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Live At The Checkerboard Lounge, Chicago 1981
''Live at the Checkerboard Lounge, Chicago 1981'' is a concert video and live album by American blues musician Muddy Waters and members of the English rock band the Rolling Stones. It was recorded on 22 November 1981 by David Hewitt on the Record Plant Black Truck, mixed by Bob Clearmountain, and released on 10 July 2012. The Checkerboard Lounge was a blues club in Bronzeville, on the South Side of Chicago, which was established in 1972 by Buddy Guy and L.C. Thurman.Parnell, Sean"The New Checkerboard Lounge" ''The Chicago Bar Project'' Track listing CD #Introductions – 1:44 #"You Don't Have to Go" – 5:43 #"Baby Please Don't Go" – 11:00 #"Hoochie Coochie Man" – 4:18 #"Long Distance Call" – 4:49 #"Mannish Boy" – 10:25 #" Got My Mojo Workin'" – 3:18 #" Next Time You See Me" – 11:00 #"One Eyed Woman" – 9:44 #"Clouds in My Heart" – 6:22 #"Champagne and Reefer" – 6:58 DVD #"Sweet Little Angel" #" Flip Flop And Fly" #Muddy Waters Introduction #"You D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rolling Stones
The Rolling Stones are an English rock band formed in London in 1962. Active for six decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the Rolling Stones pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, multi-instrumentalist Brian Jones, guitarist Keith Richards, bassist Bill Wyman, and drummer Charlie Watts. During their formative years, Jones was the primary leader: he assembled the band, named it, and drove their sound and image. After Andrew Loog Oldham became the group's manager in 1963, he encouraged them to write their own songs. Jagger and Richards became the primary creative force behind the band, alienating Jones, who had developed a drug addiction that interfered with his ability to contribute meaningfully. Rooted in blues and early rock and roll, the Rolling Stones started out playing covers and were at the forefront of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rick Kreher
Rick may refer to: People *Rick (given name), a list of people with the given name *Alan Rick (born 1976), Brazilian politician, journalist, pastor and television personality *Johannes Rick (1869–1946), Austrian-born Brazilian priest and mycologist; also his botanical author abbreviation *Marvin Rick (1901–1999), American middle-distance runner Units of measure *Rick, a quantity of firewood, related to a cord, in some parts of the US *Rick, a stack or pile of hay, grain or straw Other uses *Tropical Storm Rick (other) * ''Rick'' (film), a 2003 film starring Bill Pullman *RICK, stock ticker symbol for Rick's Cabaret International, Inc. See also *Richard (other) *Ricks (other) *Ricky (other) Ricky may refer to: Places * Říčky (Brno-Country District), a village and municipality in the Czech Republic * Říčky v Orlických horách, a village in the north of the Czech Republic *Rickmansworth, a town in England sometimes called "Ricky .. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flip, Flop And Fly
"Flip, Flop and Fly" is a song recorded by Big Joe Turner in 1955. Called a "prototypical rocker", it was recorded by several early rock and roll performers. In 1973, a version by the Downchild Blues Band reached the record singles chart in Canada. Original song "Flip, Flop and Fly" has an arrangement similar to Big Joe Turner's 1954 number 1 R&B chart hit "Shake, Rattle and Roll". Music critic Cub Koda suggests that "leftover verses rom the 'Shake, Rattle and Roll' recording sessionwere then recycled into Turner's follow-up hit, 'Flip, Flop and Fly. Both are up-tempo twelve-bar blues with a strong backbeat. "Flip, Flop and Fly" reached number 2 on ''Billboard'' magazine's R&B chart in 1955, less than one year after "Shake, Rattle and Roll". Accompanying Turner on vocals are the song's writer Jesse Stone on piano, Al Sears on tenor sax, Connie Kay on drums, and unidentified trumpet, alto sax, baritone sax, guitar, and bass players. Turner subsequently recorded several live v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Angel Blues
"Black Angel Blues", also known as "Sweet Black Angel" or "Sweet Little Angel", is a blues standard that has been recorded by numerous blues and other artists. The song was first recorded in 1930 by Lucille Bogan, one of the classic female blues singers. Bogan recorded it as a mid-tempo, twelve-bar blues, featuring her vocal with piano accompaniment. In 1934, Tampa Red recorded "Black Angel Blues" for Vocalion Records. The song was performed at a slower tempo and featured prominent slide-guitar lines by Tampa Red. These early songs were released before Billboard or a similar reliable service began tracking such releases, so it is difficult to gauge which version was more popular, although subsequent versions showed Tampa Red's influence. Robert Nighthawk recorded "Black Angel Blues" in 1949 accompanying Nighthawk on vocal and electric slide guitar were bassist Willie Dixon, and pianist Ernest Lane (the single, with its flip side "Annie Lee Blues", listed the performers as "T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Next Time You See Me
"Next Time You See Me" is a blues song written by Earl Forest and Bill Harvey, originally recorded in 1956 by Junior Parker (as "Little Junior Parker" as he was then known). The song was Parker's first record chart appearance after joining Duke Records and one of his most successful singles in both the R&B and pop charts. "Next Time You See Me" has been performed and recorded by various artists, such as the Grateful Dead. Composition and recording "Next Time You See Me" is a mid-tempo twelve-bar blues shuffle with breaks. It features Parker's smooth vocal propelled by a horn-driven rhythm section. As with most of Junior Parker's songs, it is "more melodic than the average blues". Singer and music writer Billy Vera described Parker's approach: The horn section includes band leader Bill Harvey on tenor sax, Harvey Joe Scott on trumpet, Pluma Davis on trombone, along with Connie McBooker on piano, Pat Hare on guitar, Hamp Simmons on bass, and Sonny Freeman on drums. The song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Got My Mojo Working
