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Live At The East
''Live at the East'' is a live album by American saxophonist and composer Pharoah Sanders released on the Impulse! Records, Impulse! label.Pharoah Sanders discography accessed January 5, 2015 Reception In the Allmusic review by Scott Yanow, he stated: "this live record gives one a good example of how the passionate tenor sounded in clubs during the early '70s... Sanders is heard in top form." Writing for The Vinyl Press, Bill Hart commented: "The line up on this album is stellar... Sanders had already developed his signature sound- multiphonic, overblown, but never veering out of control, straddling a fine line between the intense and the serene... This is not the most popular Pharoah Sanders album, nor is it necessarily his best.... ther ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pharoah Sanders
Pharoah Sanders (born Ferrell Lee Sanders; October 13, 1940 – September 24, 2022) was an American jazz saxophonist. Known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound", Sanders played a prominent role in the development of free jazz and spiritual jazz through his work as a member of John Coltrane's groups in the mid-1960s, and later through his solo work. He released over thirty albums as a leader and collaborated extensively with vocalist Leon Thomas and pianist Alice Coltrane, among many others. Fellow saxophonist Ornette Coleman once described him as "probably the best tenor player in the world". Sanders' take on “spiritual jazz” was rooted in his inspiration from religious concepts such as Karma and Tawhid, and his rich, meditative performance aesthetic. This style was seen as a continuation of Coltrane's work on albums such as ''A Love Supreme''. As a result, Sanders was considered to have been a di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Vick
Harold Vick (April 3, 1936 – November 13, 1987) was an American jazz saxophonist and flutist. Biography Harold Vick was born on April 3, 1936 in Rocky Mount, North Carolina. At the age of 13 he was given a clarinet by his uncle, Prince Robinson,Barry Kernfeld (ed.)(2002): ''The New Grove dictionary of Jazz''. London: Macmillan Publishers Limited. 2nd ed, Vol 3, p. 843. a clarinet and tenor saxophone player who had been a member of McKinney's Cotton Pickers.Sarah Bryan, Beverly Patterson (2013). ''African American Music Trails of Eastern North Carolina''. Chapel Hill, NC: UNC Press Books, p. 112. Three years later he took up the tenor saxophone, and soon began playing in R&B bands. He continued to perform, still largely with R&B bands, while studying psychology at Howard University. Recordings as leader '' Steppin' Out!'', Vick's first album as leader, was recorded for Blue Note in 1963. After a 1965 performance at Carnegie Hall with Donald Byrd, Vick secured a contract for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impulse! Records Live Albums
Impulse! Records (occasionally styled as "¡mpulse! Records" and "¡!") is an American jazz record company and label established by Creed Taylor in 1960. John Coltrane was among Impulse!'s earliest signings. Thanks to consistent sales and positive critiques of his recordings, the label came to be known as "the house that Trane built". History Impulse!'s parent company, ABC-Paramount Records, was established in 1955 as the recording division of the American Broadcasting Company (ABC). In the 1940s and 1950s, ABC benefitted from the U.S. government's antitrust actions against broadcasters and film studios who were forced to divest parts of their companies. In the early 1950s, ABC acquired the Blue Network of radio stations from NBC and later merged with the newly independent Paramount Theaters chain, formerly owned by Paramount Pictures. The new recording division was located at 1501 Broadway, above the Paramount Theatre in Times Square. Under the leadership of Leonard Goldenson, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balafon
The balafon is a gourd-resonated xylophone, a type of struck idiophone. It is closely associated with the neighbouring Mandé, Senoufo and Gur peoples of West Africa, particularly the Guinean branch of the Mandinka ethnic group, but is now found across West Africa from Guinea to Mali. Its common name, ''balafon'', is likely a European coinage combining its Mandinka name ''bala'' with the word ''fôn'' 'to speak' or the Greek root ''phono''. History Believed to have been developed independently of the Southern African and South American instrument now called the marimba, oral histories of the balafon date it to at least the rise of the Mali Empire in the 12th century CE. Balafon is a Manding name, but variations exist across West Africa, including the ''balangi'' in Sierra Leone and the #Gyil, gyil of the Dagara, Lobi and Gurunsi from Ghana, Burkina Faso and Ivory Coast. Similar instruments are played in parts of Central Africa, with the ancient Kingdom of Kongo denoting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Hart
