Living Buddhas
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Living Buddhas
''Living Buddhas'' (German: ''Lebende Buddhas'') is a 1925 German silent film in five chapters, directed by Paul Wegener and starring Wegener, Asta Nielsen and Käthe Haack. It was co-written by Wegener and Hans Stürm (who played Professor Campbell in the film). Wegener cast himself as the evil High Llama of a devil cult. Danish actress Nielsen's film career went downhill quickly with the advent of sound films. It was made at the Staaken Studios in Berlin. Only five minutes of footage survive of the original 139-minute running time.Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p. 286. . Plot Professor Campbell and his young wife travel to Tibet on an expedition to investigate a primitive and savage cult. The high priest of the cult plans to use Mrs. Campbell as a human sacrifice. The professor succeeds in getting the entire party out of Tibet, and even manages to bring with him a sacred document belonging to ...
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Paul Wegener
Paul Wegener (11 December 1874 – 13 September 1948) was a German actor, writer, and film director known for his pioneering role in German expressionist cinema. Acting career At the age of 20, Wegener decided to end his law studies and concentrate on acting, touring the provinces before joining Max Reinhardt's acting troupe in 1906. In 1912, he turned to the new medium of motion pictures and appeared in the 1913 version of '' The Student of Prague''. It was while making this film that he first heard the old Jewish legend of the Golem and proceeded to adapt the story to film, co-directing and co-writing the script with Henrik Galeen. His first version of the tale '' The Golem'' (1915, now lost) was a success and firmly established Wegener's reputation. In 1917, he made a parody of the story called ''Der Golem und die Tänzerin'', but it was his reworking of the tale, '' The Golem: How He Came into the World'' (1920) which stands as one of the classics of German cinema and help ...
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Gregori Chmara
Gregori Mikhailovich Chmara (Ukrainian: Григорій Михайлович Хмара, Russian: Григорий Михайлович Хмара; 29 July 1878 – 3 February 1970) was a Ukrainian-born stage and film actor whose career spanned six decades. Biography Born in Poltava, Russian Empire (now Ukraine), Chmara began his career in 1910 at the Moscow Art Theater. He made several films in Russia and following the Russian Revolution he went to Germany where he performed as a singer. After meeting the Danish actress Asta Nielsen, the two fell in love and lived together, but never married. In the 1930, he began appearing in Polish and French films, as well as German films. His last film role was in the Stellio Lorenzi-directed French television film adaptation of Fyodor Dostoevsky novel ''Crime and Punishment'' (''Crime et châtiment''), filmed in 1970 and released in 1971. Chmara died in France in 1970. Selected filmography * '' Raskolnikow'' (1923) * '' I.N.R.I. ...
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Films Shot At Staaken Studios
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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Films About Tibet
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ...
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German Silent Feature Films
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germ ...
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Films Directed By Paul Wegener
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photography, photographing actual scenes with a movie camera, motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of computer-generated imagery, CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still imag ...
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Films Of The Weimar Republic
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ...
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Eduard Rothauser
Eduard Rothauser (1876–1956) was an Austro-Hungarian Empire, Austrian-born Germans, German actor. Selected filmography * ''The Man in the Cellar'' (1914) * ''The Princess of Urbino'' (1919) * ''Nobody Knows (1920 film), Nobody Knows'' (1920) * ''The Graveyard of the Living'' (1921) * ''The Maharaja's Favourite Wife'' (1921) * ''The Romance of a Poor Sinner'' (1922) * ''Esterella (film), Esterella'' (1923) * ''And Yet Luck Came'' (1923) * ''The Chain Clinks'' (1923) * ''Garragan'' (1924) *''In den Krallen der Schuld'' (1924) * ''Slums of Berlin'' (1925) * ''The Hanseatics'' (1925) * ''Living Buddhas'' (1925) * ''People to Each Other'' (1926) *''Manon Lescaut (1926 film), Manon Lescaut'' (1926) * ''Children of No Importance'' (1926) *''Mata Hari (1927 film), Mata Hari'' (1927) *''Schwester Veronica'' (1927) * ''Assassination (1927 film), Assassination'' (1927) *''The Holy Lie'' (1927) * ''Queen Louise (1927 film), Queen Louise'' (1928) *''Bobby, the Petrol Boy'' (1929) *''Dreyfus ...
