Lloyd Webber Plays Lloyd Webber
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Lloyd Webber Plays Lloyd Webber
''Lloyd Webber Plays Lloyd Webber'' is a 1989 album by British cellist Julian Lloyd Webber interpreting songs written by his older brother, the popular musical theatre composer Andrew Lloyd Webber. The album was recorded with the Royal Philharmonic Orchestra conducted by Barry Wordsworth. The album primarily featured classical musicians with the notable exception of Rod Argent of The Zombies. Track listing # " No Matter What" from '' Whistle Down the Wind'' # "The Music of the Night" from ''The Phantom of the Opera'' # "Memory" from '' Cats'' # "Don't Cry for Me Argentina" from ''Evita'' # "Our Kind of Love" from ''The Beautiful Game'' # "With One Look" from ''Sunset Boulevard'' # "I Don't Know How to Love Him" from '' Jesus Christ Superstar'' # "Starlight Express" from the musical of the same name # "Buenos Aires" from ''Evita'' # "Love Changes Everything" from ''Aspects of Love'' # "The Perfect Year" from ''Sunset Boulevard'' # "All I Ask of You" from ''The Phantom of the Op ...
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Julian Lloyd Webber
Julian Lloyd Webber (born 14 April 1951) is a British solo cellist, conductor and broadcaster, a former principal of Royal Birmingham Conservatoire and the founder of the In Harmony music education programme. Early years and education Julian Lloyd Webber is the second son of the composer and music educator William Lloyd Webber and his wife, Jean Johnstone (a piano teacher). He is the younger brother of the composer Andrew Lloyd Webber. The composer Herbert Howells was his godfather. He won a scholarship to the Royal College of Music in 1968 and completed his studies with Pierre Fournier in Geneva in 1973. Career Lloyd Webber made his professional debut as a cellist at the Queen Elizabeth Hall, London, in September 1972 when he gave the first London performance of the cello concerto by Sir Arthur Bliss. Throughout his career, he has collaborated with a wide variety of musicians, including conductors Yehudi Menuhin, Lorin Maazel, Neville Marriner, Georg Solti, Yevgeny Svetl ...
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The Beautiful Game (musical)
''The Beautiful Game'' (sometimes performed as ''The Boys in the Photograph'') is a musical by Andrew Lloyd Webber and Ben Elton about a group of teenagers growing up during The Troubles in Belfast, Northern Ireland in 1969. The title of the musical (''The Beautiful Game'') is a commonly used reference to football, the origins of which are disputed. The plot, which is centred on a local football (soccer) team, focuses on the attempt to overcome the violence that has engulfed their community. The Catholic team has one atheist player, Del (who comes from a Protestant family) and the coach is a priest. The musical chronicles some of the key players during the emerging political and religious violence. Some of the players become IRA volunteers, and another is knee-capped. The musical also chronicles the emotional change in the protagonist from political ambivalence to becoming an IRA volunteer. The most successful song from the score was "Our Kind of Love", which had originally bee ...
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Sarah Chang
Sarah Chang ( ko, 장영주; born Young Joo Chang; December 10, 1980) is a Korean American classical violinist. Recognized as a child prodigy, she first played as a soloist with the New York Philharmonic and the Philadelphia Orchestra in 1989. She enrolled at Juilliard School to study music, graduated in 1999, and continued university studies. Especially during the 1990s and early to mid-2000s, Chang had major roles as a soloist with many of the world's major orchestras. Early life and education Chang was born in Philadelphia, Pennsylvania, and raised in Cherry Hill and Voorhees Township, New Jersey. She is the daughter of Myoung-Jun (her mother), a composer, and Min-Soo Chang (her father), who was a violinist and music teacher. Chang's parents moved to the United States from South Korea in 1979 for her father's advanced music degree at Temple University. Her mother took composition classes at the University of Pennsylvania. Chang has said that although she "never actually lived ...
