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Live In London (The Beach Boys Album)
''Live in London'' is a live album by American rock band the Beach Boys released by EMI in the UK in May 1970. When released in the US on November 15, 1976, the album was renamed ''Beach Boys '69 (The Beach Boys In London)'' via Capitol Records. Background 1968 was a difficult year for The Beach Boys in the USA, where their reputation had soured considerably. Yet enthusiasm for the group in Europe was still strong, as evidenced by these confident performances recorded while the group were making their ''20/20'' album. After the surprise success of the '' Endless Summer'' and '' Spirit of America'' hits packages in 1974 and 1975, the Beach Boys enjoyed a resurgence of popularity in America, especially on the concert circuit. It was during this time that Capitol decided to issue a renamed edition of the album for the first time in the US. The reissue had art by rock artist Jim Evans, and a new title, ''Beach Boys '69''. Besides the fact that the live performance was actually rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beach Boys
The Beach Boys are an American Rock music, rock band that formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian Wilson, Brian, Dennis Wilson, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by their vocal harmony, vocal harmonies, adolescent-themed lyrics, and musical ingenuity, they are one of the most influential acts of the rock era. They drew on the music of traditional pop, older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound. Under Brian's direction, they often incorporated classical music, classical or jazz elements and Recording studio as an instrument, unconventional recording techniques in innovative ways. The Beach Boys began as a garage band, managed by the Wilsons' father Murry Wilson, Murry, with Brian serving as composer, arranger, producer, and ''de facto'' leader. In 1963, they enjoyed their first national hit with "Surfin' U.S.A.", beginning a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Evans (artist)
Jim Evans, sometimes known as T.A.Z., is an American painter, printmaker, and creative director who was a contributing figure in the visual art movement known as underground comix. After a successful career as a comic illustrator, Evans worked as a painter, poster maker, and owner of the digital design group Division 13. Biography Early life Evans was born in San Diego amidst the surfing culture of southern California. After attending Oceanside High School, he played in several local bands and then created comic strips for the ''Los Angeles Free Press'' and other underground papers while working for Eric Matlen's Sawyer Press. Evans then began to take commissions doing work in several comic books. These included '' Yellow Dog'', and a solo effort titled ''The Dying Dolphin'', released by the Berkeley-based Print Mint, it included collaborations with Rick Griffin and Ron Cobb. Evans also drew for ''Slow Death Funnies'', and ''Tales from the Tube'', which was published by ''Sur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
California Girls
"California Girls" is a song by the American rock band the Beach Boys from their 1965 album, ''Summer Days (And Summer Nights!!)''. Written by Brian Wilson and Mike Love, the lyrics detail an appreciation for women across the world and a wish that they all lived in the band's home state, California. It was released as a single, backed with "Let Him Run Wild", and reached number 3 on the ''Billboard'' Hot 100. It was also a top 10 hit in several other countries, becoming one of the band's most successful songs globally. Wilson conceived "California Girls" during his first acid trip while thinking about women and Western film scores. The song is distinguished for its orchestral prelude, layered vocals, and chromaticism. Wilson later referred to it as "a hymn to youth", the Beach Boys' "anthem", and his favorite record by the group, although he remained dissatisfied with their vocal performance. It was the band's first recording with touring musician Bruce Johnston, who was not ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sloop John B
"Sloop John B" (originally published as "The John B. Sails") is a Bahamian folk song from Nassau. A transcription by Richard Le Gallienne was published in 1916, and a version was included in Carl Sandburg's ''The American Songbag'' in 1927. Since the early 1950s there have been many recordings of the song with variant titles including "I Want to Go Home" and "Wreck of the John B". In 1966, the Beach Boys recorded a folk rock adaptation that was produced and arranged by their ''de facto'' leader, Brian Wilson. Released as the second single from their album ''Pet Sounds'', the record peaked at number three in the U.S., number two in the UK, and topped the charts in several other countries. It was innovative for containing an elaborate a cappella vocal section not found in other pop music of the era, and it remains one of the group's biggest hits. In 2011, the Beach Boys' version of "Sloop John B" was ranked on ''Rolling Stone''s list of "The 500 Greatest Songs of All Time". Earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Asher
Anthony D. Asher (born May 2, 1939) is an English-American songwriter and advertising copywriter who is best known for his collaborations with Brian Wilson (of the Beach Boys) and Roger Nichols in the 1960s. Asher co-wrote eight songs on the Beach Boys' 1966 album ''Pet Sounds'', including the singles "God Only Knows", "Wouldn't It Be Nice", and "Caroline, No". According to Asher, he mainly served as a lyricist for Wilson's songs, but in some cases also contributed musical ideas. Asher also composed jingles, such as Mattel's slogan "You can tell it's Mattel—it's swell!", and contributed songs to ''The Partridge Family''. Background Tony Asher was born in London on May 2, 1939, the son of American actress Laura La Plante and film producer Irving Asher. He and his mother moved to Los Angeles before he was six months old, while Irving remained in England to serve in the US Army during World War II. As a child, Asher played piano and composed. He graduated from UCLA with a degree i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wouldn't It Be Nice
