Living Legend (Art Pepper Album)
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Living Legend (Art Pepper Album)
''Living Legend'' is a 1975 jazz album by saxophonist Art Pepper playing with pianist Hampton Hawes, bassist Charlie Haden and drummer Shelly Manne. This was Art Pepper's "comeback" album, the first to be released after his long absence due to drug addiction and incarceration in San Quentin prison. Pepper had been finally released in 1966 and for a while only played tenor saxophone, showing how much of an influence John Coltrane had been on him in the intervening years. In 1968 Buddy Rich asked him to join his big band (on alto); Pepper borrowed an alto and, in his words, quoted in the sleeve notes to this album, "discovered I was able to say everything I wanted to say and I didn't have to sacrifice my individuality to be accepted or to be modern". Following two operations for a ruptured spleen, Pepper moved into Synanon, a rehabilitation centre for recovering addicts, and began the slow return to full-time performing and recording. Reception AllMusic reviewer Scott Yanow award ...
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Art Pepper
Arthur Edward Pepper Jr. (September 1, 1925 – June 15, 1982) was an American alto saxophonist and very occasional tenor saxophonist and clarinetist. Active in West Coast jazz, Pepper came to prominence in Stan Kenton's big band. He was known for his emotionally charged performances and several stylistic shifts throughout his career, and was described by critic Scott Yanow as having "attained his goal of becoming the world's great altoist" at the time of his death. Early life Art Pepper was born in Gardena, California, United States.Dupuis, Robert. "Art Pepper." ''Contemporary Musicians: Profiles of the People in Music.'' Vol. 18. Detroit, MI: Gale Research, 1997. 164-67. Print. His mother was a 14-year-old runaway; his father, a merchant seaman. Both were violent alcoholics, and when Pepper was still quite young, he was sent to live with his paternal grandmother. He expressed early musical interest and talent, and he was given lessons. He began playing clarinet at nine, switc ...
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The Penguin Guide To Jazz Recordings
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Jimmy Van Heusen
James Van Heusen (born Edward Chester Babcock; January 26, 1913 – February 6, 1990) was an American composer. He wrote songs for films, television and theater, and won an Emmy and four Academy Awards for Best Original Song. Life and career Born in Syracuse, New York, Van Heusen began writing music while at high school. He renamed himself at age 16, after the shirt makers Phillips-Van Heusen, to use as his on-air name during local shows. His close friends called him "Chet".Coppula, C. (2014). ''Jimmy Van Heusen: Swinging on a Star''. Nashville: Twin Creek Books. Jimmy was raised Methodist. Studying at Cazenovia Seminary and Syracuse University, he became friends with Jerry Arlen, the younger brother of Harold Arlen. With the elder Arlen's help, Van Heusen wrote songs for the Cotton Club revue, including "Harlem Hospitality". He then became a staff pianist for some of the Tin Pan Alley publishers, and wrote "It's the Dreamer in Me" (1938) with lyrics by Jimmy Dorsey. Colla ...
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Johnny Burke (lyricist)
John Francis Burke (October 3, 1908 – February 25, 1964) was an American lyricist, successful and prolific between the 1920s and 1950s. His work is considered part of the Great American Songbook. His song "Swinging on a Star", from the Bing Crosby film ''Going My Way'', won an Academy Award for Best Song in 1944. Early life Burke was born in Antioch, California, United States, the son of Mary Agnes (Mungovan), a schoolteacher, and William Earl Burke, a structural engineer. When he was still young, his family moved to Chicago, Illinois, where Burke's father founded a construction business. As a youth, Burke studied piano and drama. He attended Crane College and then the University of Wisconsin–Madison, where he played piano in the orchestra. After graduating from the University of Wisconsin–Madison in 1927, Burke joined the Chicago office of the Irving Berlin Publishing Company in 1926 as a pianist and song salesman. He also played piano in dance bands and vaudeville. Car ...
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Here's That Rainy Day
"Here's That Rainy Day" is a popular song with music by Jimmy Van Heusen and lyrics by Johnny Burke that was published in 1953. It was introduced by Dolores Gray in the Broadway musical '' Carnival in Flanders''. Frank Sinatra Frank Sinatra recorded the song on March 25, 1959, for the Capitol album '' No One Cares'', arranged and conducted by Gordon Jenkins. Sinatra performed it on a Timex-sponsored show entitled ''The Frank Sinatra Timex Show: An Afternoon with Frank Sinatra'' broadcast on December 13, 1959, and on the Emmy-nominated ''Francis Albert Sinatra Does His Thing'', broadcast on November 25, 1968. On November 18, 1973, he performed it on his television comeback special, ''Magnavox Presents Frank Sinatra'', in a medley with "Last Night When We Were Young" and "Violets for Your Furs". Sinatra also performed the song during three concerts in 1974 at Caesar's Palace in Philadelphia and Saratoga Springs, New York. Other versions The song has also become a jazz stand ...
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Scott Yanow
Scott Yanow (born October 4, 1954) is an American jazz reviewer, historian, and author.Allmusic Biography/ref> Biography Yanow was born in New York City and grew up near Los Angeles. Since 1974, he was a regular reviewer of many jazz styles and was the jazz editor for ''Record Review.'' He wrote for many jazz and arts magazines, including ''JazzTimes'', ''Jazziz'', ''Down Beat'', ''Cadence'', ''CODA'' and the ''Los Angeles Jazz Scene''. In September 2002, Yanow was interviewed on-camera by CNN about the Monterey Jazz Festival and wrote an in-depth biography on Dizzy Gillespie for AllMusic.com. He authored 12 books on jazz (including 2022's Life Through The Eyes Of A Jazz Journalist), over 900 liner notes for CDs and over 20,000 reviews of jazz recordings. Yanow was a contributor to and co-editor of the third edition of the ''All Music Guide to Jazz''. He continues to write for ''Downbeat, Jazziz'', the ''Los Angeles Jazz Scene'', "Syncopated Times," "Jazz Artistry Now," the ''J ...
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The Rolling Stone Jazz Record Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Leo ...
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