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Requiem (Lloyd Webber)
Andrew Lloyd Webber's ''Requiem'' is a requiem mass, which premiered in 1985. It was written in memory of the composer's father, William Lloyd Webber, who died in 1982. History and reception It was a new venture for Lloyd Webber, the composer of numerous musicals, to create a piece of traditional classical music. The music mixes Lloyd Webber's melodic and pop-oriented style with more complex, sophisticated, and at times even austere forms. An initial draft of ''Requiem'' was heard during the 1984 Sydmonton Festival, after which Lloyd Webber spent an additional half-year polishing the work. The premiere took place on 24 February 1985 in St. Thomas Church, New York; the conductor was Lorin Maazel, and the three soloists were Plácido Domingo, Sarah Brightman (Lloyd Webber's wife at the time), and Paul Miles-Kingston. ''Requiem'' won the 1986 Grammy Award for Best Classical Contemporary Composition. The most popular segment of ''Requiem'' has been the Pie Jesu, which became a h ...
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Pie Jesu
"Pie Jesu" ( ; original Latin: "Pie Iesu" ) is a text from the final couplet of the hymn " Dies irae", and is often included in musical settings of the Requiem Mass as a motet. The phrase means " pious Jesus" in the vocative. Popular settings The settings of the Requiem Mass by Luigi Cherubini, Antonin Dvořák, Gabriel Fauré, Maurice Duruflé, John Rutter, Karl Jenkins, Kim André Arnesen and Fredrik Sixten include a "Pie Jesu" as an independent movement. Decidedly, the best known is the "Pie Jesu" from Fauré's Requiem. Camille Saint-Saëns, who died in 1921, said of Fauré's "Pie Jesu": "Just as Mozart's is the only 'Ave verum corpus', this is the only 'Pie Jesu'." Andrew Lloyd Webber's setting of "Pie Jesu" in his Requiem (1985) has also become well known and has been widely recorded, including by Sarah Brightman, Charlotte Church, Jackie Evancho, Sissel Kyrkjebø, Marie Osmond, Anna Netrebko, and others. Performed by Sarah Brightman and Paul Miles-Kingston, it was a ...
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Joseph And The Amazing Technicolor Dreamcoat
''Joseph and the Amazing Technicolor Dreamcoat'' (often colloquially known as ''Joseph'') is a sung-through musical with lyrics by Tim Rice and music by Andrew Lloyd Webber, based on the character of Joseph from the Bible's Book of Genesis. This was the first Lloyd Webber and Rice musical to be performed publicly; their first collaboration, ''The Likes of Us'', written in 1965, was not performed until 2005. Its family-friendly retelling of Joseph, familiar themes, and catchy music have resulted in numerous stagings. According to the owner of the copyright, the Really Useful Group, by 2008 more than 20,000 schools and amateur theatre groups had staged productions. ''Joseph'' was first presented as a 15-minute " pop cantata" at Colet Court School in London in 1968, and was published by Novello and recorded in an expanded form by Decca Records in 1969. After the success of the next Lloyd Webber and Rice piece, ''Jesus Christ Superstar'', ''Joseph'' received amateur stage productio ...
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Close Every Door
"Close Every Door" is a song from the musical '' Joseph and the Amazing Technicolor Dreamcoat'' by Tim Rice and Andrew Lloyd Webber. It is the penultimate song of the first act of the musical, sung by Joseph while imprisoned for his supposed relationship with Potiphar's wife. Along with " Any Dream Will Do", it is one of the most popular songs from the musical. In addition to voicing Joseph's despair at being jailed for a crime he did not commit, the song also touches on the history of Jewish persecution; for instance, the lyrics "Just give me a number instead of my name... Destroy me completely, then throw me away" reflect the well-documented Nazi practices during the Holocaust. The lyrics have even been incorporated into a Seder service for educators in New South Wales. Australian singer Jon English released a version a single in Australia in 1973. The song was released as a single by former BBC children's TV anchor Phillip Schofield in 1992, when he played the role of J ...
