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Live In Italy (Lou Reed Album)
''Live In Italy'' is an album by Lou Reed recorded live over two nights in September 1983 (on the 7th in Verona and on the 10th, at the ruins of Circus Maximus, in Rome) using the Rolling Stones Mobile Unit. It was issued on vinyl only in Germany, the United Kingdom and Japan. At the time, Reed and his band were on a world tour to promote the album ''Legendary Hearts''. A live video, ''A Night with Lou Reed'', filmed at a New York concert, was also released to coincide with the album. The video omitted the songs "Betrayed", "Sally Can't Dance", "Average Guy" and "Some Kinda Love"/" Sister Ray" from the 10th show, while adding "Don't Talk to Me About Work", "Women", "Turn Out the Light" and "New Age" from the 7th. In 1996, the album was reissued under the title '' Live in Concert''. Reception From contemporary reviews, the '' NME'' wondered why the majority of the songs came from Reed's Velvet Underground years, asking if it was, "because in Robert Quine, Lou Reed has at las ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Philadelphia Inquirer
''The Philadelphia Inquirer'' is a daily newspaper headquartered in Philadelphia, Pennsylvania. The newspaper's circulation is the largest in both the U.S. state of Pennsylvania and the Delaware Valley metropolitan region of Southeastern Pennsylvania, South Jersey, Delaware, and the northern Eastern Shore of Maryland, and the 17th largest in the United States as of 2017. Founded on June 1, 1829 as ''The Pennsylvania Inquirer'', the newspaper is the third longest continuously operating daily newspaper in the nation. It has won 20 Pulitzer Prizes . ''The Inquirer'' first became a major newspaper during the American Civil War. The paper's circulation dropped after the Civil War's conclusion but then rose again by the end of the 19th century. Originally supportive of the Democratic Party, ''The Inquirers political orientation eventually shifted toward the Whig Party and then the Republican Party before officially becoming politically independent in the middle of the 20th cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maureen Tucker
Maureen Ann "Moe" Tucker (born August 26, 1944) is an American musician and singer-songwriter who was the drummer for the New York City-based rock band the Velvet Underground. After they disbanded in the early 1970s, she left the music industry for a while, though her music career restarted in the 1980s, and continued into the 1990s. She has released four solo albums, where she played most of the instruments herself (though with frequent guest appearances by her former Velvet Underground bandmates and others), and has periodically toured. She was inducted into the Rock and Roll Hall of Fame in 1996 as a member of the Velvet Underground. Early life Maureen Tucker was born in Jackson Heights, Queens, New York City, and grew up in Levittown, New York in a middle-class Catholic family. Her father, James, was a housepainter and her mother, Margaret, was a clerical worker. She had an older brother, Jim, who was friends with Sterling Morrison, and a sister, Margo. As a teenager Tuc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sterling Morrison
Holmes Sterling Morrison Jr. (August 29, 1942 – August 30, 1995) was an American guitarist, best known as one of the founding members of the rock group the Velvet Underground, usually playing electric guitar, occasionally bass guitar, and singing backing vocals. Unlike bandmates Lou Reed, John Cale, Maureen Tucker and Nico, Morrison never released a solo album or made recordings under his own name. He was nevertheless an essential element of the group's sound as a guitarist whose percussive and syncopated rhythm playing and melodic lead parts provided the foil for Lou Reed's improvisational rhythm and lead guitar riffs. Biography Early years Morrison was born on August 29, 1942, in the Long Island town of East Meadow, New York. He had two brothers and two sisters. His parents divorced when he was young and his mother remarried. He first met future Velvet Underground drummer Maureen Tucker during childhood, through her brother Jim, who attended Division Avenue High School i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cale
John Davies Cale (born 9 March 1942) is a Welsh musician, composer, singer, songwriter and record producer who was a founding member of the American rock band the Velvet Underground. Over his six-decade career, Cale has worked in various styles across rock, drone, classical, avant-garde and electronic music. He studied music at Goldsmiths College, University of London, before relocating in 1963 to New York City's downtown music scene, where he performed as part of the Theatre of Eternal Music and formed the Velvet Underground. Since leaving the band in 1968, Cale has released sixteen solo studio albums, including the widely acclaimed '' Paris 1919'' (1973) and '' Music for a New Society'' (1982). Cale has also acquired a reputation as an adventurous record producer, working on the debut albums of several innovative artists, including the Stooges and Patti Smith. Early life and career John Davies Cale was born on 9 March 1942 in the mining village of Garnant in the valley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Light/White Heat (song)
"White Light/White Heat" is a song recorded by the American rock band the Velvet Underground. It was released in January 1968 as the title track on their second studio album of the same name. Also in January 1968, the song was released as a single with the B-side "Here She Comes Now". Background "White Light/White Heat" was recorded in the course of the recording sessions for ''White Light/White Heat'' in September 1967 at Scepter Studios in Manhattan. The song's vocals are performed primarily by Lou Reed, with John Cale and Sterling Morrison performing backing vocals. The song, much like "I'm Waiting for the Man", features a pounding rock-and-roll Barrelhouse-style piano vamp (music), vamp. The song is about the sensations produced by intravenous injection of methamphetamine and features a heavily distorted electric bass Conclusion (music), outro played by John Cale over a single chord. This bass solo purportedly mimics the throbbing, ear-ringing effects experienced during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sally Can't Dance
