|
Live At Carnegie Hall (Liza Minnelli Album)
''Live at Carnegie Hall'' is the fourth live album by American singer Liza Minnelli. It was recorded at Carnegie Hall, New York City in September 1979 and released in 1981. The live show was one of the eleven sold-out shows, the longest guest appearance that an artist ever held in Carnegie Hall. The album cover was made by the artist Andy Warhol. At that time of the release she was unaffiliated with a major label, and had the foresight to record these concerts herself. Two years later, in 1981, she began selling the limited edition double album at her live dates. In 2021, record label Real Gone Music the album was titled ''Live In New York 1979'' and re-released as a limited pressed pink vinyl and also as a red vinyl limited to a 1400 copies each one. In 2022, the album was finally released in a 3-CD edition which includes the completely show for the first time and the abridged version that was released in the vinyls format. The album received favorable revies from ''The Wall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liza Minnelli
Liza May Minnelli ( ; born March 12, 1946) is an American actress, singer, dancer, and choreographer. Known for her commanding stage presence and powerful alto singing voice, Minnelli is among a rare group of performers awarded an Emmy, Grammy (Grammy Legend Award), Oscar, and Tony ( EGOT). Minnelli is a Knight of the French Legion of Honour. Daughter of actress and singer Judy Garland and director Vincente Minnelli, Minnelli was born in Los Angeles, spent part of her childhood in Scarsdale, New York, and moved to New York City in 1961 where she began her career as a musical theatre actress, nightclub performer, and traditional pop music artist. She made her professional stage debut in the 1963 Off-Broadway revival of ''Best Foot Forward (musical), Best Foot Forward''Scott Schechter (2004): ''The Liza Minnelli Scrapbook'', pp. 12–13. and received the Tony Award for Best Actress in a Musical for starring in ''Flora the Red Menace'' in 1965, which marked the start of her lifelo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Weill
Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, ''The Threepenny Opera'', which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill Cjschuler.net. Retrieved on August 22, 2011. ''''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen on August 27, 1943.
|
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Nilsson
Harry Edward Nilsson III (June 15, 1941 – January 15, 1994), sometimes credited as Nilsson, was an American singer-songwriter who reached the peak of his commercial success in the early 1970s. His work is characterized by pioneering vocal overdub experiments, returns to the Great American Songbook The Great American Songbook is the loosely defined canon of significant early-20th-century American jazz standards, popular songs, and show tunes. Definition According to the Great American Songbook Foundation: The "Great American Songbook" i ..., and fusions of Caribbean music, Caribbean sounds. A tenor with a octave range, Nilsson was one of the few major pop-rock recording artists to achieve significant commercial success without ever performing major public concerts or undertaking regular tours. Born in Brooklyn, Nilsson moved to Los Angeles as a teenager to escape his family's poor financial situation. While working as a computer programmer at a bank, he grew interested ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theme From New York, New York
"Theme from ''New York, New York''", often abbreviated to just "New York, New York", is the theme song from the Martin Scorsese film ''New York, New York'' (1977), composed by John Kander, with lyrics by Fred Ebb. It was written for and performed in the film by Liza Minnelli. It remains one of the best-known songs about New York City. In 2004 it ranked #31 on AFI's 100 Years...100 Songs survey of top tunes in American cinema. History Composer John Kander and Lyricist Fred Ebb stated on the A&E ''Biography'' episode about Liza Minnelli, that they attribute the song's success to actor Robert De Niro, who rejected their original theme for the film because he thought it was "too weak". The song did not become a popular hit until it was picked up in concert by Frank Sinatra during his performances at Radio City Music Hall in October 1978. In 1979, "Theme from ''New York, New York''" was recorded by Frank Sinatra for his album '' Trilogy: Past Present Future'' (1980), and beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Every Street's A Boulevard In Old New York
{{disambig ...
