Live In London (Judas Priest Album)
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Live In London (Judas Priest Album)
''Live in London'' is a concert album by British heavy metal band Judas Priest, released on 8 April 2003. It was recorded at Brixton Academy on 19 December 2001, and is the last album the band released with Tim "Ripper" Owens before they reunited with Rob Halford. This contains the full concert in comparison to its DVD counterpart. The U.S. version was delayed until 8 April, three months following the European release with no known information. Track listing Personnel ;Judas Priest *Tim "Ripper" Owens – vocals *Glenn Tipton – guitars *K. K. Downing – guitars *Ian Hill – bass guitar *Scott Travis – drums ;Production * Engineered live by Will Shapland * Mixed by Sean Lynch * Engineered by Ricky Graham *Album cover by L-Space Design *Photography Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photog ...
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Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Chris Tsangarides
Christopher Andrew Tsangarides (17 August 1956 – 6 January 2018) was a British Grammy-nominated record producer, sound engineer, and mixer of Greek Cypriot origin. He was best known for his work with many heavy metal artists, including Gary Moore, Thin Lizzy, Judas Priest, Helloween, Anvil, Angra, Anthem, Yngwie Malmsteen, and Tygers of Pan Tang. Tsangarides worked with many pop and alternative artists as well, including Depeche Mode, Tom Jones, Concrete Blonde, and The Tragically Hip. Career Chris Tsangarides learned to play piano as a child and studied trumpet at the Royal Academy of Music, before studying economics at college. He started his career in the music business in 1974, as an apprentice at Morgan Studios in London, one of the major independent recording studios in the UK at the time. Initially, he worked there as a tape operator and his first job as sound engineer was on Judas Priest's second album '' Sad Wings of Destiny'' in 1976. He engineered the Brit ...
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Breaking The Law
"Breaking the Law" is a song by English heavy metal band Judas Priest, originally released on their 1980 album '' British Steel''. The song is one of the band's better known singles, and is readily recognized by its opening guitar riff. Composition Prior to releasing 1980's '' British Steel'', Judas Priest had been making moves toward streamlining their music into a simpler, less processed sound. That approach came to full fruition on ''British Steel''. "Breaking the Law" combines a recognisable minor-key opening riff and a rhythmic chorus as its main hooks. There is a change-up on the mostly instrumental bridge, a new chord progression with Halford shouting "You don't know what it's like!" before the sound effect of a police car's siren leads back into the main riff. More recent live performances of the song have featured a short solo by Downing over the bridge. The outro of the song is the main riff played repeatedly with Halford singing the chorus and Downing playing power ...
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Burn In Hell (Judas Priest Song)
"Burn in Hell" is a song and the first single to be released by English heavy metal band Judas Priest in 1997 for their 13th studio album ''Jugulator''. The song is about the evils that humans do and is featured on the two live albums '' '98 Live Meltdown'' and '' Live in London'', both of which were recorded with Tim "Ripper" Owens. The single is also Judas Priest’s first with Owens. A music video was produced for the song. It was shortened down to a little over four minutes. The video features the band in their stage attire playing the song on a stage with fast camera changes and different lights. Personnel *Tim "Ripper" Owens – Vocals *K. K. Downing – Guitars *Glenn Tipton – Guitars *Ian Hill – Bass *Scott Travis Mark Scott Travis (born September 6, 1961) is an American metal musician, best known as the drummer for the English heavy metal band Judas Priest, the Irish rock band Thin Lizzy and the supergroup Elegant Weapons. He was also a longtime member ... ...
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Les Binks
James Leslie Binks (born in Portadown, Northern Ireland), is a Northern Irish heavy metal drummer. He was the drummer for Judas Priest from 1977 to 1979. History Previously working for Eric Burdon, Binks was a drummer on Roger Glover's album ''The Butterfly Ball and the Grasshopper's Feast'' (1974). The album project began as a soundtrack for an animated film based on a well-known English children's book, but a promo for the film never gained any interest, so the project was scrapped. Glover went on to release the soundtrack as a "Roger Glover and Friends" title. One of the featured vocalists, Eddie Hardin, later released his own albums, the first of which was ''Eddie Hardin's Wizard's Convention'' (1976), which again included Binks on drums. Binks played for the pop band Fancy who had two U.S. hits in 1974 with a cover of " Wild Thing", and "Touch Me". Through his connection to Roger Glover who had just wrapped up production of their album ''Sin After Sin'', Binks joined the ...
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Beyond The Realms Of Death
"Beyond the Realms of Death" is a power ballad by English heavy metal band Judas Priest from their 1978 album ''Stained Class''. Vocalist Rob Halford's performance is considered one of his finest ever, and the guitar work is noted as well, especially the solos. Many reviewers have called it one of the best songs on the album. The song is considered a Judas Priest classic, with versions of the song appearing on the albums '' Priest, Live and Rare'', '' '98 Live Meltdown'', '' Live in London'', '' A Touch of Evil: Live'', '' Live Insurrection'' and many of the group's compilation albums. Drummer Les Binks has his only songwriting credit with the band for the song's main riff. Composition The song starts out as a slow and light ballad until the chorus, where the song erupts into heavy riffs. The song then turns light once again until the next chorus, and the following bridge section. The first guitar solo is then played by Glenn Tipton. Then the song turns light once again for the ...
