Live From Toronto (The Who Album)
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Live From Toronto (The Who Album)
''Live from Toronto'' is a double live album by The Who recorded during the last concert of the It's Hard Tour at the Maple Leaf Gardens in Toronto, 17 December 1982. These performances were originally broadcast live on cable TV and FM radio across the U.S. and Canada. It was later released in the early 1980s on VHS video tape. Keyboard player Tim Gorman performed with The Who on the 1982 tour. Tim reunited with the group in 2006 to record overdubs for the re-release of this material. This 2006 edition of the concert was also released as a DVD. Both the DVD and double CD are legal releases, but they are not considered to be "authorized" products by the band and/or its management. Track listing CD All songs written by Pete Townshend except where noted. ;Disc one #"My Generation" – 2:48 #"I Can't Explain" – 2:30 #"Dangerous" (John Entwistle) – 3:39 #"Sister Disco" – 5:13 #" The Quiet One" (Entwistle) – 4:22 #"It's Hard" – 4:57 #"Eminence Front" – 5:36 #"Baba O'Ril ...
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The Who
The Who are an English rock band formed in London in 1964. Their classic lineup consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist and singer John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, and have sold over 100 million records worldwide. Their contributions to rock music include the development of the Marshall Stack, large PA systems, the use of the synthesizer, Entwistle and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock, power pop and mod bands, and their songs are still regularly played. The Who were inducted into the Rock and Roll Hall of Fame in 1990. The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by d ...
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Baba O'Riley
"Baba O'Riley" is a song by the English rock band the Who, and the opening track to their fifth album ''Who's Next'' (1971). It was issued in Europe as a single on 23 October 1971, coupled with "My Wife". Roger Daltrey sings most of the song, with Pete Townshend singing the middle eight: "Don't cry/ don't raise your eye/ it's only teenage wasteland". "Baba O'Riley" appears in ''Time'' magazine's "All-Time 100 Songs" list, ''Rolling Stone''s list of "The 500 Greatest Songs of All Time", and the Rock and Roll Hall of Fame as one of the 500 Songs That Shaped Rock and Roll. It also features on live albums: ''Who's Last'', ''Live from Royal Albert Hall'', ''Live from Toronto'', and ''Greatest Hits Live''. The original recording's violin solo is played on harmonica by Daltrey when performed live. Title The song is often incorrectly referred to as "Teenage Wasteland", due to these oft-repeated words in the song's chorus refrain. "Teenage Wasteland" was in fact a working title for t ...
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Mose Allison
Mose John Allison Jr. (November 11, 1927 – November 15, 2016) was an American jazz and blues pianist, singer, and songwriter. He became notable for playing a unique mix of blues and modern jazz, both singing and playing piano. After moving to New York in 1956, he worked primarily in jazz settings, playing with jazz musicians like Stan Getz, Al Cohn, and Zoot Sims, along with producing numerous recordings. He is described as having been "one of the finest songwriters in 20th-century blues."Bogdanov, Vladimir; Woodstra, Chris, eds. (2003). ''All Music Guide to the Blues: The Definitive Guide to the Blues''. Hal Leonard. p. 7. His songs were strongly dependent on evoking moods, with his individualistic, "quirky", and subtle ironic humor.Komara, Edward; Lee, Peter, eds. (2006). ''The Blues Encyclopedia''. Routledge. p. 22. His writing influence on R&B had well-known fans recording his songs, among them Pete Townshend, who recorded his "Young Man Blues" for the Who's ''Live at Leeds ...
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Young Man Blues
"Young Man Blues" is a song by jazz artist Mose Allison. Allison first recorded it in March 1957 for his debut album, ''Back Country Suite'', in which it appears under the title "Back Country Suite: Blues." In Allison's two-CD compilation set of 2002, ''Allison Wonderland'', Allison reveals that the tune's full title is: "Back Country Suite: Blues (a.k.a. 'Young Man's Blues')". The Who version The song was famously covered by the Who during live sets as early as 1964, but it became a regular inclusion between 1968 and 1970. It first appeared on record on their 1970 album ''Live at Leeds''. Allison himself called this the "Command Performance" version of his song. The single reached #38 in Canada. Another live performance features in the movie and soundtrack for '' The Kids Are Alright'', from a 1969 performance at the London Coliseum. A live performance from 1970 was used in the documentary ''Message to Love''. They brought it back briefly in 1974, again in 1982 and finally in 200 ...
