Llannerch Hall
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Llannerch Hall
Llanerch Hall, Trefnant, Clwyd, Wales, is a country house with medieval origins. It was rebuilt twice at the beginning and at the end of the 17th century, was again rebuilt in the 19th century, and further modified in the 20th. The hall is now divided into flats, each with its own Grade II* listing. The parkland, now a golf course, conceals traces of a late 17th century Italianate terraced garden that rivalled those at Powis Castle. The gardens were entirely destroyed in the 19th century rebuilding. The house remains privately owned. History The site of Llannerch Hall has been occupied since medieval times and was formerly called Lleweni Vechan. In the Tudor period, a house on the site was described by its owner, the Welsh-language poet Gryffydd ap Ieuan, as "a high-crested, too long sided, loose-eaved, short-raftered, rambling, soot-accumulating old ornament of ancient workmanship". In the early 17th century the Llannerch estate came into the possession of Peter Mutton. Mutto ...
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Italianate Architecture
The Italianate style was a distinct 19th-century phase in the history of Classical architecture. Like Palladianism and Neoclassicism, the Italianate style drew its inspiration from the models and architectural vocabulary of 16th-century Italian Renaissance architecture, synthesising these with picturesque aesthetics. The style of architecture that was thus created, though also characterised as "Neo-Renaissance", was essentially of its own time. "The backward look transforms its object," Siegfried Giedion wrote of historicist architectural styles; "every spectator at every period—at every moment, indeed—inevitably transforms the past according to his own nature." The Italianate style was first developed in Britain in about 1802 by John Nash, with the construction of Cronkhill in Shropshire. This small country house is generally accepted to be the first Italianate villa in England, from which is derived the Italianate architecture of the late Regency and early Victorian eras. ...
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Gazebo
A gazebo is a pavilion structure, sometimes octagonal or turret-shaped, often built in a park, garden or spacious public area. Some are used on occasions as bandstands. Etymology The etymology given by Oxford Dictionaries (website), Oxford Dictionaries is "Mid 18th century: perhaps humorously from gaze, in imitation of Latin future tenses ending in -ebo: compare with lavabo." L. L. Bacon put forward a derivation from ''Casbah of Algiers, Casbah'', a Muslim quarter around the citadel in Algiers.Bacon, Leonard Lee. "Gazebos and Alambras", ''American Notes and Queries'' 8:6 (1970): 87–87 W. Sayers proposed Andalusian Arabic, Hispano-Arabic ''qushaybah'', in a poem by Córdoba, Spain, Cordoban poet Ibn Quzman (d. 1160).William Sayers, ''Eastern prospects: Kiosks, belvederes, gazebos''. Neophilologus 87: 299–305, 200/ref> The word ''gazebo'' appears in a mid-18th century English book by the architects John and William Halfpenny: ''Rural Architecture in the Chinese Taste''. The ...
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Cadw/ICOMOS Register Of Parks And Gardens Of Special Historic Interest In Wales
The Cadw/ICOMOS Register of Parks and Gardens of Special Historic Interest in Wales is a heritage register of significant historic parks and gardens in Wales. It is maintained by Cadw, the historic environment service of the Welsh Government. The Register The Register was completed in 2002, but new sites continue to be added. Sites are classed into grades I, II* and II, according to their importance, in the same way as listed buildings. The Register currently includes just under 400 sites, of which 10 per cent grade I and 23 per cent are grade II*. Grade I listed sites The following list includes all registered sites listed at Grade I. Other parts of the United Kingdom Separate registers of parks, gardens and designed landscapes are maintained in the other countries of the United Kingdom: * The Register of Historic Parks and Gardens of special historic interest in England is maintained by English Heritage * The Inventory of Gardens and Designed Landscapes in Scotland is maint ...
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Clock Tower
Clock towers are a specific type of structure which house a turret clock and have one or more clock faces on the upper exterior walls. Many clock towers are freestanding structures but they can also adjoin or be located on top of another building. Some other buildings also have clock faces on their exterior but these structures serve other main functions. Clock towers are a common sight in many parts of the world with some being iconic buildings. One example is the Elizabeth Tower in London (usually called "Big Ben", although strictly this name belongs only to the bell inside the tower). Definition There are many structures which may have clocks or clock faces attached to them and some structures have had clocks added to an existing structure. According to the Council on Tall Buildings and Urban Habitat a structure is defined as a building if at least fifty percent of its height is made up of floor plates containing habitable floor area. Structures that do not meet this crite ...
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Coach House
Coach may refer to: Guidance/instruction * Coach (sport), a director of athletes' training and activities * Coaching, the practice of guiding an individual through a process ** Acting coach, a teacher who trains performers Transportation * Coach (bus), an automotive vehicle for long-distance travel *Coach (carriage), a horse-drawn vehicle * Coach (passenger car), a type of railroad car * Coach (scheduled transport), the mode of transport using such vehicles **Coach Canada, a Canadian bus transport company ** Coach USA, an American bus transport company * Coach class, a category of transport seating * Ehroflug Coach II S, a Swiss ultralight aircraft design * Funeral coach, a vehicle for carrying the deceased Business *Coach, Inc. (now Tapestry, Inc.), the parent company of Coach New York and other fashion brands **Coach New York (aka Coach), an American company specializing in luxury accessories such as handbags Art, media, and entertainment Characters * Coach (comics), a Marve ...
