Live At The Cimarron Ballroom
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Live At The Cimarron Ballroom
''Live at the Cimarron Ballroom'' is a live album released by MCA Records to promote a concert by country singer Patsy Cline performing live in 1961. The album was recorded at a concert held at the Cimarron Ballroom at West 4th Street and South Denver Avenue in Tulsa, Oklahoma on July 29, 1961. The album features Cline singing some of her biggest hits live in concert, including her number #1 hit at the time, "I Fall to Pieces". It also includes Cline singing a few songs she previously recorded, such as "Lovesick Blues", "There He Goes" and her 1957 hit "Walkin' After Midnight". This album also features some songs Cline never recorded, like "When My Dreamboat Comes Home", and her version of the Connie Francis hit "Stupid Cupid". It also includes Cline talking to her audience about the car accident she was involved in about a month before. Track listing #"Come On In" (1:38) #" A Poor Man's Roses (Or a Rich Man's Gold)" (3:08) #" Bill Bailey, Won't You Please Come Home" (2:00) #Di ...
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Patsy Cline
Patsy is a given name often used as a diminutive of the feminine given name Patricia or sometimes the masculine name Patrick, or occasionally other names containing the syllable "Pat" (such as Cleopatra, Patience, Patrice, or Patricia). Among Italian Americans, it is often used as a pet name for Pasquale. In older usage, Patsy was also a nickname for Martha or Matilda, following a common nicknaming pattern of changing an M to a P (such as in Margaret → Meg/Meggy → Peg/Peggy; and Molly → Polly) and adding a feminine suffix. President George Washington called his wife Martha "Patsy" in private correspondence. President Thomas Jefferson's eldest daughter Martha was known by the nickname "Patsy", while his daughter Mary was called "Polly". People with the name Female * Patsy Biscoe (born 1946), Australian children's entertainer * Patricia Patsy Burt (1928–2001), British motor racing driver * Patricia Patsy Byrne (1933–2014), English actress * Patsy Chapman (born 19 ...
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When My Dreamboat Comes Home
When may refer to: * When?, one of the Five Ws, questions used in journalism * WHEN (AM), an Urban Adult Contemporary radio station in Syracuse, New York * WHEN-TV, the former call letters of TV station WTVH in Syracuse, New York Music * When (band), a musical project of Norwegian artist Lars Pedersen * When! Records, a UK record label whose artists include Rob Overseer Albums * ''When'' (album), a 2001 album by Vincent Gallo Songs * "When" (Amanda Lear song), 1980 * "When" (The Kalin Twins song), 1958 * "When" (Red Vincent Hurley song), the Irish entry in the Eurovision Song Contest 1976 * "When" (Shania Twain song), 1998 * "When", by Megadeth from ''The World Needs a Hero'' * "When", by Opeth from ''My Arms, Your Hearse'' * "When", by Perry Como * "When?", by Spirit from ''Spirit of '76'', 1975 * "When", by Taproot from ''Welcome A welcome is a kind of greeting designed to introduce a person to a new place or situation, and to make them feel at ease. The term ca ...
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Foolin' Around (Buck Owens Song)
"Foolin' Around" is a song co-written and recorded by American country music artist Buck Owens Alvis Edgar Owens Jr. (August 12, 1929 – March 25, 2006), known professionally as Buck Owens, was an American musician, singer, songwriter, and band leader. He was the lead singer for Buck Owens and the Buckaroos, which had 21 No. 1 hits on .... The song peaked at number 2 on the U.S. ''Billboard'' Hot Country Singles chart. Chart performance References 1961 singles Buck Owens songs Songs written by Buck Owens Songs written by Harlan Howard Capitol Records singles 1961 songs {{1960s-country-song-stub ...
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If I Could See The World (Through The Eyes Of A Child)
"If I Could See the World (Through the Eyes of a Child)" is a song first recorded by American country singer Patsy Cline. It was composed by Sammy Masters, Richard Pope and Tex Satterwhite. It was released as a single in late 1958 via Decca Records and was produced by Owen Bradley. It was among a handful of singles released on the Decca label that were unsuccessful for Cline following a major hit in 1957. Background In 1957, Patsy Cline had her only major hit of the decade with the song "Walkin' After Midnight". The single became a major country hit and crossed over onto the pop charts where it was also successful. In the single releases that followed, Cline would cut a mixture of musical styles, ranging from traditional country, rockabilly and traditional pop. "If I Could See the World (Through the Eyes of a Child)" was cut in a Nashville Sound arrangement and was composed by Sammy Masters, Richard Pope and Tex Satterwhite. Music executive Bill McCall believed the song could be a ...