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Variations (Andrew Lloyd Webber Album)
''Variations'' is a classical and rock fusion album. The music was composed by Andrew Lloyd Webber and performed by his younger brother, the cellist Julian Lloyd Webber. The Lloyd Webber brothers were always very close but their two different careers (a rock musical composer and a classical cellist) meant that a collaboration seemed unlikely. It was not until Julian beat his brother in a bet on a Leyton Orient football match that Andrew was forced to write his cello work. As his subject, Andrew chose the theme of Paganini's 24th caprice and added 23 variations for cello and rock band. The work premiered at the 1977 Sydmonton Festival with rock band Colosseum II, featuring Gary Moore, Jon Hiseman and Don Airey being joined by Barbara Thompson (sax, flute), Rod Argent (piano, synthesizer, keyboards) and Julian Lloyd Webber (cello). It was subsequently rearranged and recorded in 1978. It reached Number 2 on the UK album charts.
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Song And Dance
''Song and Dance'' is a musical comprising two acts, one told entirely in "Song" and one entirely in "Dance", tied together by a unifying love story. The "Song" act is ''Tell Me on a Sunday'', with lyrics by Don Black and music by Andrew Lloyd Webber, about a young British woman's romantic misadventures in New York City and Hollywood. The "Dance" act is a ballet choreographed to ''Variations'', composed by Andrew Lloyd Webber for his cellist brother Julian, which is based on the A Minor Caprice No. 24 by Paganini. Background The ''Song'' portion was written specifically for Marti Webb, and presented at the Sydmonton Festival in the summer of 1979. It was subsequently recorded and aired as a one-hour television special by the BBC the following January. The ''Dance'' portion was recorded in 1978, and nearly became incorporated into '' Cats''. The opening sequence was utilized as the theme music for London Weekend Television's ''South Bank Show''. Producer Cameron Mackintos ...
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Aspects Of Love
''Aspects of Love'' is a musical with music and book by Andrew Lloyd Webber, and lyrics by Don Black and Charles Hart. It is based on the 1955 novella of the same name by David Garnett. The piece focuses on the romantic entanglements of actress Rose Vibert, her admiring fan Alex Dillingham, his underage cousin Jenny, his uncle George, and George's mistress, sculptor Giulietta Trapani, over a period of 17 years. The "aspects" of the title refers to the many forms that love takes in the show: love between couples, both as romantic infatuation and as married people; children and their parents; and hints of same-sex attraction (Giulietta and Rose). Lloyd Webber was introduced to ''Aspects of Love'' in 1979, when he and Tim Rice were approached to write a few songs for a proposed film version. When nothing came of it, he suggested to Trevor Nunn that they collaborate on a stage adaptation. In 1983, they presented a cabaret of numbers they had written, but it was not until five yea ...
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Starlight Express
''Starlight Express'' is a 1984 British musical, with music by Andrew Lloyd Webber and lyrics by Richard Stilgoe. It tells the story of a young but obsolete steam engine, Rusty, who races in a championship against modern engines in the hope of impressing a first-class observation car, Pearl. Famously, the actors perform on roller skates. ''Starlight Express'' is the ninth-longest-running West End show and the most successful musical in Germany, where it has been performed in a purpose-built theatre since 1988, holding the Guinness World Record for most visitors to a musical in a single theatre. Background ''Starlight Express'' has its roots in three abandoned projects: an animated TV series based on Thomas the Tank Engine, a novelty pop single, and an animated film based on Cinderella. In 1974, Lloyd Webber approached author Reverend W. Awdry about adapting Awdry's Thomas the Tank Engine stories as an animated TV series. Following the meeting, Lloyd Webber started composin ...
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Starlight Express (song)
"Starlight Express" is the 'showstopper' number from the musical ''Starlight Express''. In the show, it is performed by Rusty, the show's protagonist. Before the song, he has been told by the old steam engine Poppa of a magical locomotive, named the Starlight Express, who will aid him in need. The song has been rewritten in many languages, but it has always kept the same title, apart from when the production opened in Mexico, when both the show and the song were renamed ''Expreso Astral''. Music and lyrics The music was written by Andrew Lloyd Webber, in the key of E flat major, modulating to E major at the instrumental. In the Broadway production, Greg Mowry sings the song in the key of G major and modulates to Ab. The lyrics were written by Richard Stilgoe. ::''Starlight Express, Starlight Express'' ::''Are you real? Yes or no?'' ::''Starlight Express, Answer me yes!'' ::''I don't want you to go'' Before the song starts, Poppa and Rusty have the following (sung) conversation; ...
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