Live At The Isle Of Wight Festival 1970 (The Who Album)
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Live At The Isle Of Wight Festival 1970 (The Who Album)
''Live at the Isle of Wight Festival '' is a double live album by The Who, recorded at the Isle of Wight Festival on 29 August 1970, and released in 1996. A DVD of the concert was also released for the first time in 1996. Overview The Who were one year and three months into their ''Tommy'' tour when they played their second engagement at the Isle of Wight Festival. As in 1969, they played most of their famous rock opera, which by this time was quite familiar to the festival crowd. Huge spotlights bathed the audience of between 600,000 and 700,000 attendees (according to the ''Guinness Book of Records'') and as The Who's tour manager John Woolf recalls, attracted "every moth and flying nocturnal animal on the island". The Who started their set at 2:00 A.M.Michael Heatley, liner notes from 1996 CD release By August 1970, Pete Townshend was already introducing new songs to the setlist including "Water", "I Don't Even Know Myself" and "Naked Eye". These songs, which were being recor ...
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The Who
The Who are an English rock band formed in London in 1964. Their classic lineup consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist and singer John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, and have sold over 100 million records worldwide. Their contributions to rock music include the development of the Marshall Stack, large PA systems, the use of the synthesizer, Entwistle and Moon's influential playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by many hard rock, punk rock, power pop and mod bands, and their songs are still regularly played. The Who were inducted into the Rock and Roll Hall of Fame in 1990. The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by d ...
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Naked Eye (The Who Song)
"Naked Eye" is a song by The Who, written by Pete Townshend. The studio version was released on the group's 1974 compilation album '' Odds and Sods'' (reissued in 1998). Live versions appear on '' Live at the Isle of Wight Festival 1970'', ''View from a Backstage Pass'', ''Greatest Hits Live'', ''Thirty Years of Maximum R&B'', and both reissues of ''Who's Next''. Background One of the main chord progressions in "Naked Eye" can be traced to the spring and summer of 1969 when the band was touring in support of the ''Tommy'' album. The three-chord riff (F6/9-Cadd9-G) was sometimes played during the group's very long and improvised versions of " Magic Bus" at that time, then later in expanded jams during "My Generation", as heard in the ''Live at Leeds'' version. Eventually Townshend composed an entire song around this progression. "Naked Eye" was originally planned to be released on a 1970 Who EP entitled ''6 ft. Wide Garage, 7 ft. Wide Car,'' a collection which was also to include ...
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Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ...
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The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise a ...
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The Village Voice
''The Village Voice'' is an American news and culture paper, known for being the country's first alternative newsweekly. Founded in 1955 by Dan Wolf, Ed Fancher, John Wilcock, and Norman Mailer, the ''Voice'' began as a platform for the creative community of New York City. It ceased publication in 2017, although its online archives remained accessible. After an ownership change, the ''Voice'' reappeared in print as a quarterly in April 2021. Over its 63 years of publication, ''The Village Voice'' received three Pulitzer Prizes, the National Press Foundation Award, and the George Polk Award. ''The Village Voice'' hosted a variety of writers and artists, including writer Ezra Pound, cartoonist Lynda Barry, artist Greg Tate, and film critics Andrew Sarris, Jonas Mekas and J. Hoberman. In October 2015, ''The Village Voice'' changed ownership and severed all ties with former parent company Voice Media Group (VMG). The ''Voice'' announced on August 22, 2017, that it would cease p ...
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Robert Christgau
Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for ''The Village Voice'', during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for ''Esquire'', ''Creem'', ''Newsday'', ''Playboy'', ''Rolling Stone'', ''Billboard'', NPR, ''Blender'', and ''MSN Music'', and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen." Christgau is best known for his terse, letter-graded capsule album reviews, composed in a concentrat ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Summertime Blues
"Summertime Blues" is a song co-written and recorded by American rock artist Eddie Cochran. It was written by Cochran and his manager Jerry Capehart. Originally a single B-side, it was released in August 1958 and peaked at number 8 on the ''Billboard'' Hot 100 on September 29, 1958, and number 18 on the UK Singles Chart. It has been covered by many artists, including being a number-one hit for country music artist Alan Jackson, and scoring notable hits in versions by Blue Cheer, The Who, and Brian Setzer, the last of whom recorded his version for the 1987 film '' La Bamba'', in which he portrayed Cochran. Jimi Hendrix performed it in concert. T. Rex recorded their own rendition of the song for their self titled debut album '' T. Rex'' in 1970 and performed it live. Lyrics The song is about the struggle between a teenager and his parents, his boss and his congressman during the summer. The narrator resents having to take a job in order to earn pocket money, and he cannot go o ...
