Live At The Cafe Au Go Go
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Live At The Cafe Au Go Go
''Live at The Cafe Au Go Go'' is the debut album by the American band The Blues Project, recorded live during the ''Blues Bag'' four-day concert on the evenings of November 24–27, 1965 at the Cafe Au Go Go in New York City. The recording finished up in January, 1966 at the same venue, by which time Tommy Flanders had left the band. They scaled down their usual lengthy arrangements for the album due to time constraints and record label wariness. Track listing Side one #"Goin' Down Louisiana" (Muddy Waters) – 4:04 #"You Go, I'll Go with You" (Willie Dixon) – 3:49 #"Catch the Wind" (Donovan) – 3:05 #"I Want to Be Your Driver" (Chuck Berry) – 2:23 #"Alberta" (Traditional) – 4:10 #"The Way My Baby Walks" (Andy Kulberg) – 3:09 Side two #"Violets of Dawn" (Eric Andersen) – 2:56 #"Back Door Man" (Dixon) – 3:16 #"Jelly Jelly Blues" (Billy Eckstine, Earl Hines) – 4:45 #"Spoonful" (Dixon) – 4:58 #" Who Do You Love?" (Ellas McDaniel) – 5:30 Personnel Musicians *Tommy ...
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Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Back Door Man
"Back Door Man" is a blues song written by Willie Dixon and recorded by Howlin' Wolf in 1960. The lyrics draw on a Southern U.S. cultural term for an extramarital affair. The song is one of several Dixon-Wolf songs that became popular among rock musicians, including the Doors who recorded it for their 1967 self-titled debut album. Lyrics In Southern culture, the phrase "back-door man" refers to a man having an affair with a married woman, using the back door as an exit before the husband comes home. Dixon's lyrics include: The philandering "back-door man" is a theme of several blues songs, including those by Charley Patton, Lightnin' Hopkins, Blind Willie McTell and Sara Martin: "every sensible woman got a back-door man", Martin sang in "Strange Loving Blues" (1925). Recording and releases "Back Door Man" was recorded in Chicago in June 1960. Accompanying Howlin' Wolf on vocals is Otis Spann on piano, Hubert Sumlin on guitar, Willie Dixon on double bass, and Fred Below on d ...
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Rhythm Guitar
In music performances, rhythm guitar is a technique and role that performs a combination of two functions: to provide all or part of the rhythmic pulse in conjunction with other instruments from the rhythm section (e.g., drum kit, bass guitar); and to provide all or part of the harmony, i.e. the chords from a song's chord progression, where a chord is a group of notes played together. Therefore, the basic technique of rhythm guitar is to hold down a series of chords with the fretting hand while strumming or fingerpicking rhythmically with the other hand. More developed rhythm techniques include arpeggios, damping, riffs, chord solos, and complex strums. In ensembles or bands playing within the acoustic, country, blues, rock or metal genres (among others), a guitarist playing the rhythm part of a composition plays the role of supporting the melodic lines and improvised solos played on the lead instrument or instruments, be they strings, wind, brass, keyboard or even percus ...
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Steve Katz (musician)
Steven Katz (born May 9, 1945) is a guitarist, singer, and record producer who is best known as a member of the rock-pop-jazz group Blood, Sweat & Tears. Katz was an original member of the rock bands The Blues Project and American Flyer. As a producer, his credits include the 1979 album ''Short Stories Tall Tales'' for the Irish band Horslips, and the Lou Reed albums ''Rock 'n' Roll Animal'' and ''Sally Can't Dance'' and the Elliott Murphy album '' Night Lights''. Biography Katz was born in Brooklyn, New York City. His professional career started in the late fifties on a local Schenectady, New York television program called ''Teenage Barn''. Accompanied by piano, he would sing such hits of the day as "Tammy" and "April Love". At 15, Katz studied guitar with Dave Van Ronk and Reverend Gary Davis. It was at this time that he met and befriended guitarist Stefan Grossman. They would sometimes act as road managers for Reverend Davis and, in so doing, met many of the great "rediscov ...
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Organ (music)
Carol Williams performing at the United States Military Academy West Point Cadet Chapel.">West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which ...
