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Live In Japan (Sarah Vaughan Album)
''Live in Japan'' is a 1973 live album by the American jazz singer Sarah Vaughan, recorded at the Nakano Sun Plaza Hall in Tokyo, Japan. The two volumes were released separately. A double compact disc set was issued in 1993. In 2006, the United States Library of Congress honored the album by adding it to the National Recording Registry. Reception and significance The album was praised in the original LP sleeve-notes by jazz critic Nat Hentoff: "There is Sarah's striking sense of design. The basic framework of each song is carefully structured and personalised, and that makes her frequently stunning improvisations ... all the more absorbing. ... Hers is so resonant and rich a sound you feel you can almost touch it ... in sum a nonpareil illustration of a master singer at the peak of her expressive energies." The ''Billboard'' magazine review from December 15, 1973, commented that "Sarah's virtuosity is something constant...she is superb is gliding, floating, soaring, caressing e ...
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Sarah Vaughan
Sarah Lois Vaughan (March 27, 1924 – April 3, 1990) was an American jazz singer. Nicknamed "Sassy" and " The Divine One", she won two Grammy Awards, including the Lifetime Achievement Award, and was nominated for a total of nine Grammy Awards. She was given an NEA Jazz Masters Award in 1989. Critic Scott Yanow wrote that she had "one of the most wondrous voices of the 20th century". Early life Vaughan was born in Newark, New Jersey, to Asbury "Jake" Vaughan, a carpenter by trade who played guitar and piano, and Ada Vaughan, a laundress who sang in the church choir, migrants from Virginia. The Vaughans lived in a house on Brunswick Street in Newark for Vaughan's entire childhood. Jake was deeply religious. The family was active in New Mount Zion Baptist Church at 186 Thomas Street. Vaughan began piano lessons at the age of seven, sang in the church choir, and played piano for rehearsals and services. She developed an early love for popular music on records and the radio. In ...
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George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards " Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera '' Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershw ...
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There Will Never Be Another You
"There Will Never Be Another You" is a popular song with music by Harry Warren and lyrics by Mack Gordon that was written for the Twentieth Century Fox musical ''Iceland'' (1942) starring Sonja Henie and John Payne. The songs in the film featured Joan Merrill accompanied by Sammy Kaye and His Orchestra.Joan Merrill
at JazzStandards.com
The song was published in 1942. The most popular version, a 1966 Chris Montez recording, went to #4 on the chart and #33 on the

Ann Ronnell
Ann Ronell (née Rosenblatt; December 25, 1905 — December 25, 1993) was an American composer and lyricist. She was best known for the standards "Willow Weep for Me" (1932) and "Who's Afraid of the Big Bad Wolf" (1933). Early life Ronell was born in Omaha, Nebraska, to Morris and Mollie Rosenblatt. Ronell graduated from Omaha's Central High School in 1923. She enrolled in Wheaton College, Massachusetts, but transferred after her sophomore year to pursue a more serious music education.Benjamin Sears"Ann Ronell" ''American National Biography Online'', 2000 She graduated from Radcliffe College, where she studied music with Walter Piston. While at Radcliffe, Ronell wrote music for college plays and contributed reviews and interviews to the school's music publication. After interviewing George Gershwin, she struck up a friendship with the composer, who hired her as a rehearsal pianist for his show '' Rosalie''. It was Gershwin who suggested that she change her name from Rosenblatt to ...
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Willow Weep For Me
"Willow Weep for Me" is a popular song composed in 1932 by Ann Ronell, who also wrote the lyrics. The song form is AABA, written in time,Zimmers, Tighe, E. (2009). ''Tin Pan Alley Girl: A Biography of Ann Ronell''. McFarland. pp. 19-22. although occasionally adapted for waltz time. One account of the inspiration for the song is that, during her time at Radcliffe College, Ronell "had been struck by the loveliness of the willow trees on campus, and this simple observation became the subject of an intricate song." The song was rejected by publishers for several reasons. First, the song is dedicated to George Gershwin. A dedication to another writer was disapproved of at the time, so the first person presented with the song for publication, Saul Bornstein, passed it to Irving Berlin, who accepted it. Other reasons stated for its slow acceptance are that it was written by a woman and that its construction was unusually complex for a composition that was targeted at a commercial a ...
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Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", " Blue Monk", " Straight, No Chaser", " Ruby, My Dear", " In Walked Bud", and " Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the c ...
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'Round Midnight (song)
"Round Midnight" (sometimes titled "Round About Midnight") is a 1943 composition by American jazz pianist Thelonious Monk that quickly became a jazz standard and has been recorded by a wide variety of artists. A version recorded by Monk's quintet was added to the Grammy Hall of Fame in 1993. It is one of the most recorded jazz standards composed by a jazz musician. Composition and Monk's first recording It is thought that Monk composed the song sometime in 1940 or 1941. However, Monk's longtime manager Harry Colomby claims the pianist may have written an early version around 1936 (at the age of 19). The song was copyrighted September 24, 1943 in C minor under the title "I Need You So", with lyrics by a friend of Monk's named Thelma Murray. The first recording was made by Cootie Williams on August 22, 1944, after the pianist Bud Powell persuaded Williams to record the tune. Monk first recorded the song on November 21, 1947. It later appeared on the Blue Note album '' Genius of Mode ...