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Shakin' All Over
"Shakin' All Over" is a song originally performed by Johnny Kidd & the Pirates. It was written by leader Johnny Kidd, and his original recording reached No. 1 on the UK Singles Chart in August 1960. The song is sometimes credited to Frederick Albert Heath, which is Kidd's real name. Kidd's recording was not a hit outside Europe. In other parts of the world the song is better known by recordings from other artists. A version by Chad Allan and the Expressions, later known as The Guess Who, was recorded in December 1964. It reached #1 in Canada in the spring of 1965, #22 in the US and #27 in Australia. Another famous recording by The Who was featured on their 1970 album ''Live at Leeds''. Normie Rowe's 1965 version reached No. 1 in Australia as a double A-side with "Que Sera Sera". History Johnny Kidd version The musicians who performed on the original recording were Johnny Kidd (vocals), Alan Caddy (rhythm guitar), Brian Gregg ( bass), Clem Cattini (drums) and Joe Moretti (lea ...
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I Can't Explain
"I Can't Explain" is a song by the English rock band the Who, written by Pete Townshend, and produced by Shel Talmy. The song was issued as a single on 15 January 1965 in the United Kingdom, on the Brunswick label, and on the Decca label in America, in December 1964. It was the band's second single release and first under the Who name. The song has been covered by many artists, including David Bowie and Scorpions. Background "I Can't Explain" was the A-side of the group's first single as the Who; its predecessor, "Zoot Suit"/"I'm the Face," was released under the name the High Numbers. In the album's liner notes, Townshend noted the song's similarity to the contemporaneous hit " All Day and All of the Night" by the Kinks: "It can't be beat for straightforward Kink copying. There is little to say about how I wrote this. It came out of the top of my head when I was 18 and a half." In a 1994 issue of ''Q'' magazine, Roger Daltrey echoed Townshend's comments regarding the Kinks' ...
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Magic Bus (song)
"Magic Bus" is a song recorded by British rock band the Who. It was written by their guitarist Pete Townshend during the time that their debut album ''My Generation'' was being recorded in 1965. However, it was not recorded until 1968, when it was released as a single on 27 July 1968 in the United States and Canada, followed by its release in the United Kingdom on 18 September 1968. It has become one of the band's most popular songs and has been a concert staple, although when released, the record only reached number 26 in the UK and number 25 in the United States. The song was included on their 1968 album '' Magic Bus: The Who on Tour''. The arrangement for "Magic Bus" uses a Latin percussion instrument known as claves, which are pairs of small wooden sticks that make a distinctive high pitched clicking noise when struck together. The Who previously used this same instrument on the song " Disguises", which was recorded in 1966. The song makes use of the Bo Diddley beat. Backgroun ...
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My Generation
"My Generation" is a song by the English rock band the Who, which became a hit and one of their most recognizable songs. The song was named the 11th greatest song by ''Rolling Stone'' on its list of the 500 Greatest Songs of All Time. It became part of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll and is inducted into the Grammy Hall of Fame for "historical, artistic and significant" value. It has been considered the band's signature song. The song was released as a single on 29 October 1965, reaching No. 2 in the United Kingdom (The Who's highest-charting single in their home country along with 1966's " I'm a Boy") and No. 74 in the United States. "My Generation" also appeared on The Who's 1965 debut album, ''My Generation'' (''The Who Sings My Generation'' in the United States), and in greatly extended form on their live album ''Live at Leeds'' (1970). Although The Who re-recorded the song for the ''Ready Steady Who'' EP in 1966, ultimately it was not i ...
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