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Squeeze Box (song)
"Squeeze Box" is a song by The Who from their album ''The Who by Numbers.'' Written by Pete Townshend, the lyrics are couched in sexual double entendres. Unlike many of the band's other hits, the song features country-like elements, as heard in Townshend's guitar fingerpicking. "Squeeze Box" was a commercial success, peaking at No. 10 on the UK Singles Chart and No. 16 in the US ''Billboard'' Hot 100. The song is also their only international number-one hit, reaching No. 1 in Canada, and No. 2 on the Irish singles chart. Background "Squeeze Box" was originally intended for a Who television special planned in 1974. In the planned performance of the song, the members of the band were to be surrounded by 100 topless women playing accordions. A demo of the song featured a farfisa organ-based arrangement, as well as bluegrass banjos. Authors Steve Grantley and Alan Parker compared this early version to The Beatles' 1968 song, "Ob-La-Di, Ob-La-Da". This demo appeared on Pete Townsh ...
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Naked Eye (The Who Song)
"Naked Eye" is a song by The Who, written by Pete Townshend. The studio version was released on the group's 1974 compilation album '' Odds and Sods'' (reissued in 1998). Live versions appear on '' Live at the Isle of Wight Festival 1970'', ''View from a Backstage Pass'', ''Greatest Hits Live'', ''Thirty Years of Maximum R&B'', and both reissues of ''Who's Next''. Background One of the main chord progressions in "Naked Eye" can be traced to the spring and summer of 1969 when the band was touring in support of the ''Tommy'' album. The three-chord riff (F6/9-Cadd9-G) was sometimes played during the group's very long and improvised versions of " Magic Bus" at that time, then later in expanded jams during "My Generation", as heard in the ''Live at Leeds'' version. Eventually Townshend composed an entire song around this progression. "Naked Eye" was originally planned to be released on a 1970 Who EP entitled ''6 ft. Wide Garage, 7 ft. Wide Car,'' a collection which was also to include ...
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Won't Get Fooled Again
"Won't Get Fooled Again" is a song by the English rock band the Who, written by Pete Townshend. It was released as a single in June 1971, reaching the top 10 in the UK, while the full eight-and-a-half-minute version appears as the final track on the band's 1971 album ''Who's Next'', released that August. Townshend wrote the song as a closing number of the '' Lifehouse'' project, and the lyrics criticise revolution and power. The track is known for a staccato keyboard figure, played on a simple home organ with a “rhythm” feature that produced a synth-like effect. The Who tried recording the song in New York in March 1971, but re-recorded a superior take at Stargroves the next month using the organ from Townshend's original demo. Ultimately, ''Lifehouse'' as a project was abandoned in favour of ''Who's Next'', a straightforward album, where it also became the closing track. It has been performed as a staple of the band's setlist since 1971, often as the set closer, and was the ...
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Long Live Rock
"Long Live Rock" is a 1972 single by The Who, written by Pete Townshend. A different version of the song was performed by Billy Fury's character in the film ''That'll Be the Day'' (a film which featured Who drummer Keith Moon). The original Who recording of the song was not released until the 1974 rarities album ''Odds & Sods''. It was subsequently released as a single in 1979. Background "Long Live Rock" was to have been included in '' Rock Is Dead—Long Live Rock!'', a 1972 Who album which was also to have had an accompanying television special, before the album was shelved. Pete Townshend said of the song: The lyrics of the song describe a concert at the Rainbow Theatre. Release Following its appearance on ''Odds & Sods'', the song saw a 1974 single release in Israel, Italy (where it was backed with "Pure and Easy") and Japan (where it was backed with "Put the Money Down"). "Long Live Rock" also was featured during the credits of the seminal 1979 Who documentary, '' The ...
