Live In Japan '78
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Live In Japan '78
''Live in Japan '78'' is a 1978 live album by Count Basie and his orchestra. Track listing #"The Heat's On" (Sammy Nestico) – 3:13 #"Freckle Face" (Nestico) – 5:39 #"Ja-Da" (Bob Carlton) – 5:28 #"Things Ain't What They Used to Be" (Mercer Ellington, Ted Persons) – 3:56 #"A Bit of This and a Bit of That" (Count Basie, Wood) – 3:41 #" All of Me" (Gerald Marks, Seymour Simons) – 3:06 #"Shiny Stockings" ( Frank Foster) – 4:37 #"Left Hand Funk" (Nestico, Jeff Steinberg) – 5:51 #"John the III" (Bobby Plater) – 3:56 #"Basie" (Ernie Wilkins) – 4:52 #"Black Velvet" (Illinois Jacquet, Nestico) – 3:54 #"Jumpin' at the Woodside" (Basie, Jon Hendricks) – 3:20 Personnel ;The Count Basie Orchestra * Count Basie - piano * Sonny Cohn - trumpet * Pete Minger - trumpet * Waymon Reed - trumpet * Nolan Shaheed - trumpet * Dennis Wilson - trombone * Alonzo Wesley Jr. - trombone * Bill Hughes - trombone * Mel Wanzo - trombone * Bobby Plater - alto saxophone * Danny Turner - ...
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Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced ...
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Frank Foster (jazz Musician)
Frank Benjamin Foster III (September 23, 1928 – July 26, 2011) was an American tenor and soprano saxophonist, flautist, arranger, and composer. Foster collaborated frequently with Count Basie and worked as a bandleader from the early 1950s.Profile AllMusic; accessed June 21, 2017. In 1998, Howard University awarded Frank Foster with the Benny Golson Jazz Master Award. Early life and education Foster was born in Cincinnati, Ohio, United States, and educated at Wilberforce University. In 1949, he moved to Detroit, Michigan, where he joined the local jazz scene, playing with musicians such as Wardell Gray. Career Drafted into the U.S. Army in 1951, Foster served in Korea with the 7th Infantry Division where he fought alongside (although unknowingly) future collaborator Shawn ‘Thunder’ Wallace. Upon finishing his military service in 1953 he joined Count Basie's big band. Foster contributed both arrangements and original compositions to Count Basie's band including the stan ...
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Bill Hughes (musician)
William Henry Hughes (March 28, 1930 – January 14, 2018) was an American jazz trombonist and bandleader. He spent most of his career with the Count Basie Orchestra and was the director of that ensemble until September 2010. Biography Early life and career Bill Hughes was born in Dallas, Texas, and his family moved to Washington, D.C., when he was nine years old. His father worked at the Bureau of Engraving and played trombone in the Elks Club marching band. Hughes began playing the trombone at age twelve or thirteen and was performing at Washington jazz venues by the age of sixteen. One of these venues was the 7T Club, where he performed with saxophonist and flautist Frank Wess. While students at Howard University, Hughes and Wess played in the Howard Swingmasters, along with bassist Eddie Jones. The Swingmasters were one of several early groups that helped promote the study and performance of jazz at Historically Black Colleges and Universities. Although interested in p ...
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Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ...
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Nolan Shaheed
Nolan Shaheed (born Nolan Andrew Smith, Jr.; July 18, 1949 in Pasadena, California) is an American jazz musician, specializing in the cornet and trumpet, and a world record holding masters athlete. Masters athletics Shaheed has been in the masters world rankings over various middle distance races since he turned 40. He was the second 50-year-old to break the 2 minute barrier in the 800 metres where he holds the current world record. He added the M50 world record in the Mile run and since turning 60 has added the world record in the 800 metres and 1500 metres. Indoors he holds the world records in the mile in all age divisions between M50 and M60, plus was part of the M50 4x800 m relay team. Domestically he has added the indoor M55 and M60 1500m records and M50, M55, M60 records in the 3000 meters. Discography As sideman * Miles Davis and Michel Legrand, ''Dingo'' (Warner Bros., 1991) * Buddy Collette, ''In Concert'' (Bridge, 2000) * Earth, Wind & Fire, ''Illumination'' (San ...
