|
Live At Bradley's
''Live at Bradley's'' is a live album by pianist Kenny Barron recorded in New York in 1996 and first released on the French EmArcy label in Europe in 2001 then on Sunnyside Records in the US in 2002. Reception In her review on Allmusic, Judith Schlesinger noted "This CD was recorded live at the Greenwich Village bar that, for 25 years, showcased the best jazz pianists in the world. The atmosphere was relaxed and intimate, the audience hip and respectful; this collection reflects that history as it reveals three veteran masters at their best. Here are extended explorations of five varied tunes, featuring the elegant fluidity of Kenny Barron's piano, the fat sound and ever-swinging pulse of Ray Drummond's bass, and the superb intricacy of Ben Riley on drums ... This is an excellent CD full of serenely joyful energy, and it reveals new layers of delight with each spin". In JazzTimes Doug Ramsey wrote "Barron, bassist Ray Drummond and drummer Ben Riley stretch out in performances of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Barron
Kenny Barron (born June 9, 1943) is an American jazz pianist, who has appeared on hundreds of recordings as leader and sideman and is considered one of the most influential mainstream jazz pianists since the bebop era. Biography Born in Philadelphia, Pennsylvania, Kenny Barron is the younger brother of tenor saxophonist Bill Barron (1927–1989). One of his first gigs was as pianist with the Dizzy Gillespie quartet. Barron was briefly a member of the Jazztet around 1962, but did not record with them. He graduated in 1978 with a BA in arts from Empire State College (Metropolitan Center, New York City). He co-led the groups Sphere and the Classical Jazz Quartet. Between 1987 and 1991, Barron recorded several albums with Stan Getz, most notably ''Voyage'', ''Bossas & Ballads – The Lost Sessions'', '' Serenity'', ''Anniversary'' and ''People Time'', a two-CD set. He has been nominated nine times for Grammy Awards and for the American Jazz Hall of Fame. He was elected a Fello ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Moon (1934 Song)
"Blue Moon" is a popular song written by Richard Rodgers and Lorenz Hart in 1934 that has become a standard ballad. Early recordings included those by Connee Boswell and by Al Bowlly in 1935. The song was a hit twice in 1949, with successful recordings in the U.S. by Billy Eckstine and Mel Tormé. In 1961, "Blue Moon" became an international number-one hit for the doo-wop group The Marcels, on the ''Billboard'' 100 chart and in the UK Singles Chart, and later that same year, an instrumental version by The Ventures charted at No. 54. Over the years, "Blue Moon" has been covered by many artists, including versions by Frank Sinatra, Jo Stafford, Ella Fitzgerald, Under the Streetlamp, Ray Stevens, Billie Holiday, Al Bowlly, Amália Rodrigues, Elvis Presley, Bobby Vinton, Sam Cooke, The Platters, The Mavericks, Dean Martin, Yvonne De Carlo, The Supremes, Cyndi Lauper, New Edition, Bob Dylan, Chromatics, and Rod Stewart. Bing Crosby included the song in a medley on his album ''On th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2001 Live Albums
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Barron Live Albums
Kenny is a surname, a given name, and a diminutive of several different given names. In Ireland, the surname is an Anglicisation of the Irish ''Ó Cionnaith'', also spelt ''Ó Cionnaoith'' and ''Ó Cionaodha'', meaning "descendant of Cionnaith". It was once popular in the 16th-century in Leinster, Munster, parts of Connacht and in County Tyrone in Ulster, and was Anglicised as O'Kenna, O'Kenny, O'Kinney, Kenna, Kenny, and Kinney amongst other variations. One bearer of the name was Cainnech of Aghaboe, better known in English as Saint Canice - a sixth-century Irish priest and missionary from near Dungiven, after whom the city and county of Kilkenny is also named. The Irish form ''Cill Chainnigh'' means "Church of Canice". It is thought that the ''Ó Cionnaith'' sept was part of the Uí Maine kingdom, based in Connacht. Within this area, the name is associated traditionally with counties Galway and Roscommon. Kenny is ranked at number 76 in the list of the most common surnames in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Riley