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Love, Reign O'er Me
"Love, Reign o'er Me", subtitled "Pete's Theme", is a song by English rock band The Who. Written and composed by guitarist Pete Townshend, it was released on 27 October 1973 as the second single from the band's sixth studio album and second rock opera, ''Quadrophenia.'' It is the final song on the album, and has been a concert staple for years. The song peaked at number 76 on the US ''Billboard'' Hot 100 and number 54 on ''Cash Box''. Origin and recording "Love, Reign o'er Me," along with "Is It in My Head?" (also from ''Quadrophenia''), date back to 1972. Both songs were originally intended to be part of the unreleased autobiographical album, '' Rock Is Dead—Long Live Rock!'' This later evolved into ''Quadrophenia.'' Lyrics "Love, Reign o'er Me" concerns the main character of ''Quadrophenia,'' Jimmy, having a personal crisis. With nothing left to live for, he finds a spiritual redemption in pouring rain. As Townshend described the song: trefers to Meher Baba's one time comme ...
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Who Are You (The Who Song)
"Who Are You" is the title track on The Who's 1978 album, ''Who Are You'', the last album released by the group before Keith Moon's death in September 1978. It was written by Pete Townshend and released as a double-A-sided single with the John Entwistle composition " Had Enough", also featured on the album. The song was one of the band's biggest hits in North America, peaking at number 7 in Canada and at number 14 in the United States, and has become one of the band's signature tunes at their live shows. The piano on the track is played by Rod Argent. Background The lyrics of "Who Are You" were inspired by an incident Townshend experienced. After going out drinking with Steve Jones and Paul Cook of the Sex Pistols, Townshend was found in a "Soho doorway" by a policeman, who recognized him and said he would let him go if he could safely walk away. However, as explained by Townshend in his autobiography '' Who I Am'', the last verse is about an early incident, that happened on ...
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See Me, Feel Me
"See Me, Feel Me" (aka Listening To You/See Me, Feel Me and See Me, Feel Me/Listening To You) is a song from the Who's 1969 album ''Tommy''. It consists of two overture parts from ''Tommy'', the second and third parts of the album's final song "We're Not Gonna Take It": "See Me, Feel Me" and "Listening To You". It was released as a single in September 1970. The song is not identified as a separate track on the 1969 studio version of the album. The Who performed "See Me, Feel Me", followed by the refrain of "Listening To You", at the 1969 Woodstock Festival. This was captured on film in ''Woodstock'' (1970) and '' The Kids Are Alright'' (1979). "See Me, Feel Me" was also released as a single in the United States to capitalise on its appearance in the Woodstock film. Entering the charts on 23 September 1970, it reached number 12 on the Pop Singles Chart. It was also released in the United Kingdom but did not chart there. The band performed this song at the Closing Ceremony of t ...
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Pinball Wizard
"Pinball Wizard" is a song written by Pete Townshend and performed by the English rock band the Who, featured on their 1969 rock opera album ''Tommy''. The original recording was released as a single in 1969 and reached No. 4 in the UK charts and No. 19 on the U.S. ''Billboard'' Hot 100. The B-side of the "Pinball Wizard" single is an instrumental credited to Keith Moon, titled "Dogs Part Two". Despite the title, it has no musical connection to the Who's 1968 UK single "Dogs". Story The lyrics are written from the perspective of a pinball champion, called "Local Lad" in the ''Tommy'' libretto book, astounded by the skills of the opera's eponymous main character, Tommy Walker: "He ain't got no distractions / Can't hear those buzzers and bells / Don't see lights a flashin' / Plays by sense of smell / Always gets a replay / Never seen him fall / That deaf dumb and blind kid / Sure plays a mean pinball.", and "I thought I was the Bally table king, but I just handed my pinball c ...
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