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Heinrich Schroth
Heinrich August Franz Schroth (23 March 1871 – 14 January 1945) was a German stage and film actor. Career Schroth was born in Pirmasens, Rhineland-Palatinate, Germany. He made his acting debut at the Sigmaringen Royal Theatre in 1890. In 1894 he went to the Municipal Theatre in Augsburg, in 1896 to Mainz and in 1897 to the Royal Court Theatre in Hanover. From 1899 to 1905, he spent six years as a part of the ensemble of the Deutsches Schauspielhaus in Hamburg and from 1905 onwards at various Berlin theatres. Schroth made his film debut in the 1916 Walter Schmidthässler-directed drama ''Welker Lorbeer''. He spent the 1910s in numerous German silent film productions, working with such directors as George Jacoby, Robert Wiene and Harry Piel. His career in the 1920s was prolific, and he appeared opposite such silent film actors as Lil Dagover, Emil Jannings, Paul Wegener and Brigitte Helm and transitioned to sound film with ease. During World War II Heinrich Schroth participated ...
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Max Pohl
Max Pohl (10 December 1855 – 7 April 1935) was an Austrian stage and film actor.Gadberry p.155 Selected filmography * '' The Black Tulip Festival'' (1920) * '' The Marquise of Armiani'' (1920) * ''The Fear of Women'' (1921) * '' The Oath of Stephan Huller'' (1921) * ''Monna Vanna'' (1922) * '' Lucrezia Borgia'' (1922) * ''Man by the Wayside'' (1923) * '' The Hungarian Princess'' (1923) * '' Living Buddhas'' (1925) * '' Queen Louise'' (1927) * ''The Murderer Dimitri Karamazov'' (1931) * ''The Brothers Karamazov ''The Brothers Karamazov'' (russian: Братья Карамазовы, ''Brat'ya Karamazovy'', ), also translated as ''The Karamazov Brothers'', is the last novel by Russian author Fyodor Dostoevsky. Dostoevsky spent nearly two years writing '' ...'' (1931) References Bibliography * Glen W. Gadberry. ''Theatre in the Third Reich, the Prewar Years''. Greenwood Publishing, 1995. External links * 1855 births 1935 deaths Austrian male stage actors Austrian male ...
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Friedrich Kühne
Friedrich Kühne (24 April 1870 – 13 October 1959), born Franz Michna, was a German film actor of the silent era. He appeared in more than 100 films between 1913 and 1957. Selected filmography * ''The Iron Cross'' (1914) * ''Detektiv Braun'' (1914) * ''Der Hund von Baskerville'' (''The Hound of the Baskervilles'') (1914) as Stapleton * '' The Silent Mill'' (1914) * ''Tales of Hoffmann'' (1916) * '' Ferdinand Lassalle'' (1918) * '' The Prisoner of Dahomey'' (1918) * ''Alraune, die Henkerstochter, genannt die rote Hanne'' (1918) * '' Opium'' (1919) * '' Veritas Vincit'' (1919) * '' The Spiders'' (1919-1920, 2 parts) * '' Judith Trachtenberg'' (1920) * ''The Song of the Puszta'' (1920) * ''Lady Hamilton'' (1921) * ''The Terror of the Red Mill'' (1921) * '' The Black Panther'' (1921) * ''Danton'' (1921) * ''Children of Darkness'' (1921) * ''Hashish, the Paradise of Hell'' (1921) * '' Treasure of the Aztecs'' (1921) * ''Die Gezeichneten'' (1922) * ''The False Dimitri'' (1922) ...
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Carl Ebert
Carl Anton Charles Ebert (20 February 1887 – 14 May 1980), was an actor, stage director and arts administrator. Ebert's early career was as an actor, training under Max Reinhardt and becoming one of the leading actors in his native Germany during the 1920s. During that decade he was also appointed to administrative posts, both theatrical and academic. In 1929 he directed opera for the first time, and during the 1930s established a reputation as an operatic director in Germany and beyond. A strong opponent of Nazism, he left Germany in 1933 and did not return until 1945. Together with John Christie and the conductor Fritz Busch, Ebert created the Glyndebourne Festival Opera in 1934. Ebert remained its artistic director until 1959, though productions were suspended during the Second World War. In the 1930s and 1940s Ebert helped establish a national conservatory in Turkey, where he and his family lived from 1940 to 1947. In his later years Ebert held administrative posts in L ...
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