Benjamin Alexander Riley Jr. (July 17, 1933 – November 18, 2017) was an American jazz drummer known for his work with Thelonious Monk, as well as Alice Coltrane, Stan Getz, Eddie "Lockjaw" Davis, Ahmad Jamal, and as a member of the group Sphere. During the 1970s and 1980s he was a member of the New York Jazz Quartet. Biography Benjamin Alexander Riley Jr. was born in Savannah, Georgia, on July 17, 1933, and at the age of four moved with his family to New York City. "Riley performed with Randy Weston, Sonny Stitt, Stan Getz, Junior Mance, Kenny Burrell, Eddie "Lockjaw" Davis–Johnny Griffin (1960–1962), Ahmad Jamal, Billy Taylor, and Ray Bryant." He then spent 1964 to 1967 in Thelonious Monk's quartet. After Monk, he played with Alice Coltrane (intermittently between 1968 and 1975), Ron Carter (1975–1977), Jim Hall (1981), and the bands the New York Jazz Quartet (1970s and 1980s) and Sphere. He also played frequently with pianist Abdullah Ibrahim. Riley died of lu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Drummond
Ray Drummond (born November 23, 1946 in Brookline, Massachusetts) is an American jazz bassist and teacher. He also has an MBA from Stanford University, hence his linkage to the Stanford Jazz Workshop. He can be heard on hundreds of albums and co-leads ''The Drummonds'' with Renee Rosnes and (not related) Billy Drummond. Drummond has been a resident of Teaneck, New Jersey, since 1980 with his wife, Susan, and his daughter, Maya. He is the elder brother of David Drummond, who served as senior vice president, corporate development and chief legal officer of Google Inc., until his retirement in 2020. Discography As leader accessed May 11, 2018 * 1984: ''Susanita'' ( [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Gimbel
Norman Gimbel (November 16, 1927 – December 19, 2018) was an American lyricist of popular songs, television and movie themes. He wrote the lyrics for songs including "Killing Me Softly with His Song", " Ready to Take a Chance Again" (both with composer Charles Fox) and "Canadian Sunset". He also wrote English-language lyrics for many international hits, including " Sway", " Summer Samba", "The Girl from Ipanema", " How Insensitive", " Drinking-Water", "Meditation", "I Will Wait for You" and "Watch What Happens". Of the movie themes he co-wrote, five were nominated for Academy Awards and/or Golden Globe Awards, including "It Goes Like It Goes", from the film ''Norma Rae'', which won the Academy Award for Best Original Song for 1979. Gimbel was inducted into the Songwriters Hall of Fame in 1984. Early successes Gimbel was born on November 16, 1927, in Brooklyn, New York, the son of Lottie (Nass) and businessman Morris Gimbel. His parents were Jewish immigrants. He studied Eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Heywood
Edward Heywood Jr. (December 4, 1915 – January 3, 1989) was an American jazz pianist particularly active in the 1940s and 1950s. Biography Heywood was born in Atlanta, Georgia, United States. His father, Eddie Heywood Sr., was also a jazz musician from the 1920s and provided him with training from the age of 12 as an accompanist playing in the pit band in a vaudeville theater in Atlanta, occasionally accompanying singers such as Bessie Smith and Ethel Waters. Heywood moved, first to New Orleans and then to Kansas City, when vaudeville began to be replaced by sound pictures.Wilson, John S. (January 04, 1989) "Eddie Heywood, 73, Jazz Pianist, Arranger and Composer, Is Dead" '' |
Canadian Sunset
"Canadian Sunset" is a popular song with music by jazz pianist Eddie Heywood and lyrics by Norman Gimbel. An instrumental version by Heywood and Hugo Winterhalter reached No. 2 on the ''Billboard'' Hot 100 chart and No. 7 on the R&B chart in 1956. A version sung by Andy Williams was also popular that year, reaching No. 7 on the ''Billboard'' chart. The Sounds Orchestral, conducted by Johnny Pearson, hit the Easy Listening chart reaching No. 14 and the ''Billboard'' Hot 100 in 1965 reaching No. 76. Musicvf.com, Retrieved June 3, 2013 Emergence as a jazz standard The tune has been covered by a number of jazz performers beginning in the 1960s. * |
.jpg "Click for more on -> Norman Gimbel")