Lizie Wan
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Lizie Wan
"Lizie Wan" is Child ballad 51 and a murder ballad. It is also known as "Fair Lizzie". Synopsis The heroine (called variously Lizie, Rosie or Lucy) is pregnant with her brother's child. Her brother murders her. He tries to pass off the blood as that of some animal he had killed (his greyhound, his falcon, his horse), but in the end must admit that he murdered her. He sets sail in a ship, never to return. Parallels This ballad, in several variants, contains most of the ballad "Edward", Child 13. Other ballads on this theme include "Sheath and Knife", "The King's Dochter Lady Jean", and "The Bonny Hind". In popular culture The Ballad of Lizie Wan was the inspiration for the title song from English recording artist Kate Bush's album ''The Kick Inside''. It is directly referenced in an early demo recording of the song in the second verse: "You and me on the bobbing knee / Welling eyes from identifying with Lizie Wan's story." The final version of the song replaces the direct re ...
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Child Ballad
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ''The English and Scottish Popular Ballads''. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s. History Age and source of the ballads The ballads vary in age; for instance, the manuscript of "Judas" dates to the thirteenth century and a version of " A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century. The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some are claimed to have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous col ...
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Murder Ballad
Murder ballads are a subgenre of the traditional ballad form dealing with a crime or a gruesome death. Their lyrics form a narrative describing the events of a murder, often including the lead-up and/or aftermath. The term refers to the content, and may be applied to traditional ballads, part of oral culture. Defining the subgenre The term ballad, applied to traditional or folk music, means a narrative song. Within ballads, the "event song" is dedicated to narrating a particular event, and the murder ballad is a type of event song in which the event is a murder. This definition can be applied also to songs composed self-consciously within, or with reference to, the traditional generic conventions. Atkinson, referring to traditional English ballads, comments that "there is no shortage of murders in the corpus of ballads ..and few of them are concealed with any success." Perspectives are numerous. Some murder ballads tell the story from the point of view of the murderer, or atte ...
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Incest In Folklore And Mythology
Incest in folklore and mythology is suggested to be a motif that hides origin myths since it is thought to have been the only way to populate the world at the dawn of time. In classical myth and literature, incest is a common motif, if not central, in tales of deities, heroes, and mortals. Incest-prone tale types typically focus on sexual connections or connotations within nuclear families (Eg: mother and son, and sister and brother). In ancient tales, mother–son incest is always depicted as the most shocking relationship. Depending on whether the incest is viewed symbolically or literally, these themes can be examined within various analytical frameworks, like psychoanalytic theory. The tales are widely spread around the world and range from comical to somber, but the bulk of folktales and fairy tales that discuss incest are somber and these have drawn the most scholarly interest. The terms "accidental incest" and "intended incest" can be used to group incest tales. Humorous I ...
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Edward (ballad)
"Edward" is a traditional murder ballad existing in several variants, categorised by Francis James Child as Child Ballad number 13 and listed as number 200 in the Roud Folk Song Index. The ballad, which is at least 250 years old (a text of its Swedish counterpart has been dated to the mid-17th century), has been documented and recorded numerous times across the English speaking world into the twentieth century. Synopsis A mother questions her son about the blood on his "sword" (most likely a hunting knife, given the era when the story is occurring). He avoids her interrogation at first, claiming that it is his hawk or his horse (or some other kind of animal depending on the variation of the song), but finally admits that it is his brother, or his father, whom he has killed. He declares that he is leaving and will never return, and various creatures (wife, children, livestock) will have to fare without him. His mother then asks what she will get from his departure. He answers "a cur ...
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Sheath And Knife
"Sheath and Knife" (Roud 3960, Child 16) is a folk ballad. Synopsis A woman is pregnant with her brother's child. He takes her to the greenwood to have her child, but she dies (or he kills her at her request). He buries her and laments her death. Variants "Leesome Brand", Child ballad 15, is closely related to this ballad, and some variants are hard to distinguish; the hero laments the death in the same language as "Sheath and Knife". Other ballads on this theme include "The Bonny Hind", "The King's Dochter Lady Jean", and "Lizie Wan".Francis James Child, ''The English and Scottish Popular Ballads'', v 1, p 185, Dover Publications, New York 1965 Versions * Ewan MacColl sang this ballad and it is included on the collection ''Black & White''. * Sol Invictus has a live version on the 1994 album ''The Death of the West''. * Maddy Prior has a version on her 1998 album ''Flesh & Blood''. * Helen Bonchek Schneyer performed an a cappella version on her Folk-Legacy album ''Ballads, Br ...
