Live At The Bottom Line (The Gadd Gang Album)
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Live At The Bottom Line (The Gadd Gang Album)
''Live at the Bottom Line'' is a live album by American vocalist and songwriter Patti Austin recorded in 1978 and released on the CTI label.Payne, DCTI Records discographyaccessed February 29, 2012 Reception The Allmusic review states, "There's more spontaneity, emotion, and charisma in the vocals on this album than on almost all her other releases combined".Wynn, RAllmusic Reviewaccessed February 29, 2012 Track listing # "Jump for Joy" (Cynthia Biggs, Dexter Wansel) – 5:11 # "Let It Ride" (Jermaine Jackson, Michael McGloiry, Gregory Williams) – 4:08 # " One More Night" ( Stephen Bishop) – 5:10 # "Wait a Little While" (Eva Ein, Kenny Loggins) – 4:27 # "Rider in the Rain" ( Randy Newman) – 6:09 # "You're the One That I Want" (John Farrar) – 3:27 Bonus track on CD reissue # "Love Me by Name" ( Lesley Gore, Ellen Weston) – 5:16 # "You Fooled Me" (Zane Grey, Len Ron Hanks) – 3:10 # ''Spoken Introductions'' – 7:09 Bonus track on CD reissue # "Let's All ...
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Patti Austin
Patti Austin (born August 10, 1950) is an American R&B, pop, and jazz singer and songwriter. Music career Austin was born in Harlem, New York, to Gordon Austin, a jazz trombonist. She was raised in Bay Shore, New York on Long Island. Quincy Jones and Dinah Washington have referred to themselves as her godparents. When Austin was four years old, she performed at the Apollo Theater. As a teenager she recorded commercial jingles and worked as a session singer in soul and R&B. She had an R&B hit in 1969 with "Family Tree". She sang backing vocals on Paul Simon's 1975 number-one hit " 50 Ways to Leave Your Lover". The jazz label CTI released her debut album, ''End of a Rainbow'', in 1976. She sang " The Closer I Get to You" for Tom Browne's album ''Browne Sugar'', a duet with Michael Jackson for his album '' Off the Wall'', and a duet with George Benson on "Moody's Mood for Love". After singing on Quincy Jones's album '' The Dude'', she signed a contract with his record la ...
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Lesley Gore
Lesley Sue Goldstein (May 2, 1946 – February 16, 2015), known professionally as Lesley Gore, was an American singer, songwriter, actress, and activist. At the age of 16, she recorded the pop hit " It's My Party", a US number one in 1963. She followed it up with ten further '' Billboard'' top 40 hits including "Judy's Turn to Cry" and "You Don't Own Me". Gore later worked as an actress and television personality. She composed songs with her brother Michael Gore for the 1980 film '' Fame'', for which he won an Academy Award. She hosted several editions of the LGBT-oriented public television show, '' In the Life'', on American TV in the 2000s. Early life Gore was born Lesley Sue Goldstein in Brooklyn, New York City, into a middle-class Jewish family. The daughter of Leo Goldstein and Ronny Gore, her father was the owner of Peter Pan, a children's swimwear and underwear manufacturer, "Daughter of Ronny and Leo, she was born Lesley Sue Goldstein into a middle-class Jewish family ...
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Rudy Van Gelder
Rudolph Van Gelder (November 2, 1924 – August 25, 2016) was an American recording engineer who specialized in jazz. Over more than half a century, he recorded several thousand sessions, with musicians including John Coltrane, Miles Davis, Thelonious Monk, Sonny Rollins, Art Blakey, Lee Morgan, Joe Henderson, Freddie Hubbard, Wayne Shorter, Horace Silver, Herbie Hancock and Grant Green. He worked with many different record companies, and recorded almost every session on Blue Note Records from 1953 to 1967. He worked on albums including John Coltrane's ''A Love Supreme'', Miles Davis's '' Walkin''', Herbie Hancock's '' Maiden Voyage'', Sonny Rollins's '' Saxophone Colossus'', and Horace Silver's ''Song for My Father''. He is regarded as one of the most influential engineers in jazz. Early life Van Gelder was born in Jersey City, New Jersey. His parents, Louis Van Gelder and the former Sarah Cohen, ran a women's clothing store in Passaic. His interest in microphones and electronics ...
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Arthur Jenkins (musician)
Arthur Eugene Jenkins, Jr. (December 7, 1936 – January 28, 2009) was an American keyboardist, composer, arranger and percussionist who worked with many popular music icons such as John Lennon, Harry Belafonte, Bob Marley and Chaka Khan. Jenkins was born in The Bronx, New York, and began playing piano at the age of 5. After studying music at Baldwin-Wallace College in Ohio, Jenkins returned to New York and began his professional career. He played for two years at a club called Blue Moracco. The first year was with a singer named Irene Reid and the second was with a new singer from Ohio named Nancy Wilson. Next began a 9-year collaboration as musical director and accompanist to singer Johnny Nash, which included Nash's 1972 smash "I Can See Clearly Now". While with Nash, Jenkins traveled to Jamaica where he also worked on recording projects with Bob Marley and Peter Tosh. Jenkins had now become a much sought-after studio musician, and soon was the arranger for Harry Belaf ...
