a radio network which provides content in a common radio format, either in broadcast syndication or simulcast or both. Radio stations broadcast with several different types of modulation: AM radio stations transmit in AM ( amplitude modulation), FM radio stations transmit in FM (frequency modulation), which are older analog audio standards, while newer digital radio stations transmit in several digital audio standards: DAB (digital audio broadcasting), HD radio, DRM ( Digital Radio Mondiale). Television broadcasting ...
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Classic Rock
Classic rock is a US radio format which developed from the album-oriented rock (AOR) format in the early 1980s. In the United States, the classic rock format comprises rock music ranging generally from the mid-1960s through the mid 1990s, primarily focusing on commercially successful blues rock and hard rock popularized in the 1970s AOR format.Pareles, Jon (June 18, 1986)"Oldies on Rise in Album-Rock Radio" ''The New York Times''. Retrieved April 19, 2019. The radio format became increasingly popular with the baby boomer demographic by the end of the 1990s. Although classic rock has mostly appealed to adult listeners, music associated with this format received more exposure with younger listeners with the presence of the Internet and digital downloading. Some classic rock stations also play a limited number of current releases which are stylistically consistent with the station's sound, or by heritage acts which are still active and producing new music."New York Radio Guide: Ra ...
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Bursting Out
''Bursting Out'' is a 1978 live double album by the rock band Jethro Tull. The concert was recorded at the Festhalle in Bern, Switzerland, on 28 May 1978 during the band's European Heavy Horses Tour in May/June of that year. A spelling error on the spine of the first US, Canada, Spain and Sweden LP pressings listed the title as "Busting Out". The album was originally released on vinyl, and was later re-released as a double-disc CD in the UK and Europe. The original CD release in the United States was only one disc, with three tracks ("Quatrain", "Sweet Dream" and "Conundrum") omitted to fit the 80 minutes running length. The double-disc 1990 CD version in the UK and Europe incorporated the first track, the introductions, in the song that followed. In 2004, the complete album was remastered and released worldwide as a two-disc set, with the introductions as separate tracks. Track listing Personnel * Ian Anderson – vocals, flute, acoustic guitar * Martin Barre – elec ...
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Living In The Past (album)
''Living in the Past'' is a double album quasi-compilation collection by Jethro Tull, which contains album tracks, out-takes, the "Life Is a Long Song" EP, and all of their non-LP singles except for "Sunshine Day"/"Aeroplane" (1968), "One for John Gee" (b-side of "A Song for Jeffrey", 1968), "17" (b-side of "Sweet Dream", 1969) and the original version of "Teacher" that appeared in the UK as the b-side of "The Witch's Promise" in 1969 (the re-recorded 1970 take that was released on the American version of '' Benefit'' was included instead). Also included are two live recordings taken from a performance at New York City's Carnegie Hall in November 1970. Details The album was named after the single released in May 1969 and was released in an elaborate gate-fold packaging that contained a large colour photo booklet with over 50 photos of the band. Two songs, "By Kind Permission Of" and "Dharma for One", were recorded live at Carnegie Hall in New York City, United States. The form ...
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Billboard Charts
The ''Billboard'' charts tabulate the relative weekly popularity of songs and albums in the United States and elsewhere. The results are published in '' Billboard'' magazine. ''Billboard'' biz, the online extension of the ''Billboard'' charts, provides additional weekly charts, as well as year-end charts. The two most important charts are the ''Billboard'' Hot 100 for songs and ''Billboard'' 200 for albums, and other charts may be dedicated to a specific genre such as R&B, country, or rock, or they may cover all genres. The charts can be ranked according to sales, streams, or airplay, and for main song charts such as the Hot 100 song chart, all three data are used to compile the charts. For the ''Billboard'' 200 album chart, streams and track sales are included in addition to album sales. The weekly sales and streams charts are monitored on a Friday-to-Thursday cycle since July 2015; previously it was on a Monday-to-Sunday cycle. Radio airplay song charts, however, follow ...
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Pomp And Circumstance Marches
The ''Pomp and Circumstance Marches'' (full title ''Pomp and Circumstance Military Marches''), Op. 39, are a series of five (or six) marches for orchestra composed by Sir Edward Elgar. The first four were published between 1901 and 1907, when Elgar was in his forties; the fifth was published in 1930, a few years before his death; and a sixth, compiled posthumously from sketches, was published in 1956 and in 2005–2006. They include some of Elgar's best-known compositions. Title The title is taken from Act III, Scene 3 of Shakespeare's ''Othello'': Farewell the neighing steed and the shrill trump, The spirit-stirring drum, th'ear-piercing fife, The royal banner, and all quality, Pride, ''pomp, and circumstance'' of glorious war! But also, on the score of the first march, Elgar set as a motto for the whole set of marches a verse from Lord de Tabley's poem "The March of Glory",Maine: ''Works'' pp. 196–7 which (as quoted by Elgar's biographer Basil Maine) begin ...
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Martin Barre
Martin Lancelot Barre (; born 17 November 1946) is an English guitarist best known for his longtime role as lead guitarist of British rock band Jethro Tull, with whom he recorded and toured from 1968 until the band's initial dissolution in 2011. Barre played on all of Jethro Tull's studio discography except for their 1968 debut album ''This Was'' and their 2022 album '' The Zealot Gene''. In the early 1990s he began a solo career, and has recorded several albums as well as touring with his own live band. He has also played the flute and other instruments such as the mandolin, both on stage for Jethro Tull and in his own solo work. Early career Martin Barre was born in Kings Heath, Birmingham, England, on 17 November 1946. His father was an engineer who had wanted to play clarinet professionally. Barre played flute at his grammar school. When Barre bought his first guitar, his father gave him albums by Barney Kessel, Johnny Smith and Wes Montgomery to broaden his musical perspe ...
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Clive Bunker
Clive William Bunker (born 30 December 1946) is a British drummer. Bunker is best known as the original drummer of the rock band Jethro Tull, playing in the band from 1967 until 1971. Never a self-professed technical drummer, Bunker engaged with the essence of blues and rock and roll, influenced by Ginger Baker and Mitch Mitchell. He was also inspired by Buddy Rich and The Hollies' Bobby Elliott. Early career Bunker was born in Luton, Bedfordshire, and played in his first band The Warriors in the 1960s. With Mick Abrahams he later formed the band known as McGregor's Engine. In this early career, playing in small venues, Bunker had an extraordinary non-matching drum kit, composed of bits and pieces of various manufacturers’ equipment. Jethro Tull Between 1967 and 1971 he drummed for Jethro Tull. But he left after the band released its most popular album to that date, '' Aqualung'', to get married and spend more time with his new wife. He was replaced by Barriemore Barlow, ...
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John Evan
John Evan (born John Spencer Evans; born 28 March 1948, in Derby, Derbyshire.) is a British musician and composer. He is best known for having played keyboards for Jethro Tull from April 1970 to June 1980. Evans' father was headmaster at a Derbyshire village school and his mother was a local concert pianist and piano teacher. The family moved to Blackpool, Lancashire in October 1949. Evans was educated at Blackpool Grammar School, where he met Ian Anderson and Jeffrey Hammond, and Chelsea College, now King's College London. Early career Evans changed his name when his first band, The Blades, changed their name to The John Evan Band. Jeffrey Hammond apparently thought 'The John Evan Band' sounded better than 'The John Evans Band'. He participated in the Blackpool musical scene, with most of the musicians that would become Jethro Tull, including Barrie Barlow, Jeffrey Hammond, Glenn Cornick and Ian Anderson. Later on, Evan was attending college when he happened to recognize ...
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