Live At The Whitney
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Live At The Whitney
''Live at the Whitney'' is a live album by the American pianist, composer and bandleader Duke Ellington, recorded at the Whitney Museum of American Art in 1972 and released on the Impulse! label in 1995.A Duke Ellington Panorama
accessed June 10, 2010


Reception

The review by Scott Yanow stated: "Although Duke apparently planned very little in advance, his program is a well-rounded set of old standards and newer (and more obscure) works. A week short of his 73rd birthday, Ellington's fingers sound a little rusty in spots, but he clearly gets stronger as the concert progresses".Yanow, ...
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Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Irving Mills
Irving Harold Mills (born Isadore Minsky; January 16, 1894 – April 21, 1985) was an American music publisher, musician, lyricist, and jazz artist promoter. He sometimes used the pseudonyms Goody Goodwin and Joe Primrose. Personal Mills was born to a Jewish family in Odessa, Russian Empire, although some biographies state that he was born on the Lower East Side of Manhattan in New York City. His father, Hyman Minsky (1868–1905), was a hat maker who had immigrated from Odessa to the United States with his wife Sofia ''(née'' Sophia Dudis; born 1870). Hyman died in 1905, forcing Irving and his brother, Jacob ''(aka'' "Jack"; 1891–1979), to work odd jobs including bussing at restaurants, selling wallpaper, and working in the garment industry. By 1910, Mills was listed as a telephone operator. Mills married Beatrice ("Bessie") Wilensky (1896–1976) in 1911 and they subsequently moved to Philadelphia. By 1918, Mills was working for publisher Leo Feist. His brother, Jack, was ...
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Johnny Hodges
Cornelius "Johnny" Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. Along with Benny Carter, Hodges is considered to be one of the definitive alto saxophone players of the big band era. After beginning his career as a teenager in Boston, Hodges began to travel to New York and played with Lloyd Scott, Sidney Bechet, Luckey Roberts and Chick Webb. When Ellington wanted to expand his band in 1928, Ellington's clarinet player Barney Bigard recommended Hodges. His playing became one of the identifying voices of the Ellington orchestra. From 1951 to 1955, Hodges left the Duke to lead his own band, but returned shortly before Ellington's triumphant return to prominence – the orchestra's performance at the 1956 Newport Jazz Festival. Biography Early life Ho ...
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Don George
Don R. George (August 27, 1909 – 1987) was an American lyricist of popular music. His songs include " The Yellow Rose of Texas" " I Ain't Got Nothin' But the Blues" (1937), "I'm Beginning to See the Light" (1944) and " Everything but You" (1945). George has also written lyrics for film songs. He was a personal friend and occasional lyricist of jazz composer Duke Ellington Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based ..., whom he followed closely from 1943 until Ellington's death in 1974. It was with Ellington that he wrote many of hist best-known songs. George wrote a 1981 biography of Ellington titled ''Sweet Man: The Real Duke Ellington''. Notes External links * {{DEFAULTSORT:George, Don American lyricists 1909 births 1987 deaths ...
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I'm Beginning To See The Light
"I'm Beginning to See the Light" is a popular song and jazz standard, with music written by Duke Ellington, Johnny Hodges, and Harry James and lyrics by Don George and published in 1944. 1945 recordings *Ella Fitzgerald and the Ink Spots featuring Bill Kenny recorded a version in 1945, that was on the pop song hits list for six weeks in 1945, reaching #5. *A competing 1945 recording by Harry James and his Orchestra, with lead vocal by Kitty Kallen reached No. 1 for two weeks in January of that year. James' version of the song reached No. 7 on Billboard's Second Annual High School Survey in 1945. *Duke Ellington also released in 1945 a version, vocal by Joya Sherrill, which reached the top ten. Other notable recordings *Rosemary Clooney – ''Out of This World'' (2000) *Bobby Darin (1962) - featured in the 1996 feature film '' Swingers''. *Frank Sinatra (1962) - "Sinatra And Swingin' Brass" *Seal (2017) - "Standards" *Johnnie Ray (1958) *Connie Francis (1958) *Oscar Alemán ( ...
