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Live At Last (Steeleye Span Album)
''Live at Last'' is a live album by the British folk rock band Steeleye Span. It is the first live album the band issued, after eight years of performing and releasing 10 studio albums. It was originally intended to be a farewell album. "This then is our eleventh and final album. Steeleye Span amicably disbanded five days after making this recording for reasons that are irrelevant here.” It is one of only two albums the band issued on which John Kirkpatrick played (not counting a later live reunion album, ''The Journey''), making it one of only two albums to employ an accordion as a primary instrument. The album is also notable because only two of the tracks ("Saucy Sailor/Black Freighter" and "False Knight on the Road") were songs that the band had recorded before, so that most of the material on the album is essentially new material. The band went on to release a second live version of "The Maid and the Palmer" on ''The Journey''. The departure of Bob Johnson and Pet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Please To See The King
''Please to See the King'' is the second album by Steeleye Span, released in 1971. A major personnel change following their previous effort, '' Hark! The Village Wait'', brought about a substantial change in their overall sound, including a lack of drums and the replacement of one female vocalist with a male vocalist. The band even reprised a song from their debut, "The Blacksmith", with a strikingly different arrangement making extensive use of syncopation. Re-recording songs would be a minor theme in Steeleye's output over the years, with the band eventually releasing an entire album of reprises, ''Present – The Very Best of Steeleye Span''. The title of the album is derived from the "Cutty Wren" ceremony. A wren in a cage is paraded as if it were a king. This rite was carried out on 26 December, Saint Stephen's Day, and is connected to early Christmas celebrations. The song "The King", appearing on the album, addresses this, and is often performed as a Christmas carol. Stee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Gaudio
Robert John Gaudio (born November 17, 1942) is an American singer, songwriter, musician, and record producer, and the keyboardist and backing vocalist of the pop/rock band the Four Seasons. Gaudio wrote or co-wrote and produced the vast majority of the band's music, including hits like " Sherry" and " December, 1963 (Oh, What a Night)". Though he no longer performs with the group, Gaudio and lead singer Frankie Valli remain co-owners of the Four Seasons brand. Biography Early career Born in the Bronx, New York, Gaudio was raised in Bergenfield, New Jersey, where he attended Bergenfield High School. Rotella, Mark"Straight Out of Newark" ''The New York Times'', October 2, 2005. Accessed October 9, 2007. "Originally from the Bronx, Mr. Gaudio had, at age 15, written the hit "Who Wears Short Shorts", which he made up while driving with friends along the main drag in Bergenfield." His mother worked for the publishing house Prentice Hall and his father in a paper factory. He show ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Crewe
Robert Stanley Crewe (November 12, 1930 – September 11, 2014) was an American songwriter, dancer, singer, manager, and record producer. He was known for producing, and co-writing with Bob Gaudio, a string of Top 10 singles for the Four Seasons. As a songwriter, his most successful songs include "Silhouettes" (co-written with Frank Slay); "Big Girls Don't Cry", " Walk Like a Man", " Rag Doll", " Silence Is Golden", " The Sun Ain't Gonna Shine (Anymore)", " Can't Take My Eyes Off You" and " Bye, Bye, Baby" (all co-written with Gaudio); " Let's Hang On!" (written with Sandy Linzer and Denny Randell); and " My Eyes Adored You" and " Lady Marmalade" (both co-written with Kenny Nolan). He also had hit recordings with the Rays, Diane Renay, Mitch Ryder and the Detroit Wheels, Freddy Cannon, Lesley Gore, Oliver, Michael Jackson, Bobby Darin, Roberta Flack, Peabo Bryson, Patti LaBelle, Barry Manilow, and his own Bob Crewe Generation. Early life Born in Newark in 1930 and rais ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rag Doll (The Four Seasons Song)
"Rag Doll" is a popular song written by Bob Crewe and Bob Gaudio. It was recorded by the Four Seasons and released as a single in 1964. Background According to songwriter Bob Gaudio, the recording was inspired by an occasion involving the homeless children who, at stop lights in the city, would run into the street and clean windshields for spare change. In the Hell's Kitchen, Manhattan neighborhood, a young girl with a dirty face and wearing ragged clothes approached Gaudio's automobile. When he reached into his wallet to pay her, he found that none of the notes were smaller than $10. He gave the girl a $10 bill. (Some accounts indicate that it was a $5 bill.) "The image of her stuck in my head until I wrote 'Rag Doll'", Gaudio recalled in a 2009 interview. ''Billboard'' described the song as a "sentimental slow dance ballad." ''Cash Box'' described it as "a touching, cha cha beat opus...that the group serves up in their fabulous style" and that features the "hit sounds" of Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hunting The Wren