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Al Kooper
Al Kooper (born Alan Peter Kuperschmidt; February 5, 1944) is a retired American songwriter, record producer and musician, known for organizing Blood, Sweat & Tears, although he did not stay with the group long enough to share its popularity. Throughout much of the 1960s and 1970s he was a prolific studio musician, playing organ on the Bob Dylan song "Like a Rolling Stone", French horn and piano on the Rolling Stones song "You Can't Always Get What You Want", and lead guitar on Rita Coolidge's "The Lady's Not for Sale", among many other appearances. Kooper also produced a number of one-off collaboration albums, such as the '' Super Session'' album that saw him work separately with guitarists Mike Bloomfield and Stephen Stills. In the 1970s Kooper was a successful manager and producer, recording Lynyrd Skynyrd's first three albums. He has also had a successful solo career, writing music for film soundtracks, and has lectured in musical composition. Early life Al Kooper was bor ...
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Vocals
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ...
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Lead Guitar
Lead guitar (also known as solo guitar) is a musical part for a guitar in which the guitarist plays melody lines, instrumental fill passages, guitar solos, and occasionally, some riffs and chords within a song structure. The lead is the featured guitar, which usually plays single-note-based lines or double-stops. In rock, heavy metal, blues, jazz, punk, fusion, some pop, and other music styles, lead guitar lines are usually supported by a second guitarist who plays rhythm guitar, which consists of accompaniment chords and riffs. History The first form of lead guitar emerged in the 18th century, in the form of classical guitar styles, which evolved from the Baroque guitar, and Spanish Vihuela. Such styles were popular in much of Western Europe, with notable guitarists including Antoine de Lhoyer, Fernando Sor, and Dionisio Aguado. It was through this period of the classical shift to romanticism the six-string guitar was first used for solo composing. Through the 19th century ...
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Danny Kalb
Daniel Ira Kalb (September 9, 1942 – November 19, 2022) was an American blues guitarist and vocalist. He was an original member of the 1960s group the Blues Project. Life and career Kalb was a protégé of Dave Van Ronk and became a solo performer and a session musician, performing with such folk singers as Judy Collins, Phil Ochs, Pete Seeger and Bob Dylan. Kalb and the blues ethnomusicologist Sam Charters formed the New Strangers. He joined Van Ronk's Ragtime Jug Stompers in 1963. Inspired by the African American, African-American bluesmen Son House, Skip James and Mississippi John Hurt, Kalb experimented with acoustic and electronic music. At the age of 15 Kalb formed the band Gay Notes and performed with Bob Dylan on a WBAI-FM concert broadcast in 1961. In 1963 Kalb performed in the Ragtime Jug Stompers with his mentor Dave Van Ronk. In 1964 he recorded as Folk Stringers, produced by guitarist and writer Sam Charters, who has written: "It was generally conceded ... that ... ...
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Tommy Flanders
Tommy Flanders was lead vocalist in the Blues Project for several periods in the band's history from 1966 to 1972. He appears on two Blues Project albums, their debut ''Live at the Cafe Au Go Go'' (Verve Folkways, 1966) and a reunion album eponymously titled ''Blues Project'' (Capitol Records, 1972), as well as on various compilations and greatest hits collections. After his first departure from the Blues Project in 1966 (Flanders left before the debut album was issued), he signed with Verve Forecast, for whom he issued two commercially unsuccessful singles and one largely ignored album, ''The Moonstone'' (1969). In a review at AllMusic, rock journalist Richie Unterberger panned the album, saying, "Despite some top-flight backup musicians in Bruce Langhorne, Dick Rosmini, and Jerry Scheff, it was a fairly forgettable record, and certainly a low-energy one, the mellowness threatening to dissolve into sleepiness. It's one of those albums where nothing's especially wrong, but neithe ...
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Ellas McDaniel
Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, The Beatles, The Rolling Stones, The Animals, George Thorogood, and The Clash. His use of African rhythms and a signature beat, a simple five- accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music. In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitars. Early life Bo Did ...
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Who Do You Love? (Bo Diddley Song)
"Who Do You Love?" is a song written by American rock and roll pioneer Bo Diddley. Recorded in 1956, it is one of his most popular and enduring works. The song represents one of Bo Diddley's strongest lyrical efforts and uses a combination of hoodoo-type imagery and boasting. It is an upbeat rocker, but the original did not use the signature Bo Diddley beat rhythm. "Who Do You Love?" was part of Bo Diddley's repertoire throughout his career, but none of his various recordings reached the record charts. The song has been interpreted and recorded by numerous musicians in different styles, often adding a Bo Diddley beat. Popular renditions include those by Ronnie Hawkins and George Thorogood, with charting singles by the Woolies, Tom Rush, Quicksilver Messenger Service, and Juicy Lucy. Guitarists' contributions to the various renditions of the song have been noted by music critics and writers. Beginning with blues guitarist Jody Williams' prominent fills and solo on Bo Diddley ...
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