Billy Hart (born November 29, 1940) is an American jazz drummer and educator. He is known internationally for his work with Herbie Hancock's "Mwandishi" band in the early 1970s, as well with Shirley Horn, Stan Getz, and Quest, among others. Biography Hart was born in Washington, D.C. He grew up in close proximity of the Spotlite Club, where he first heard the music of Lee Morgan, Ahmad Jamal, and Miles Davis, among others. Early on in his career he performed with Otis Redding and Sam and Dave, then with Buck Hill. Although he studied mechanical engineering at Howard University, he left school early to tour with Shirley Horn, whom Hart credits with accelerating his musical development. He was a sideman with the Montgomery Brothers (1961), Jimmy Smith (1964–1966), and Wes Montgomery (1966–68). Following Montgomery's death in 1968, Hart moved to New York City, where he recorded with McCoy Tyner, Wayne Shorter, Joe Zawinul, and Pharoah Sanders (playing on his famed record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Connors
Norman Connors (born March 1, 1947) is an American jazz drummer, composer, arranger, and producer who has led a number of influential jazz and R&B groups. He also achieved several big R&B hits of the day, especially with love ballads. He is possibly best known for the 1976 hit, "You Are My Starship" on which lead vocals were sung by Michael Henderson. Biography Connors lived in the same Philadelphia neighbourhood as comedian/actor Bill Cosby and had an interest in jazz from a very early age when he began to play drums. Whilst at elementary school, Connors was exposed to jazz extensively and became heavily influenced by the drummer Lex Humphries and the younger brother of bassist and Jazz-Messenger player, Spanky DeBrest. He first met his idol, Miles Davis, aged just 13 in 1960. He once sat in for Elvin Jones at a John Coltrane performance he attended while in middle school. Connors studied music at Temple University and Juilliard. His first recording was on Archie Shepp's 1967 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecil McBee
Cecil McBee (born May 19, 1935) is an American jazz bassist. He has recorded as a leader only a handful of times since the 1970s, but has contributed as a sideman to a number of jazz albums. Biography Early life and career McBee was born in Tulsa, Oklahoma, United States. He studied clarinet at school, but switched to bass at the age of 17, and began playing in local nightclubs. After gaining a music degree from Ohio Central State University, McBee spent two years in the U.S. Army, during which time he conducted the band at Fort Knox. In 1959, he played with Dinah Washington, and in 1962 he moved to Detroit, Michigan, where he worked with Paul Winter's folk-rock ensemble between 1963 and 1964. New York His jazz career began to take off in the mid-1960s, after he moved to New York, when he began playing and recording with a number of significant musicians including Miles Davis, Andrew Hill, Sam Rivers, Jackie McLean (1964), Wayne Shorter (1965–66), Charles Lloyd (1966), Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Clarke
Stanley Clarke (born June 30, 1951) is an American bassist, film composer and founding member of Return to Forever, one of the first jazz fusion bands. Clarke gave the bass guitar a prominence it lacked in jazz-related music. He is the first jazz-fusion bassist to headline tours, sell out shows worldwide and have recordings reach gold status. Clarke is a 5-time Grammy winner, with 15 nominations, 3 as a solo artist, 1 with the Stanley Clarke Band, and 1 with Return to Forever. Clarke was selected to become a 2022 recipient of the National Endowment for the Arts Jazz Masters Fellowship. A Stanley Clarke electric bass is permanently on display at the National Museum of African American History and Culture in Washington, D.C. Music career Early years Clarke was born on June 30, 1951 in Philadelphia. His mother sang opera around the house, belonged to a church choir, and encouraged him to study music. He started on accordion, then tried violin. But he felt awkward holding such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonium
The pump organ is a type of free-reed organ that generates sound as air flows past a vibrating piece of thin metal in a frame. The piece of metal is called a reed. Specific types of pump organ include the reed organ, harmonium, and melodeon. The idea for the free reed was imported from China through Russia after 1750, and the first Western free-reed instrument was made in 1780 in Denmark. More portable than pipe organs, free-reed organs were widely used in smaller churches and in private homes in the 19th century, but their volume and tonal range were limited. They generally had one or sometimes two manuals, with pedal-boards being rare. The finer pump organs had a wider range of tones, and the cabinets of those intended for churches and affluent homes were often excellent pieces of furniture. Several million free-reed organs and melodeons were made in the US and Canada between the 1850s and the 1920s, some of which were exported. The Cable Company, Estey Organ, and Mason & ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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