"Wouldn't It Be Nice" is a song by the American rock music, rock band the Beach Boys and the opening track from their 1966 album ''Pet Sounds''. Written by Brian Wilson, Tony Asher, and Mike Love, it is distinguished for its sophisticated Wall of Sound-style arrangement and refined vocal performances, and is regarded among the band's finest songs. With its juxtaposition of joyous-sounding music and melancholic lyrics, it is considered a formative work of power pop, and with respect to musical innovation, progressive pop. The song was inspired by Wilson's confused infatuations for his sister-in-law, who projected an "innocent aura" that he wished to capture in "Wouldn't It Be Nice". Lyrically, the song describes a young couple who feel empowered by their monogamous relationship and fantasize about the romantic freedom they would earn as adults. Like the other tracks on ''Pet Sounds'', it subverted listeners' expectations, as past Beach Boys songs had normally celebrated superficial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darlin' (The Beach Boys Song)
"Darlin" is a song by American rock band the Beach Boys from their 1967 album '' Wild Honey''. Written by Brian Wilson and Mike Love, it was inspired by singer Danny Hutton (the title word featured heavily in his vocabulary) and was originally intended to be recorded by an early version of Three Dog Night. Carl Wilson ultimately sang the lead vocal. Released as the second single from ''Wild Honey'', "Darlin peaked at number 19 in the U.S. and number 11 in the UK. Artists who have covered the song include David Cassidy, Paul Davis, Yipes!, Tatsuro Yamashita, Sweet Trip, and Darlin', the band that later evolved into Daft Punk. Background and recording The song was initially written as "Thinkin' 'Bout You Baby" by Wilson and Love years earlier, and was first recorded in April 1964 and released as a single two months later by Sharon Marie—a teenager Love met at a June 1963 Beach Boys concert in Sonoma County and helped sign to Capitol Records—with production by Wilson himse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Love
Michael Edward Love (born March 15, 1941) is an American singer and songwriter who co-founded the Beach Boys with his cousins Brian, Dennis, and Carl Wilson and their friend Al Jardine. Characterized by his nasal tenor and occasional bass-baritone singing, Love has been one of the band's vocalists and lyricists for their entire career, contributing to each of their studio albums and serving as their frontman for live performances. During the mid-1960s, he was one of Brian's main collaborators, co-writing hit records such as " Fun, Fun, Fun" (1964), " I Get Around" (1964), "Help Me, Rhonda" (1965), "California Girls" (1965), and "Good Vibrations" (1966). Drawing inspiration from Chuck Berry and Felice and Boudleaux Bryant, Love's lyrics primarily reflected the youth culture of surfing, cars, and romance, which helped fashion pop culture's perception of the "California Dream". Love also had a significant role in the Beach Boys' vocal arrangements – particularly the doo-wop ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Wilson
Brian Douglas Wilson (born June 20, 1942) is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys. Often called a genius for his novel approaches to pop composition, extraordinary musical aptitude, and mastery of recording techniques, he is widely acknowledged as one of the most innovative and significant songwriters of the 20th century. His best-known work is distinguished for its high production values, complex harmonies and orchestrations, layered vocals, and introspective or ingenuous themes. Wilson is also known for his formerly high-ranged singing and for his lifelong struggles with mental illness. Raised in Hawthorne, California, Wilson's formative influences included George Gershwin, the Four Freshmen, Phil Spector, and Burt Bacharach. In 1961, he began his professional career as a member of the Beach Boys, serving as the band's songwriter, producer, co-lead vocalist, bassist, keyboardist, and ''de facto'' leader. After signing w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beach Boys Concert
''Beach Boys Concert'' is the first live album by American rock band the Beach Boys, released on October 19, 1964. It is their seventh album in all, and their third alone in the same year. It was their first of two chart-topping albums in the US (the other was their 1974 greatest hit compilation, '' Endless Summer''), as well as the first live album to top pop music record charts, maintaining its position for four weeks during a sixty-two-week chart stay, and becoming another gold seller. The album was recorded live at the Memorial Auditorium in Sacramento, California, though it received heavy post-production treatment. Because Brian Wilson was about to vacate his position in the live group, and would only perform sporadically with them over the course of the next three decades, it is one of the few live documents of the original line up of the Beach Boys in officially released LP form. In 2014, '' Live in Sacramento 1964'' was released, containing additional performances from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunflower (Beach Boys Album)
''Sunflower'' is the sixteenth studio album by the American rock band the Beach Boys, released on August 31, 1970, and their first on Reprise Records. It received favorable reviews, but sold poorly, reaching number 151 on the US record charts during a four-week stay and becoming the lowest-charting Beach Boys album to that point. " Add Some Music to Your Day" was the only single that charted in the US, peaking at number 64. In the UK, the album peaked at number 29. Working titles for the album included ''Reverberation'', ''Add Some Music'', and ''The Fading Rock Group Revival''. The recording sessions began in January 1969, and, after a year-long search for a new record contract, completed in July 1970. In contrast to ''20/20'', the record featured a strong group presence with significant writing contributions from all band members. About four dozen songs were written for the album, and the label rejected numerous revisions of its track listing before the band presented enough form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
15 Big Ones
''15 Big Ones'' is the 20th studio album by the American rock band the Beach Boys, released July 5, 1976 on Brother/Reprise. It includes a mix of original songs and renditions of rock 'n' roll and R&B standards. The LP was the band's first album with production credited solely to Brian Wilson since ''Pet Sounds'' (1966). As such, its release was accompanied by a controversial media campaign that declared his comeback as an active member of the Beach Boys' recording and touring group. Following their previous album, ''Holland'' (1973), the band had focused on touring and attracting bigger concert audiences, especially after the unexpected success of their greatest hits compilation '' Endless Summer'' (1974). They attempted to record a new album at Caribou Ranch studio in late 1974, but it was soon abandoned, partly due to Wilson being unable or unwilling to participate. At the end of 1975, his bandmates and manager Stephen Love prevailed upon him to produce the group's next relea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