Every may refer to: People * Every (surname), including a list of people surnamed Every or Van Every * Every Maclean, New Zealand politician in sunda 19th century * Every baronets, a title in the Baronetage of England Other * Suzuki Every, a kei truck produced by Japanese automaker Suzuki *''every'', one of the English determiners See also * Universal quantification, in predicate logic * *Each (other) *Everybody (other) *Everyone (other) *Everything (other) Everything is all that exists. Everything may also refer to: * Universe, everything humans perceive to exist * Cosmos, the universe as an orderly system * World, the planet Earth, or the sum of human civilization * ''everything'', an English inde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York, New York (On The Town)
"New York, New York" is a song from the 1944 musical '' On the Town'' and the 1949 MGM musical film of the same name. The music was written by Leonard Bernstein and the lyrics by Betty Comden and Adolph Green. A well known line of this song is: For the film version, the word "helluva" was changed to "wonderful" to appease the Production Code offices. In the film, the song was performed by Gene Kelly, Jules Munshin, and Frank Sinatra. In 2004, the film version finished at No. 41 in AFI's 100 Years...100 Songs survey of top tunes in American cinema. It is not to be confused with the "Theme from ''New York, New York''", originally performed by Liza Minnelli and later popularized by Sinatra ("Start spreadin' the news, I'm leaving today"). However, in his Concert for the Americas performance, Sinatra sang this song as the verse for his more famous "Theme from New York, New York." In popular culture "New York, New York" was referenced by John Williams for his celebratory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
On Broadway (song)
"On Broadway" is a song written by Barry Mann and Cynthia Weil in collaboration with the team of Jerry Leiber and Mike Stoller. Composition Weil and Mann were based at Aldon Music, located at 1650 Broadway, New York City, and the song as written by Mann/Weil was originally recorded by the Cookies (although the Crystals' version beat them to release) and featured an upbeat lyric in which the protagonist is still on her way to Broadway and sings "I got to get there soon, or I'll just die". The song was played as a shuffle. When Leiber/Stoller let it be known that the Drifters had booked studio time for the following day and were a song short, Mann/Weil forwarded "On Broadway". Leiber and Stoller liked the song but felt that it was not quite right; the four held an overnight brainstorming session that culminated in the better-known version, now with a rock-oriented groove and with a more bluesy feel, which matched the new lyric in which the singer was now actually on Broadway and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
42nd Street (song)
"42nd Street" is the title song from the 1933 Warner Bros. backstage musical film '' 42nd Street'', with music by Harry Warren and lyrics by Al Dubin. The song was published in 1932. It is the finale of the film, where it was sung by Ruby Keeler, Dick Powell and ensemble. It was used again in 1980 when the film was adapted as a long-running Broadway musical. In 2004 the song placed #97 in AFI's 100 Years...100 Songs survey of the top tunes in American cinema. Cover versions *Popular recordings in 1933 were by Don Bestor & His Orchestra (vocal by Dudley Mecum) and by Hal Kemp & His Orchestra (vocal by Skinnay Ennis). *The Boswell Sisters also recorded the song on April 11, 1933, for Brunswick Records (catalog No. 6545A). * Joseph Robichaux and his New Orleans Rhythm Boys recorded a very hot jazz instrumental version on August 25, 1933. *Diana Krall included the song on her album '' Stepping Out'' (1993). *Mel Torme – '' Mel Tormé Sings Sunday in New York & Other Songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manhattan (song)
"Manhattan" is a popular song and part of the Great American Songbook. It has been performed by the Supremes, Lee Wiley, Oscar Peterson, Blossom Dearie, Tony Martin, Dinah Washington, Ella Fitzgerald and Mel Torme, among many others. It is often known as "We'll Have Manhattan" based on the opening line. The music was written by Richard Rodgers and the lyrics by Lorenz Hart for the 1925 revue '' Garrick Gaieties''. It was introduced by Sterling Holloway (later the voice of the animated Winnie the Pooh) and June Cochran. Lyrics and story The song describes, in several choruses, the simple delights of Manhattan for a young couple in love. The joke is that these "delights" are really some of the worst, or cheapest, sights that New York has to offer; for example, the stifling, humid stench of the subway in summertime is described as "balmy breezes", while the noisy, grating pushcarts on Mott Street are "gently gliding by". A particular Hart delight is the use of New York dialect t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carole Bayer Sager
Carole Bayer Sager (born Carol Bayer on March 8, 1947) is an American lyricist, singer, and songwriter. Early life and career Bayer Sager was born in Manhattan, New York City, to Anita Nathan Bayer and Eli Bayer. Her family was Jewish. She graduated from New York University, where she majored in English, dramatic arts, and speech. She had already written her first pop hit, "A Groovy Kind of Love", with Toni Wine, while still a student at New York City's High School of Music and Art. It was recorded by the British invasion band The Mindbenders, whose version was a worldwide hit, reaching number 2 on the ''Billboard'' Hot 100. This song was later recorded by Sonny & Cher, Petula Clark, and Phil Collins, whose rendition for the film '' Buster'' reached number one in 1988. Solo albums Bayer Sager's first recording as a singer was the 1977 album ''Carole Bayer Sager'', produced by Brooks Arthur. It included the hit single " You're Moving Out Today", a song which she co-wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