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Stupid Cupid
"Stupid Cupid" is a song written by Howard Greenfield and Neil Sedaka which became a hit for Connie Francis in 1958. Recording history After almost three years of failure, Connie Francis finally had a hit in the spring of 1958 with a rock ballad version of the standard " Who's Sorry Now?" Unfortunately, her next pair of singles were less successful. ''I'm Sorry I Made You Cry'' only reached #36 on the ''Billboard'' Hot 100 and ''Heartaches'' failed to chart at all. Francis recalls: "I knew I had to come up with a hit on the third record. It was crucial. I listened to every publisher's song in New York, but nothing was hitting me." Eventually Don Kirshner of Aldon Music had Greenfield and Sedaka, who were staff writers for Aldon, visited Francis at her home to pitch their songs, but she and close friend Bobby Darin argued that the slow, dense ballads they were offering didn't appeal to the teenager market. Francis asked if they had something faster and bouncier. Greenfield asked ...
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San Antonio Rose
"San Antonio Rose" is a swing instrumental introduced in late 1938 by Bob Wills and His Texas Playboys. Quickly becoming the band's most popular number, Wills and band members devised lyrics, which were recorded on April 16, 1940, and released on Okeh 5694 in August as "New San Antonio Rose". Despite having completed a lengthy Hillbilly/Folk chart run in 1939, which culminated at #1, it quickly rose to the top again, in early 1941. It went on to become the band's theme song for the next forty years, reverting to its original title. The song is written in the first person with the "Rose of San Antone" being the singer's lost love. In 2010, the Western Writers of America ranked it at number 49 on its list of the Top 100 Western songs of all time. Recordings While it was also a successful hit for other Hillbilly artists, it also broke through to the pop charts, where Bing Crosby's version reached #7 on December 16, 1940. Over a million copies were sold for which Bing was awar ...
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There He Goes
There may refer to: * ''There'' (film), a 2009 Turkish film (Turkish title: ''Orada'') * ''There'' (virtual world) *''there'', a deictic adverb in English *''there'', an English pronoun used in phrases such as ''there is English grammar is the set of structural rules of the English language. This includes the structure of words, phrases, clauses, sentences, and whole texts. This article describes a generalized, present-day Standard English – a form of speech an ...
'' and ''there are'' {{disambiguation ...
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Shake, Rattle & Roll
"Shake, Rattle and Roll" is a song, written in 1954 by Jesse Stone (usually credited as Charles Calhoun, his songwriting name). The original recording by Big Joe Turner is ranked number 127 on the ''Rolling Stone'' magazine's list of The 500 Greatest Songs of All Time. Background In early 1954, Ahmet Ertegun of Atlantic Records suggested to Jesse Stone that he write an up-tempo blues for Big Joe Turner, a blues shouter whose career had begun in Kansas City before World War II. Stone played around with various phrases before coming up with "shake, rattle and roll". Nick Tosches, ''Unsung Heroes of Rock 'n' Roll'' (2nd ed. 1991), page 12-21. (Stone used his real name for ASCAP songs, while using the pseudonym "Charles Calhoun" for BMI-registered songs, such as "Shake, Rattle and Roll"). However, the phrase had been used in earlier songs. In 1910, vaudeville performer "Baby" Franklin Seals published "You Got to Shake, Rattle and Roll", a ragtime tune about gambling with dice, i ...
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Bill Bailey, Won't You Please Come Home
"(Won't You Come Home) Bill Bailey", originally titled "Bill Bailey, Won't You Please.... Come Home?" is a popular song published in 1902. It is commonly referred to as simply "Bill Bailey". Its words and music were written by Hughie Cannon, an American songwriter and pianist, and published by Paul Dresser#Howley, Haviland and Company, Howley, Haviland and Dresser. It is still a standard with Dixieland and traditional jazz bands. The simple 32-bar chord sequence of its chorus also underpins many other tunes played mainly by jazz bands, such as "Sobre las Olas, Over the Waves", "Washington and Lee Swing", "Bourbon Street Parade", "My Little Girl", and the final themes of "Tiger Rag" and "The Beer Barrel Polka". Origin Cannon wrote the song in 1902 when he was working as a bar pianist at Conrad Deidrich’s Saloon in Jackson, Michigan. Willard "Bill" Bailey, also a jazz musician, was a regular customer and friend, and one night told Cannon about his marriage to Sarah (née Siegris ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Country Pop
Country pop (also known as pop country or urban cowboy) is a fusion genre of country music and pop music that was developed by members of the country genre out of a desire to reach a larger, mainstream audience. Country pop music blends genres like rock, pop, and country, continuing similar efforts that began in the late 1950s, known originally as the Nashville sound and later on as Countrypolitan. By the mid-1970s, many country artists were transitioning to the pop-country sound, which led to some records' charting high on mainstream top 40 as well as the ''Billboard'' country chart. In-turn, many pop and easy listening artists crossed over to country charts during this time. After declining in popularity during the neotraditional movement of the 1980s, country pop had a comeback in the 1990s with a sound that drew more heavily on pop rock and adult contemporary. History Beginnings: Nashville sound/50s-60s The joining of country and pop began in the 1950s when studio executiv ...
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