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Mood Indigo
"Mood Indigo" is a jazz song with music by Duke Ellington and Barney Bigard and lyrics by Irving Mills. Composition Although Irving Mills—Jack Mills's brother and publishing partner—took credit for the lyrics, Mitchell Parish claimed in a 1987 interview that he had written the lyrics. The tune was composed for a radio broadcast in October 1930 and was originally titled "Dreamy Blues". It was "the first tune I ever wrote specially for microphone transmission", Ellington recalled. "The next day wads of mail came in raving about the new tune, so Irving Mills put a lyric to it." Renamed "Mood Indigo", it became a jazz standard." The main theme was provided by Bigard, who learned it in New Orleans, Louisiana from his clarinet teacher Lorenzo Tio, who called it a "Mexican Blues". Ellington's arrangement was first recorded by his band for Brunswick on October 17, 1930. It was recorded twice more in 1930. These recordings included Arthur Whetsel (trumpet), Tricky Sam Nanton (tr ...
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Barney Bigard
Albany Leon "Barney" Bigard (March 3, 1906 – June 27, 1980) was an American jazz clarinetist known for his 15-year tenure with Duke Ellington. He also played tenor saxophone. Biography Bigard was born in New Orleans to Creole parents, Alexander and Emanuella Bigard. He had two brothers, Alexander Jr. and Sidney. His uncle, Emile Bigard, was a jazz violinist. He attended local schools and studied music and clarinet with Lorenzo Tio. In the early 1920s, he moved to Chicago, where he worked with King Oliver and others. During this period, much of his recording, including with clarinetist Johnny Dodds, was on tenor saxophone, which he played often with great lyricism, as on Oliver's "Someday Sweetheart". In December 1927, Bigard joined Duke Ellington's orchestra in New York. He played with Ellington until 1942. They played primarily at the Cotton Club until 1931, then toured almost nonstop for over a decade. With Ellington, he was the featured clarinet soloist, while also d ...
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C Jam Blues
"C Jam Blues" is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus. Background As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C. A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear. It was also known as "Duke's Place", with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts. Recordings *Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is ''Jam Session''. *Western Swing band ...
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Ted Grouya
Ted Grouya (31 July 1910 – 14 April 2000) born Teodor Gruia in Bucharest, Romania, was a composer who studied composition with Nadia Boulanger. He wrote the jazz standard "Flamingo" (1940), first recorded by Herb Jeffries and Duke Ellington. He also co-wrote the song "I Heard You Cried Last Night." Grouya also wrote the music for the film version of ''Our Hearts Were Young and Gay'' (1944) and other films. In 1949 he married American actress Mary Meade. A one time resident of Palm Springs, California, Grouya had a Golden Palm Star on the Palm Springs Walk of Stars The Palm Springs Walk of Stars is a walk of fame in downtown Palm Springs, California, where "Golden Palm Stars", honoring various people who have lived in the greater Palm Springs area, are embedded in the sidewalk pavement. The walk includes po ... dedicated to him in 1995.
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Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellington S ...
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Eddie DeLange
Eddie DeLange (''né'' Edgar DeLange Moss; 15 January 1904 – 15 July 1949) was an American bandleader and lyricist. Famous artists who recorded some of DeLange's songs include Frank Sinatra, Ella Fitzgerald, Louis Armstrong, Nat King Cole, Duke Ellington, and Benny Goodman. Biography DeLange was born in Long Island City, Queens, New York. He graduated from the University of Pennsylvania in 1926. He became a stunt man in twenty-four comedies produced by Universal Studios, often for Reginald Denny. DeLange went back to New York City in 1932, earning a contract with Irving Mills. He had several hits in his first year, including " Moonglow." He and composer Will Hudson ''(né'' Arthur Murray Hainer; 1908–1981) formed the Hudson-DeLange Orchestra in 1935. The Orchestra recorded many of their collaborative songs and did many road shows as well. Hudson and DeLange's partnership dissolved in 1938, but DeLange created a new band that played on several tours. He formed a new part ...
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(In My) Solitude
"(In My) Solitude" is a 1934 composition by Duke Ellington, with lyrics by Eddie DeLange and Irving Mills. It has been recorded numerous times and is considered a jazz standard. Ellington reported that he composed it in a recording studio in 20 minutes, as his orchestra had arrived with three pieces to record and required another. It is in D major and has an AABA form (although "the IV chord in measure 3 is replaced by a II7 the second time"). According to Ellington, the title was suggested by trumpeter Arthur Whetsel. An AllMusic writer describes the composition as "at once optimistic in its tone but somber in its pace, conflicted with the emotions of bitter loneliness and fond remembrance". The mood is set "in the very first phrase of the melody, with its ascent to the leading tone of the scale falling just short of the tonic, and in the seemingly unremarkable chord progressions that nevertheless manage to transform harmonic resolution into wistful resignation". The first recor ...
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