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Live In London (Brand New Heavies Album)
''Live in London'' is a live album by the Brand New Heavies released in October 2009. Track listing CD 1 #"Intro" (This track later became the title track of their next studio album released in 2013, ''Forward'') #"People Get Ready" #"BNH" #"All Fired Up" (S. Bartholomew/J. Kincaid/A. Levy) #"Never Stop" #"Dream On Dreamer" ( N. Davenport/ D. Austin) #"Midnight at the Oasis" ( D. Nichtern) #"Sometimes" #"Back to Love" #"Sex God" (S. Bartholomew/N. Davenport/A. Levy) #"I Don't Know Why (I Love You)" ( S. Wonder) #"Ride in the Sky" #"Day Break" CD 2 #"Brother Sister" #"Jump and Move" #"Let's Do It Again" (S. Bartholomew/N. Davenport/J. Kincaid/A. Levy) #"Spend Some Time" (A. Levy/A. Cheung) #"You Are the Universe "You Are the Universe" is a song by British acid jazz and funk group the Brand New Heavies, released in June 1997. The composition was issued as the third single taken from their fourth album, ''Shelter'' (1997), which remains the only Brand Ne ..." #"F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Brand New Heavies
The Brand New Heavies is an acid jazz and funk group formed in 1985 in Ealing in west London. Centered around songwriters/multi-instrumentalists Simon Bartholomew and Andrew Levy, the core members of the group since its founding, Brand New Heavies are best known for a string of successful singles in the early 1990s featuring N'Dea Davenport as lead vocalist. Biography 1980s–1990s The Brand New Heavies began in the 1980s as an instrumental acid jazz group called Brothers International. The group came up with the Heavies name after signing their first record contract, borrowing from a liner note on a James Brown single declaring the artist "Minister of New Super Heavy Funk". As The Brand New Heavies they gained a cult following in the London club scene and soon signed to Cooltempo as acid jazz replaced rare groove in clubs. The band issued a debut recording for Eddie Piller's Acid Jazz label in 1990 with Jay Ella Ruth as lead singer. A single, "Got to Give", came out o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delicious Vinyl
Delicious Vinyl is an American independent record label founded by Matt Dike and Michael Ross in 1987 and based in Los Angeles, California. History Michael Ross was a student at the University of California, Los Angeles when he met Matt Dike, a DJ from New York, in 1983. Dike was working at the Rhythm Lounge in Hollywood. They discovered that they were both members of Impact Record Pool, a service that provided new 12" records to club DJs, and that they shared an interest in soul, funk, and hip-hop. Soon Dike became the top DJ at Power Tools, a club in Los Angeles. In 1987, they founded Delicious Vinyl, an independent record label. Almost immediately the label was a success. Delicious Vinyl's first release was "Crackerjack" by Master Rhyme and "On Fire"/"Cheeba Cheeba" by Tone Loc, a Los Angeles gang member. "Cheeba Cheeba" and "Crackerjack" got played on L.A.'s rap radio station KDAY. It caused controversy for criticizing N.W.A. The label really took off after Tone Loc's "Wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Get Used To It (Brand New Heavies Album)
''Get Used to It'' is a funk album by the Brand New Heavies released 27 June 2006 via Starbucks and more traditional music retail outlets. Background ''Get Used to It'' is the first album with lead singer N'Dea Davenport since she departed the band after the release of their 1994 album ''Brother Sister'' for a solo career. Following the band's reunion with Davenport. They also reunited with their former record label Delicious Vinyl. The album was recorded in New York and London. In early May, they released the lead single " I Don't Know Why (I Love You)," a cover of the Stevie Wonder song that was the B-side to his 1968 hit single "My Cherie Amour." The band toured at the end of 2006. Tom Moulton mixes " I Don't Know Why (I Love You)" was notable for being one of very few late releases to feature the trademarked A Tom Moulton Mix, as the legendary disco pioneer had been asked to contribute mixes. Impressed with the Heavies, the pioneering engineer eventually took on the ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Brand New Heavies
The Brand New Heavies is an acid jazz and funk group formed in 1985 in Ealing in west London. Centered around songwriters/multi-instrumentalists Simon Bartholomew and Andrew Levy, the core members of the group since its founding, Brand New Heavies are best known for a string of successful singles in the early 1990s featuring N'Dea Davenport as lead vocalist. Biography 1980s–1990s The Brand New Heavies began in the 1980s as an instrumental acid jazz group called Brothers International. The group came up with the Heavies name after signing their first record contract, borrowing from a liner note on a James Brown single declaring the artist "Minister of New Super Heavy Funk". As The Brand New Heavies they gained a cult following in the London club scene and soon signed to Cooltempo as acid jazz replaced rare groove in clubs. The band issued a debut recording for Eddie Piller's Acid Jazz label in 1990 with Jay Ella Ruth as lead singer. A single, "Got to Give", came out o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