"The Cutty Wren" and its variants such as "The Hunting of the Wren" are traditional English folk songs. It is also the territorial song for the British overseas territory of Tristan da Cunha. The origins and meaning of the song are disputed. It is number 236 in the Roud Folk Song Index. Origin The song is thought by some to represent the human sacrifice of the Year King, or the symbolic substitute slaughter of the wren as "king of the birds" at the end of the year for similar purposes, and such songs are traditionally sung on Boxing Day (26 December), just after the winter solstice. 26 December is sometimes called St Stephen's Day or Wren Day. These rituals are discussed in '' The Golden Bough''. It is alternatively attributed to the English Peasants' Revolt of 1381, and the wren is supposed to be the young king Richard II, who is killed and fed to the poor. However, there is no strong evidence to connect this song with the Peasants' Revolt. The idea seems to have origi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roud Folk Song Index
The Roud Folk Song Index is a database of around 250,000 references to nearly 25,000 songs collected from oral tradition in the English language from all over the world. It is compiled by Steve Roud (born 1949), a former librarian in the London Borough of Croydon. Roud's Index is a combination of the Broadside Index (printed sources before 1900) and a "field-recording index" compiled by Roud. It subsumes all the previous printed sources known to Francis James Child (the Child Ballads) and includes recordings from 1900 to 1975. Until early 2006, the index was available by a CD subscription; now it can be found online on the Vaughan Williams Memorial Library website, maintained by the English Folk Dance and Song Society (EFDSS). A partial list is also available at List of folk songs by Roud number. Purpose of index The primary function of the Roud Folk Song Index is as a research aid correlating versions of traditional English-language folk song lyrics independently document ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Child Ballad
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ''The English and Scottish Popular Ballads''. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s. History Age and source of the ballads The ballads vary in age; for instance, the manuscript of " Judas" dates to the thirteenth century and a version of "A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century. The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some are claimed to have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Maid And The Palmer
"The Maid and the Palmer" (alternate versions are known as "The Maid of Coldingham" and "The Well Below The Valley"; original title in Percy "Lillumwham") (Roud 2335, Child ballad 21) is an English language medieval murder ballad with supernatural/religious overtones. Because of its dark and sinister lyrics (implying murder and, in some versions, incest), the song was often avoided by folk singers. Child's main text in English comes from the seventeenth century ballad collection compiled by Thomas Percy, supplemented by a nineteenth century fragment recalled by Sir Walter Scott, although both Child and later scholars agree that the English language version(s) of the ballad derive from an earlier Continental original or "Magdalene ballad" that is based upon a medieval legend associated with Mary Magdalene, in which her story has become conflated with that of the Samaritan woman at the well in the Gospel of John. The ballad was present in oral tradition in Scotland in the early ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Musical Medleys
In music, a medley is a piece composed from parts of existing pieces played one after another, sometimes overlapping. They are common in popular music, and most medleys are songs rather than instrumentals. A medley which is a remixed series is called a megamix, often done with tracks for a single artist, or for popular songs from a given year or genre. A cover version combining elements of multiple pre-existing songs is a ''cover medley''. A medley is the most common form of overture for musical theatre productions. In Latin music, medleys are known as '' potpourrís'' or ''mosaicos''; the latter were popularized by artists such as Roberto Faz and Billo Frómeta, and most commonly consist of boleros, guarachas, merengues or congas. See also * Segue, a term for the transition between songs * DJ mix * Mashup (music) * List of Genesis medleys * List of "Weird Al" Yankovic polka medleys * Suite (music) A suite, in Western classical music and jazz, is an ordered set o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Weill
Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, '' The Threepenny Opera'', which included the ballad " Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill Cjschuler.net. Retrieved on August 22, 2011. ''''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen on August 27, 1943. |
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