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Dave Grusin
Robert David "Dave" Grusin (born June 26, 1934) is an American composer, arranger, producer, jazz pianist, and band leader. He has composed many scores for feature films and television, and has won numerous awards for his soundtrack and record work, including an Academy Award and 10 Grammy Awards. In 1978, Grusin founded GRP Records with Larry Rosen, and was an early pioneer of digital recording. Early life Grusin was born in Littleton, Colorado, to Henri and Rosabelle (née de Poyster) Grusin. His mother was a pianist and his father was a violinist from Riga, Latvia. Grusin has one Jewish parent. Grusin studied music at the University of Colorado at Boulder and received his degree in 1956. Grusin's teachers included Cecil Effinger and Wayne Scott, pianist, arranger and professor of jazz. Career Grusin produced his first single in 1962, "Subways Are for Sleeping", and his first film score, for '' Divorce American Style'', in 1967. Other scores followed, including ''The Gradua ...
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Ullanda McCullough
Ullanda McCullough is an American pop music singer most noted as a backing vocalist. Career McCullough began her singing career at age 13 in Detroit, Michigan. In early 1970s she sang numerous advertising jingles including the 1971 Coca-Cola commercial ''I'd Like to Teach the World to Sing''. In 1974, she was a backing vocalist on Eddie Floyd's album, ''Soul Street''. In 1975, McCullough relocated from Detroit to New York City to continue her career as a background singer. She sang background vocals for Ashford & Simpson, Diana Ross, Tina Turner, Luther Vandross, Quincy Jones, Bette Midler and others. In 1979 McCullough began a solo career and recorded three albums: '' Love Zone'' (1979), ''Ullanda McCullough'' (1981) and '' Watching You Watching Me'' (1982). Afterward, she returned to singing backup for Billy Joel, the Weather Girls The Weather Girls are an American female duo whose best-known line-up comprised Martha Wash and Izora Armstead. Formed in 1976 in San Franci ...
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Double Bass
The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the , and is featured in concertos, solo, and

Will Lee (bassist)
Will Lee is an American bassist known for his work on the ''Late Show with David Letterman'' as part of the CBS Orchestra and before that "The World's Most Dangerous Band" when Letterman hosted the NBC " Late Night" show. Lee has recorded and toured with many artists. He appeared on the Mark & Clark Band's hit record '' Worn Down Piano''. He performs with his Beatles tribute band, The Fab Faux, which he co-founded in 1998. Career Beginnings in music Lee was greatly influenced to pursue music because of his parents. His father, William Franklin Lee III played piano, trumpet and the upright bass professionally. Lee's mother Lois sang with big bands. Lee took up drums after seeing the Beatles on ''The Ed Sullivan Show'', and by the time he was 12 had formed his first band in Miami. The band members each earned $9 a night playing the popular surfing tunes characteristic of the 60s. With the great numbers of drummers in Miami, Lee shifted to bass, an instrument that offered mo ...
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David Spinozza
David Spinozza is an American guitarist and producer. He worked with former Beatles Paul McCartney, Ringo Starr and John Lennon during the 1970s, and had a long collaboration with singer-songwriter James Taylor, producing Taylor's album '' Walking Man''. Career Spinozza worked with McCartney during sessions for McCartney's ''Ram'' album during 1971. When the chance came to work with Lennon two years later, as Yoko Ono prepared her ''Feeling the Space'' album and Lennon his '' Mind Games'', Spinozza discovered that Lennon was not aware he had previously worked with McCartney, and was afraid he would be fired if Lennon found out, given their recent feuding in the media. When Lennon did learn of it, his only comment was that McCartney "knows how to pick good people." Exact same story is related about Hugh McCracken. David sessioned on Tim Weisberg's 1972 ''Hurtwood Edge'' and Cashman & West's 1974 ''Lifesong''. Spinozza contributed to Ono's album ''A Story'', recorded during 1974 ...
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Leon Pendarvis, Jr
Leon, Léon (French) or León (Spanish) may refer to: Places Europe * León, Spain, capital city of the Province of León * Province of León, Spain * Kingdom of León, an independent state in the Iberian Peninsula from 910 to 1230 and again from 1296 to 1301 * León (historical region), composed of the Spanish provinces León, Salamanca, and Zamora * Viscounty of Léon, a feudal state in France during the 11th to 13th centuries * Saint-Pol-de-Léon, a commune in Brittany, France * Léon, Landes, a commune in Aquitaine, France * Isla de León, a Spanish island * Leon (Souda Bay), an islet in Souda Bay, Chania, on the island of Crete North America * León, Guanajuato, Mexico, a large city * Leon, California, United States, a ghost town * Leon, Iowa, United States * Leon, Kansas, United States * Leon, New York, United States * Leon, Oklahoma, United States * Leon, Virginia, United States * Leon, West Virginia, United States * Leon, Wisconsin (other), United States, ...
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Pat Rebillot
Patrick Earl "Pat" Rebillot (born April 21, 1935) is an American jazz pianist and composer. Early life and education Born in Louisville, Ohio, Rebilliot studied music at Mt. Union College and the Cincinnati Conservatory of Music with Jeno Takacs. He graduated with a Bachelor of Music Education in 1957. Career Rebillot is associated with fellow session and studio musicians Hugh McCracken, Tony Levin, Steve Gadd, Ray Barretto and Ralph MacDonald. A long-time member of Herbie Mann's various line-ups, for which he is also credited as arranger, Rebillot also appears on recordings by John Klemmer, Steely Dan, the Average White Band, Gloria Gaynor, Irene Worth, Bette Midler, Flora Purim, Hall & Oates, David Newman, Jon Faddis, Morrissey–Mullen and others. Discography As leader *''Free Fall'' - with Tony Levin on bass, Steve Gadd on drums, Armen Halburian on percussion and Sam Brown on guitar. Produced by Herbie Mann (1974) - Atlantic Records As sideman With Patt ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recogniz ...
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