N'Dea Davenport
N'Dea Davenport (born September 22, 1966) is an American singer, songwriter, dancer and producer. She was the lead vocalist in the UK acid jazz band the Brand New Heavies and made pioneering contributions to the genre of acid jazz. Career Her diverse projects include collaborations with music producers and artists, such as Mark Ronson, Louie Vega, Roger Sanchez, Guru’s Jazzmatazz, Madonna, Natalie Merchant, Mos Def, Sly and Robbie, J Dilla, and Malcolm McLaren. Dance scholarships, acting and music were the core of her developments as an artist and entertainer. Immediately after finishing college, she left her then home of Atlanta, Georgia, en route to Los Angeles. There she engaged in theatrical productions and commercial music video and was embraced by artists in both art, music and popular culture. Her legacy as an artist began also with her involvement in the burgeoning Los Angeles underground club and rave scene in the late 1980s and early 1990s. Working simultaneously ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dallas Austin
Dallas L. Austin (born December 29, 1970) is an American musician, songwriter, record producer, and film producer. Biography Early life During a 2019 interview with DJ Vlad, Dallas Austin detailed previously unknown or unconfirmed events involving his life and career. Austin was born in Columbus, Georgia to a single mother who was the proprietor of a restaurant located next door to their home. He did not like living in Columbus because of the family’s living conditions and their struggle with finances. As a child, Austin became interested in music and asked his mother to buy him a keyboard. She was initially reluctant because she thought he would become bored and quickly move on to a different interest. In order to convince his mother to make the purchase, he proposed she initially buy him a small machine. In addition, he successfully negotiated terms for obtaining new instruments: if he continued to make progress with learning how to use the machines she purchased, she wou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Nichtern
David Nichtern (born 19 February 1948) is an American songwriter and television composer, soundtrack artist and Buddhist teacher of the Shambala tradition of Chögyam Trungpa. Biography Born and raised in Manhattan, Nichtern is the son of Sol Nichtern, a prominent New York psychiatrist and writer, and Broadway producer Claire Nichtern, the first female Tony award winner. Having begun practicing music at age eight, he began his career as a professional musician during his college years at Columbia University. He served as director of sales for the New England Digital Corporation in the 1980s. He is the founder of music-marketing company Nudgie Music LLC, and its divisions Dharma Moon and 5 Points Records. He wrote the song "Midnight at the Oasis." He has his own world/fusion band, Drala and has also released a solo record entitled ''From Here To Nichternity'', which features five cuts that were originally cues on '' One Life to Live'', in addition to an instrumental duet of "Midni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stevie Wonder
Stevland Hardaway Morris ( Judkins; May 13, 1950), known professionally as Stevie Wonder, is an American singer-songwriter, who is credited as a pioneer and influence by musicians across a range of genres that include rhythm and blues, Pop music, pop, Soul music, soul, Gospel music, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of Contemporary R&B, R&B. He also helped drive such genres into the album era, crafting his LP record, LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Visual impairment, Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder. Wonder's single "Fingertips" was a No. 1 hit on the Billboard Hot 100, ''Billboard'' Hot 100 in 1963, at the age of 13, making him the List o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Are The Universe
"You Are the Universe" is a song by British acid jazz and funk group the Brand New Heavies, released in June 1997. The composition was issued as the third single taken from their fourth album, ''Shelter'' (1997), which remains the only Brand New Heavies album recorded with American singer Siedah Garrett, who afterwards left the group to concentrate on her own songwriting. The song charted at number twenty-one in UK, and at number eleven within the British Chart-Track. Critical reception British magazine ''Music Week'' rated the song four out of five, writing, "Their sound is as retro as ever, but this funky soul tune is hugely uplifting and deserves to be a big pop, as well as club, hit." Daisy & Havoc from the '' RM'' Dance Update gave it five out of five. They added, "If ' Sometimes' is starting to drive you crazy then this next single (surely the best song on the ''Shelter'' album) is here to take you to a higher plane. The remixers have a job competing with the huge uplift v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Brand New Heavies Albums
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2009 Live Albums
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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