"Got My Mojo Working" is a blues song written by Preston "Red" Foster and first recorded by R&B singer Ann Cole in 1956. Foster's lyrics describe several amulets or talismans, called ''mojo'', which are associated with hoodoo, an early African-American folk-magic belief system. In 1957, Muddy Waters adapted the song with some different lyrics and a new musical arrangement. It was a feature of his performances throughout his career, with a live version recorded in 1960 identified as the best known. Waters' rendition has received several awards and otherwise recognized by various organizations and publications. As a blues standard, it has been recorded by numerous blues and other artists. Origins The song was written by Preston "Red" Foster, an African-American musician unrelated to the actor of the same name. Music publisher and executive Sol Rabinowitz described Foster as "one of the shyest human beings I've ever met", and a judge in the early 1970s described him as "a Blac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannish Boy
"Mannish Boy" (or "Manish Boy" as it was first labeled) is a blues standard written by Muddy Waters, Mel London, and Bo Diddley (with Waters and Diddley being credited under their birth names). First recorded in 1955 by Waters, it serves as an "answer song" to Bo Diddley's " I'm a Man", which was in turn inspired by Waters' and Willie Dixon's "Hoochie Coochie Man". "Mannish Boy" features a repeating stop-time figure on one chord throughout the song. Although the song contains sexual boasting, its repetition of "I'm a man, I spell M, A child, N" was understood as political. Waters had recently left the South for Chicago. "Growing up in the South, African-Americans ouldnever be referred to as a manbut as 'boy'. In this context, the song san assertion of black manhood." Recordings and releases Waters recorded the song in Chicago on May 24, 1955. It is his only recording between January 1953 and June 1957 that did not feature Little Walter on harmonica (who was on tour suppor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoochie Coochie Man
"Hoochie Coochie Man" (originally titled "I'm Your Hoochie Cooche Man") is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter. The song is a classic of Chicago blues and one of Waters' first recordings with a full backing band. Dixon's lyrics build on Waters' earlier use of ''braggadocio'' and themes of fortune and sex appeal. The stop-time riff was "soon absorbed into the ''lingua franca'' of blues, R&B, jazz, and rock and roll", according to musicologist Robert Palmer, and is used in several popular songs. When Bo Diddley adapted it for " I'm a Man", it became one of the most recognizable musical phrases in blues. After the song's initial success in 1954, Waters recorded several live and new studio ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baby, Please Don't Go
"Baby, Please Don't Go" is a traditional blues song that was popularized by Delta blues musician Big Joe Williams in 1935. Many cover versions followed, leading to its description as "one of the most played, arranged, and rearranged pieces in blues history" by French music historian Gérard Herzhaft. After World War II, Chicago blues and rhythm and blues artists adapted the song to newer music styles. In 1952, a doo-wop version by the Orioles reached the top ten on the R&B chart. In 1953, Muddy Waters recorded the song as an electric Chicago-ensemble blues piece, which influenced many subsequent renditions. By the early 1950s, the song became a blues standard. In the 1960s, "Baby, Please Don't Go" became a popular rock song after the Northern Irish group Them recorded it in 1964. Jimmy Page, a studio guitarist at the time, participated in the recording session, possibly on rhythm guitar. Subsequently, Them's uptempo rock arrangement also made it a rock standard. AC/DC and Ae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Guy
George "Buddy" Guy (born July 30, 1936) is an American blues guitarist and singer. He is an exponent of Chicago blues who has influenced generations of guitarists including Eric Clapton, Jimi Hendrix, Jimmy Page, Keith Richards, Stevie Ray Vaughan, Jeff Beck, Gary Clark Jr. and John Mayer. In the 1960s, Guy played with Muddy Waters as a session guitarist at Chess Records and began a musical partnership with blues harp virtuoso Junior Wells. Guy has won eight Grammy Awards and a Lifetime Achievement Award, the National Medal of Arts, and the Kennedy Center Honors. Guy was ranked 23rd in ''Rolling Stone'' magazine's " 100 Greatest Guitarists of All Time". His song "Stone Crazy" was ranked 78th in the ''Rolling Stone'' list of the "100 Greatest Guitar Songs of All Time". Clapton once described him as "the best guitar player alive". In 1999, Guy wrote the book ''Damn Right I've Got the Blues'', with Donald Wilcock. His autobiography, ''When I Left Home: My Story'', was published i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago
(''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = List of sovereign states, Country , subdivision_name = United States , subdivision_type1 = U.S. state, State , subdivision_type2 = List of counties in Illinois, Counties , subdivision_name1 = Illinois , subdivision_name2 = Cook County, Illinois, Cook and DuPage County, Illinois, DuPage , established_title = Settled , established_date = , established_title2 = Municipal corporation, Incorporated (city) , established_date2 = , founder = Jean Baptiste Point du Sable , government_type = Mayor–council government, Mayor–council , governing_body = Chicago City Council , leader_title = Mayor of Chicago, Mayor , leader_name = Lori Lightfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