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Waymon Reed
Waymon Reed (January 10, 1940, Fayetteville, North Carolina - November 25, 1983, Nashville, Tennessee) was an American jazz trumpeter. While he was principally a bebop soloist, he also worked in rhythm and blues ( R&B). He never had any children, and was married from 1978 to 1981 to singer Sarah Vaughan. Career Reed attended the Eastman School of Music and then played with jazz great, trumpeter/saxophonist Ira Sullivan. He joined James Brown's band from 1965 to 1969, where he played on "It's a Man's Man's Man's World". Reed worked with the big bands of Frank Foster and Thad Jones-Mel Lewis. He joined the Count Basie Orchestra in 1969, staying with Basie until 1973. He returned to play with Basie again in 1977–78. He married Sarah Vaughan and worked with her from 1978–80, but shortly afterwards they divorced. He played on B.B. King's album ''There Must Be a Better World Somewhere'' in 1981. Reed died of cancer in 1983. In 1977, Reed recorded his one album as leader, ''46th and ...
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Pete Minger
Pete Minger (January 22, 1943 in Orangeburg, South Carolina – April 13, 2000 in Pompano Beach, Florida), born George Allen Minger, was an American bebop-based trumpeter. He also played flugelhorn. He came from a musical family with his mother and grandmother playing piano at church. His brother is also a jazz pianist. He started with saxophone, but switched to trumpet at an early point. From 1970 to 1980 he worked with Count Basie's orchestra. He can be heard on the album ''Digital III at Montreux'' in that period. After his work with Basie he moved to Florida and received a degree in music from the University of Miami in 1985. He later taught there, but continued to perform. In 1990 he toured with Frank Wess's big-band and also worked with Mel Tormé. He became a noted individual in Florida's jazz scene releasing two albums of his own, ''Minger Paintings'' (Jazz Alliance, 1991), and ''Look To The Sky'' (Concord Jazz, 1992). References External linksJazz House
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Sonny Cohn
George Thomas Cohn (March 14, 1925 – November 7, 2006), known professionally as Sonny Cohn, was an American jazz trumpeter whose career spanned over six decades. After working for fifteen years with Red Saunders (1945–1960), Cohn went on to spend another twenty four years in Count Basie's trumpet section (1960–1984). Life and career Cohn was born in Chicago, Illinois. Cohn started playing in small groups around the city with King Fleming while he was still a teenager.Campbell, Robert L.; Pruter, Robert and Büttner, Armin "King Fleming Discography"
Cohn joined Red Saunders' group in 1945, while Saunders was out of the and wor ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Jon Hendricks
John Carl Hendricks (September 16, 1921 – November 22, 2017), known professionally as Jon Hendricks, was an American jazz lyricist and singer. He is one of the originators of vocalese, which adds lyrics to existing instrumental songs and replaces many instruments with vocalists, such as the big-band arrangements of Duke Ellington and Count Basie. He is considered one of the best practitioners of scat singing, which involves vocal jazz soloing. Jazz critic and historian Leonard Feather called him the "Poet Laureate of Jazz", while ''Time'' dubbed him the "James Joyce of Jive". Al Jarreau called him "pound-for-pound the best jazz singer on the planet—maybe that's ever been". Early years Born in 1921 in Newark, Ohio, Hendricks and his 14 siblings moved many times, following their father's assignments as an AME pastor, before settling permanently in Toledo. The house was often full of visiting jazz musicians, for whom Jon's mother provided meals. Hendricks began his singin ...
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Jumpin' At The Woodside
"Jumpin' at the Woodside" is a song first recorded in 1938 by the Count Basie Orchestra, and considered one of the band's signature tunes. When first released it reached number 11 on the ''Billboard'' charts and remained on them for four weeks. Since then, it has become a frequently recorded jazz standard. Song details The song was recorded on August 22, 1938 for Decca and was released on December 17 of that year. It charted as high as #11 and was on the charts for four weeks. That original 1938 recording features solos by Earle Warren (alto sax), Buck Clayton (trumpet), Lester Young (tenor sax), and Herschel Evans (clarinet). The song is considered one of the Basie band's "signature" tunes, a "favorite", and even "a definition of swing." While many liner notes credit the tune only to Basie, historians and others also credit band member Eddie Durham. Like many Basie numbers of that era, it was a "head arrangement" collaboratively created by the band. Sullivan indicates Durham ...
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