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Loggia
In architecture, a loggia ( , usually , ) is a covered exterior gallery or corridor, usually on an upper level, but sometimes on the ground level of a building. The outer wall is open to the elements, usually supported by a series of columns or arches. They can be on principal fronts and/or sides of a building and are not meant for entrance but as an outdoor sitting room."Definition of Loggia"
Lexic.us. Retrieved on 2014-10-24.
An overhanging loggia may be supported by a baldresca. From the early , nearly every Italian

Victoria Terrace, Beaumaris
Victoria Terrace, on the seafront in Beaumaris, Anglesey, Wales is a range of early 19th century townhouses. The terrace was designed by the architectural partnership of Joseph Hansom and Edward Welch for the Beaumaris Corporation. The development was a central part of the corporation's plans to reposition Beaumaris as a fashionable seaside resort in response to its declining maritime trade. The terrace was sold off in the early 20th century and is now divided into nineteen apartments. No. 1 remaining as a single house. This, and each apartment, No.s 2-20 inclusive, is designated a Grade I listed building, the Cadw listing record describing the whole block as "an outstanding and well-preserved late-Georgian terrace of national importance". History The town and castle of Beaumaris were created in the late 13th century as part of the Conquest of Wales led by Edward I. Planned in the 1280s, and constructed from 1295 by Edward's master builder, James of St George, the settlement replac ...
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Cadw
(, a Welsh verbal noun meaning "keeping/preserving") is the historic environment service of the Welsh Government and part of the Tourism and Culture group. works to protect the historic buildings and structures, the landscapes and heritage sites of Wales, to make them available for the public to visit, enjoy, and understand their significance. manages 127 state-owned properties and sites. It arranges events at its managed properties, provides lectures and teaching sessions, offers heritage walks, and hosts an online shop. Members of the public can become members of to gain membership privileges. Aims and objectives As the Welsh Government's historic environment service, is charged with protecting the historic environment of Wales, and making it accessible to members of the public. To this end, in 2010–11 it identified four aspects of its work: it would take measures to conserve the heritage of Wales, its ancient buildings, and monuments; it would aim to sustain the dist ...
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Cement Render
Cement render or cement plaster is the application of a mortar mix of sand and cement, (optionally lime) and water to brick, concrete, stone, or mud brick. It is often textured, colored, or painted after application. It is generally used on exterior walls but can be used to feature an interior wall. Depending on the 'look' required, rendering can be fine or coarse, textured or smooth, natural or colored, pigmented or painted. The cement rendering of brick, concrete and mud houses has been used for centuries to improve the appearance (and sometimes weather resistance) of exterior walls. It can be seen in different forms all over southern Europe. Different countries have their own styles and traditional colors. In the United Kingdom the cement is optional. In other countries the lime is optional. The cement in render hydrates the same way it does in concrete. Render finishes Different finishes can be created by using different tools such as trowels, sponges, or brushes. The a ...
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Pevsner Architectural Guides
The Pevsner Architectural Guides are a series of guide books to the architecture of Great Britain and Ireland. Begun in the 1940s by the art historian Sir Nikolaus Pevsner, the 46 volumes of the original Buildings of England series were published between 1951 and 1974. The series was then extended to Scotland, Wales and Ireland in the late 1970s. Most of the English volumes have had subsequent revised and expanded editions, chiefly by other authors. The final Scottish volume, ''Lanarkshire and Renfrewshire'', was published in autumn 2016. This completed the series' coverage of Great Britain, in the 65th anniversary year of its inception. The Irish series remains incomplete. Origin and research methods After moving to the United Kingdom from his native Germany as a refugee in the 1930s, Nikolaus Pevsner found that the study of architectural history had little status in academic circles, and that the amount of information available, especially to travellers wanting to inform themselv ...
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Edward Hubbard
Edward Horton Hubbard (2 July 1937 – 31 May 1989) was an English architectural historian who worked with Nikolaus Pevsner in compiling volumes of the ''Buildings of England''. He also wrote the definitive biography of John Douglas, and played a part in the preservation of Albert Dock in Liverpool. Biography Edward Hubbard was born in Birkenhead in 1937 and studied architecture at Liverpool University where he discovered that his vocation was for the history of architecture rather than for its practice. When the Victorian Society was founded in 1958, Hubbard became an early member and in 1965 he established its first regional group in Liverpool, acting as its honorary secretary for 13 years. When the group was launched the first speaker was Nikolaus Pevsner, and Hubbard was to work with him for the next 20 years in helping to compile the series of the ''Buildings of England'', and later the ''Buildings of Wales''. He did the preparatory work for the ''South Lancashire'' volu ...
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Picturesque
Picturesque is an aesthetic ideal introduced into English cultural debate in 1782 by William Gilpin in ''Observations on the River Wye, and Several Parts of South Wales, etc. Relative Chiefly to Picturesque Beauty; made in the Summer of the Year 1770'', a practical book which instructed England's leisured travellers to examine "the face of a country by the rules of picturesque beauty". Picturesque, along with the aesthetic and cultural strands of Gothic and Celticism, was a part of the emerging Romantic sensibility of the 18th century. The term "picturesque" needs to be understood in relationship to two other aesthetic ideals: the ''beautiful'' and the '' sublime''. By the last third of the 18th century, Enlightenment and rationalist ideas about aesthetics were being challenged by looking at the experiences of beauty and sublimity as non-rational. Aesthetic experience was not just a rational decision – one did not look at a pleasing curved form and decide it was beauti ...
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