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Fleetwood Mac
Fleetwood Mac are a British-American rock band, formed in London in 1967. Fleetwood Mac were founded by guitarist Peter Green, drummer Mick Fleetwood and guitarist Jeremy Spencer, before bassist John McVie joined the line-up for their eponymous debut album. Danny Kirwan joined as a third guitarist in 1968. Keyboardist and vocalist Christine Perfect, who contributed as a session musician from the second album, married McVie and joined in 1970, becoming known as Christine McVie. Primarily a British blues band at first, Fleetwood Mac achieved a UK number one with " Albatross", and had other hits such as the singles " Oh Well", " Man of the World", and "The Green Manalishi". All three guitarists left in succession during the early 1970s, replaced by guitarists Bob Welch and Bob Weston and vocalist Dave Walker. By 1974, Welch, Weston and Walker had all either departed or been dismissed, leaving the band without a male lead vocalist or a guitarist. In late 1974, while Fleetwood w ...
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Peter Green (musician)
Peter Allen Greenbaum (29 October 194625 July 2020), known professionally as Peter Green, was an English blues rock singer-songwriter and guitarist. As the founder of Fleetwood Mac, he was inducted into the Rock and Roll Hall of Fame in 1998. Green founded Fleetwood Mac in 1967 after a stint in John Mayall's Bluesbreakers and quickly established the new band as a popular live act in addition to a successful recording act, before departing in 1970. Green's songs, such as " Albatross", "Black Magic Woman", " Oh Well", "The Green Manalishi (With the Two Prong Crown)" and " Man of the World", appeared on singles charts, and several have been adapted by a variety of musicians. Green was a major figure in the "second great epoch" of the British blues movement. Eric Clapton praised his guitar playing, and B.B. King commented, "He has the sweetest tone I ever heard; he was the only one who gave me the cold sweats." His trademark sound included string bending, vibrato, and economy of ...
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The Green Manalishi (With The Two Prong Crown)
"The Green Manalishi (With the Two Prong Crown)" is a song written by Peter Green and recorded by Fleetwood Mac. It was released as a single in the UK in May 1970 and reached No. 10 on the British charts, a position it occupied for four consecutive weeks, and was the band's last UK top 10 hit until "Tusk" reached No. 6 in 1979. "The Green Manalishi" was the last song Green made with Fleetwood Mac before leaving the band. Composition The song was written during Green's final months with the band, at a time when he was struggling with LSD and had withdrawn from other members of the band. While there are several theories about the meaning of the title "Green Manalishi", Green always maintained that the song is about money, as represented by the devil. Green was reportedly angered by the other band members' refusal to share their financial gains. Green has explained that he wrote the song after experiencing a drug-induced dream in which he was visited by a green dog which barked a ...
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Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ...
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Joan Baez
Joan Chandos Baez (; born January 9, 1941) is an American singer, songwriter, musician, and activist. Her contemporary folk music often includes songs of protest and social justice. Baez has performed publicly for over 60 years, releasing more than 30 albums. Fluent in Spanish and English, she has also recorded songs in at least six other languages. Baez is generally regarded as a folk singer, but her music has diversified since the counterculture era of the 1960s and encompasses genres such as folk rock, pop, country, and gospel music. She began her recording career in 1960 and achieved immediate success. Her first three albums, ''Joan Baez'', ''Joan Baez, Vol. 2'' and ''Joan Baez in Concert'', all achieved gold record status. Although a songwriter herself, Baez generally interprets other composers' work, having recorded songs by the Allman Brothers Band, the Beatles, Jackson Browne, Leonard Cohen, Woody Guthrie, Violeta Parra, the Rolling Stones, Pete Seeger, Paul Simon, Ste ...
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Diamonds & Rust (song)
"Diamonds & Rust" is a song written, composed, and performed by Joan Baez. It was written in November 1974 and released in 1975. In the song, Baez recounts an out-of-the-blue phone call from an old lover, which sends her a decade back in time, to a "crummy" hotel in Greenwich Village in about 1964 or 1965. She recalls giving him a pair of cufflinks, and surmises that memories bring "diamonds and rust". Baez has stated that the lyrics refer to her relationship with Bob Dylan. The song was a top 40 hit on the U.S. pop singles chart for Baez, and is regarded by a number of critics and fans as one of her best compositions. It served as the title song on her gold-selling album ''Diamonds & Rust'', which was released in 1975. Bob Dylan The song alludes to Baez's relationship with Bob Dylan ten years previously. Although Dylan is not specifically named in the song, in the third chapter of her memoir, ''And a Voice to Sing With'' (1987), Baez uses phrases from the song in describing ...
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