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Mitchell Parish
Mitchell Parish (born Michael Hyman Pashelinsky; July 10, 1900 – March 31, 1993) was an American lyricist, notably as a writer of songs for stage and screen. Biography Parish was born to a Jewish family in Lithuania, Russian Empire in July 1900 His family emigrated to the United States, arriving on February 3, 1901, aboard the '' SS Dresden'' when he was less than a year old. They settled first in Louisiana where his paternal grandmother had relatives, but later moved to New York City, where he grew up on the Lower East Side of Manhattan and received his education in the public schools. He attended Columbia University and N.Y.U. and was a member of Phi Beta Kappa. He eventually abandoned the notion of practicing law to become a songwriter. He served his apprenticeship as a writer of special material for vaudeville acts, and later established himself as a writer of songs for stage, screen and numerous musical revues. By the late 1920s, Parish was a well-regarded Tin Pan Alley ...
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Bert Shefter
Bert Shefter (May 15, 1902 – June 29, 1999) was a Russian-born film composer who worked primarily in America. Biography He was born in Poltava, Russian Empire (now Ukraine.) After emigrating to the USA he attended the Carnegie Institute, Philadelphia’s Curtis Institute of Music & the Damrosch Institute, NYC. He began his musical career as a duo-pianist with Morton Gould (known as "Shefter & Gould".) They performed in theaters and on the radio between 1930 - 1936. He developed his skills as a conductor, and began appearing both as solo pianist and conductor on stage. He was the guest conductor at Carnegie Hall during the 1946-1947 season. He formed his own orchestra, and appeared on New York radio including some broadcasts over the NBC Network. He also conducted his orchestra on recordings for several record labels and for the "Muzak" store music service. His first work in film music was as musical director for the production '' One Too Many'' in 1950. In the late 19 ...
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Peter DeRose
Peter DeRose (or De Rose) (March 10, 1896 – April 23, 1953) was an American composer of jazz and pop music during the era of Tin Pan Alley. Biography A native of New York City, he showed a gift for all things musical at an early age. He learned to play the piano from an older sister. F.B. Haviland published his first song, "Tiger Rose Waltzes", when he was eighteen years old. After graduating from DeWitt Clinton High School in 1917, he found a job at a music store as a stock room clerk. His composition "When You're Gone, I Won't Forget" led to a job at the New York office of Italian music publisher G. Ricordi & Co. In 1923, he met May Singhi Breen when she performed on radio with the ukulele group The Syncopators. A relationship developed, and she left the group to join DeRose in a musical radio show on NBC called ''The Sweethearts of the Air'' in which he played piano and she played ukulele. The show lasted for 16 years, during which time the two entertainers were married ...
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The Lamp Is Low
"The Lamp Is Low" is a popular song of the 1930s. The music was written by Peter DeRose and Bert Shefter, adapted from Pavane pour une infante défunte, a piece by Maurice Ravel. The lyrics were written by Mitchell Parish. Mildred Bailey made the first notable recording of "The Lamp is Low" for Vocalion Records (catalog No. 4845) on April 24, 1939. Covers by other musicians quickly followed, including one by Tommy Dorsey and His Orchestra (vocal by Jack Leonard) recorded on May 1, 1939 for Victor Records (catalog No. 26259). The Dorsey version was a big hit and helped the song to feature on the hit parade in 1939 for nine weeks. The song continues to be a favorite of jazz musicians. Other recordings *Dorothy Lamour - Bluebird-B-10302-A - recorded on April 26, 1939 with Lou Bring's Orchestra. *Kay Kyser and his Orchestra, (vocal by Ginny Simms), recorded April 30, 1939. * Glenn Miller and his Orchestra (vocal by Ray Eberle), recorded for Bluebird Records on May 25, 1939. *Jimmy D ...
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John Golden
John Lionel Golden (June 27, 1874 – June 17, 1955) was an American actor, songwriter, author, and theatrical producer. As a songwriter, he is best-known as lyricist for " Poor Butterfly" (1916). He produced many Broadway shows and four films. Life Early years John L. Golden was born in New York City on June 27, 1874. He grew up in Wauseon, Ohio and returned to New York when he was fourteen. Golden briefly attended the law school at New York University. He joined a chemical manufacturing firm, where he worked for thirteen years. Composer Golden began a career as a lyricist. He composed the music for ''Miss Prinnt'', a musical farce in which his friend Marie Dressler starred, that opened in late 1900 in New York City. It was described by the critic Alan Dale as "a ghastly collection of decayed jokes, taphouse slang, meaningless music and direly trashy story..." He contributed lyrics to ''The Hoyden'', a Charles Dillingham production that ran from October 19, 1907, to Febru ...
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