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The King's Dochter Lady Jean
"The King's Dochter Lady Jean" is Child ballad No. 52. Synopsis The King's youngest Daughter, Jane, is sitting in her bower one day when she is overcome with the urge to gather nuts from the King's forest. She goes to the forest to do so when a forester appears, and commands her not to pick nuts in the forest without his permission. Jane asserts that she does not need his permission, at which point the forester rapes her. Jane says that he will pay dearly for raping the king's daughter, at which point the forester reveals that he is the king's son. He had been at sea for many years and so did not recognize Jane as his sister. Jane wished that they had never met and she ends the tale by hoping that she dies after giving birth to the baby they have conceived. In some variants, he kills her; in most, she goes home, and is tasked by her family for why she ails, and she and her brother both die when they meet there. Variants Other ballads on this theme include "Sheath and Knife", "The B ...
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The Bonny Hind
"The Bonny Hind" is Child ballad number 50 (Roud 205). Synopsis A squire persuades a maiden to lie with him. Afterward, she asks his name, and he reveals that he is a lord's son. She calls him a liar: she is that lord's daughter. The horror-struck son reveals that he was long at sea. She stabs herself to death, and he buries her. He goes home and grieves for a "bonny hind" whatever his father can do to distract him. Variants Other ballads on this theme include "Sheath and Knife", "The King's Dochter Lady Jean", and "Lizie Wan".Francis James Child, ''The English and Scottish Popular Ballads'', v 1, p 185, Dover Publications, New York 1965 See also *The Bonnie Banks o Fordie "Babylon" or "The Bonnie Banks o Fordie" is Child ballad 14, Roud Folk Song Index, Roud 27. Synopsis An outlaw comes upon three sisters in the woods. He threatens each one in turn to make her marry him. The first two refuse and are killed. Th ... References Child Ballads Year of song unknown
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Kate Bush
Catherine Bush (born 30 July 1958) is an English singer, songwriter, record producer and dancer. In 1978, at the age of 19, she topped the UK Singles Chart for four weeks with her debut single "Wuthering Heights (song), Wuthering Heights", becoming the first female artist to achieve a UK number one with a self-written song. Bush has since released 25 UK Top 40 singles, including the Top 10 hits "The Man with the Child in His Eyes", "Babooshka (song), Babooshka", "Running Up That Hill", "Don't Give Up (Peter Gabriel and Kate Bush song), Don't Give Up" (a duet with Peter Gabriel) and "King of the Mountain (Kate Bush song), King of the Mountain". All ten of her studio albums reached the UK Top 10, with all bar one reaching the top five, including the UK number one albums ''Never for Ever'' (1980), ''Hounds of Love'' (1985) and the greatest hits compilation ''The Whole Story'' (1986). She was the first British solo female artist to top the UK album charts and the first female art ...
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The Kick Inside
''The Kick Inside'' is the debut Album#Studio, studio album by English art rock singer Kate Bush. Released on 17 February 1978 by EMI Records, it includes her UK No. 1 hit, "Wuthering Heights (song), Wuthering Heights". The album peaked at No. 3 on the UK Albums Chart and has been certified Platinum by the British Phonographic Industry (BPI). The production included efforts by several progressive rock veterans, including Duncan Mackay (musician), Duncan Mackay, Ian Bairnson, David Paton, Andrew Powell, and Stuart Elliott (drummer), Stuart Elliott of the Alan Parsons Project, and David Gilmour of Pink Floyd. Background and recording Having written songs since the age of 11, Kate Bush recorded demos with the assistance of her brothers, who were also musicians. A friend of theirs, Ricky Hopper, brought some of these tapes to various record companies in 1972, when Bush was 13. The tapes were passed over, but Hopper played them for his friend David Gilmour of Pink Floyd. Gilmour was i ...
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Martyn Bates
Martyn Bates (born 1960) is an English singer, musician and songwriter. Bates grew up listening to English folk music before as a teenager becoming excited by punk, getting involved in the more diverse and experimental post-punk scene. After releasing tapes of experimental, industrial music as Migraine Inducers he formed Eyeless In Gaza with Peter Becker in January 1980.Martyn Bates biography
Eyelessingaza.com
The duo became known for their unconventional instrumentation and arrangements, and for Bates’s passionate vocals, which at times were whispered, howled, or stammered. Eyeless In Gaza released six albums on . These were ''

Mick Harris
Michael John Harris (born 4 October 1967) is an English musician from Birmingham. He was the drummer for Napalm Death between 1985 and 1991, and is credited for coining the term "grindcore". After Napalm Death, Harris joined Painkiller with John Zorn and Bill Laswell. Since the mid-1990s, Harris has worked primarily in electronic and ambient music, his main projects being Scorn and Lull. He has also collaborated with musicians including James Plotkin and Extreme Noise Terror. According to AllMusic, Harris's "genre-spanning activities have done much to jar the minds, expectations, and record collections of audiences previously kept aggressively opposed." Early life Michael John Harris was born in Birmingham, England. He grew up listening to the radio shows of John Peel and would later record Peel Sessions with both Napalm Death and Scorn. Harris was influenced by listening to bands such as Coil and Skinny Puppy. He started playing drums in 1984 at the age of 16, after a frie ...
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