''Sally Can't Dance'' is the fourth solo studio album by American musician Lou Reed, released in August 1974 by RCA Records. Steve Katz and Reed produced the album. It remains Reed's highest-charting album in the United States, having peaked at #10 during a 14-week stay on the ''Billboard 200'' album chart in October 1974. It is also the first solo Lou Reed album not to feature any songs originally recorded by Reed's earlier band, the Velvet Underground, as well as the first of Reed's solo studio albums to be recorded in the United States (Reed's previous three albums were all recorded in the United Kingdom). The album art was designed by noted Fillmore and Broadway poster artist David Edward Byrd and was one of the few album covers he ever designed. Background Aside from the title song, ''Sally Can't Dance'' includes "N.Y. Stars" (in which Reed pokes fun at "fourth-rate imitators" who tried to impress him by copying his style), "Kill Your Sons" (a reflection of his stay in a p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satellite Of Love
"Satellite of Love" is a song by Lou Reed. It is the second single from his 1972 album ''Transformer''. At the time of its release, it achieved minor US chart success (#119), though it later became a staple of his concerts and compilation albums. Background and recording "Satellite of Love" was composed in 1970 while Reed was still a member of the Velvet Underground. Fellow member Doug Yule, in a 2005 interview, recalled Reed's first mentioning the song to him in the summer of 1970 while they were riding in the back of a limousine with Steve Sesnick: "Steve was there going on about "how we needed airplay", and Lou said "I have this song 'Satellite of Love', and he mentioned the satellite that had just gone up which was a big deal in the news at the time, cause the space race was happening, and Steve Sesnick said 'Yeah, yeah – that'll do it!'" While the band had soon recorded a demo track in the summer of 1970 during the sessions for '' Loaded'', it didn't make the final alb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm Waiting For The Man
"I'm Waiting for the Man" is a song by American rock band the Velvet Underground. Written by Lou Reed, it was first released on their 1967 debut album, ''The Velvet Underground & Nico''. The lyrics describe a man's efforts to obtain heroin in Harlem. In various reviews, it is described as "tough garage rock", "proto-punk classic", and "one of the all-time classic rock songs", with renditions by a number of artists. Recording Along with "Venus in Furs" and "Heroin", "I'm Waiting for the Man" was recorded in May 1966 at TTG Studios while the band was staying in Hollywood. It has been musically described as garage rock, proto-punk, and hard rock. The lyrics describe a man's efforts to obtain heroin. Despite the song's title, the lyrics refer to "my man" rather than "the man" throughout. Reception and legacy In a song review for AllMusic, Dave Thompson called it "one of the all-time classic rock songs... Over chunky guitar, clunking piano, and jackhammer drums, Reed half-sings, ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet Jane
"Sweet Jane" is a song by American rock band the Velvet Underground; it appears on their fourth studio album '' Loaded'' (1970). The song was written by Lou Reed, the band's leader, who continued to incorporate the piece into live performances as a solo artist. When ''Loaded'' was originally released in 1970, the song's bridge was cut. The box set ''Peel Slowly and See'' (1995) and reissue ''Loaded: Fully Loaded Edition'' restored the missing section. The song also appears on the albums ''Live at Max's Kansas City''; '' 1969: The Velvet Underground Live''; ''Peel Slowly and See''; ''Live MCMXCIII''; '' Loaded: Fully Loaded Edition''; ''American Poet''; ''Rock 'n' Roll Animal''; '' Live: Take No Prisoners''; '' Live in Italy''; ''The Concert for the Rock and Roll Hall of Fame''; '' Rock and Roll: an Introduction to The Velvet Underground''; ''NYC Man (The Ultimate Collection 1967–2003)''; ''Live on Letterman: Music from The Late Show''; and '' Berlin: Live At St. Ann's Warehous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Quine
Robert Wolfe Quine (December 30, 1942 – May 31, 2004) was an American guitarist. A native of Akron, Ohio, Quine worked with a wide range of musicians, though he himself remained relatively unknown. Critic Mark Deming wrote that "Quine's eclectic style embraced influences from jazz, rock, and blues players of all stripes, and his thoughtful technique and uncompromising approach led to rewarding collaborations with a number of visionary musicians." His collaborators included Richard Hell & the Voidoids, Lou Reed (notably on '' The Blue Mask''), Brian Eno, John Zorn, Ikue Mori, Marc Ribot, Marianne Faithfull ('' Strange Weather''), Lloyd Cole, Matthew Sweet and Tom Waits. Lester Bangs wrote that he was a "pivotal figure" and "the first guitarist to take the breakthroughs of early Lou Reed and James Williamson and work through them to a new, individual vocabulary, driven into odd places by obsessive attention to ''On the Corner''-era Miles Davis." Quine was ranked 80th by ''Rolli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ken Tucker
Kenneth Tucker is an American arts, music and television critic, magazine editor, and non-fiction book writer. Early life and education Tucker was born in Manhattan, New York City, New York, and raised in Stamford, Connecticut. He earned a bachelor's degree in English from New York University. Career While attending NYU, he began writing freelance reviews for ''The Village Voice'', ''SoHo Weekly News'', and ''Rolling Stone''.Ken Tucker at Rock Critic Archives From 1979 to 1983, Tucker was the rock critic for the '' Los Angeles Herald-Examiner''. From 1983 to 1990, he worked at '' |
