Live Overseas
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Live Overseas
''Live Overseas'' is a live album by Adrian Belew recorded after the release of ''Side One'', '' Side Two'' and ''Side Three''. Track listing All tracks composed by Adrian Belew; except where noted. #"Writing on the Wall" #"Dinosaur" (Belew, Bruford, Levin, Fripp, Gunn, Mastelotto) #"Ampersand" (4:22) #"Young Lions" #"Beat Box Guitar" #"A Little Madness" #"Drive" #"Neurotica"* #"Of Bow and Drum" (4:48) #"Frame by Frame" (Belew, Bruford, Fripp, Levin) (3:06) #"Three of a Perfect Pair" (Belew, Bruford, Fripp, Levin) (3:49) #"Thela Hun Ginjeet "Thela Hun Ginjeet" is a single by the band King Crimson, released in 1981 and on the album '' Discipline'' (1981). The song name is an anagram of "heat in the jungle", which is a reference to crime in the city. (The term "heat" is American slan ..." (Belew, Bruford, Fripp, Levin) (6:19) Personnel *Adrian Belew – guitar, vocals * Julie Slick – bass * Eric Slick – drums References {{Adrian Belew Adrian Belew albums 2009 live ...
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Adrian Belew
Robert Steven "Adrian" Belew (born December 23, 1949) is an American musician, singer, songwriter, and record producer. A multi-instrumentalist primarily known as a guitarist and singer, he is noted for his unusual and impressionistic approach to his guitar tones (which, rather than relying on standard instrumental tones, often resemble sound effects or noises made by animals and machines). Widely recognized as an "incredibly versatile player", Belew is perhaps best known for his long career as singer and guitarist in the progressive rock group King Crimson between 1981 and 2009. He has also released nearly twenty solo albums for Island Records and Atlantic Records in a range of blended or alternated styles including art rock, New Wave, Beatles-inspired pop-rock, progressive rock and experimental noise. In addition, Belew has been a member of the intermittently active pop band the Bears, and fronted GaGa in the late 1970s and early 1980s. Belew has worked extensively as a s ...
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Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Side One
''Side One'' is the thirteenth solo album by Adrian Belew, originally released in 2005. The album features bassist Les Claypool (from Primus) and drummer Danny Carey (from Tool) on its first three tracks. The track "Beat Box Guitar" was nominated for a Grammy in the "Best Rock Instrumental Performance" category in 2005. (It lost to "69 Freedom Special" by Les Paul & Friends.) Track listing All songs written by Adrian Belew, except where noted. # "Ampersand" – 4:23 # "Writing on the Wall" – 3:53 # "Matchless Man" – 2:32 # "Madness" (Adrian Belew, Aram Khachaturian) – 6:54 # "Walk Around the World" – 4:58 # "Beat Box Guitar" – 5:08 # "Under the Radar" – 1:39 # "Elephants" – 2:15 # "Pause" – 1:20 Personnel Musicians * Adrian Belew – all instruments and vocals * Les Claypool – bass (tracks 1–3) * Danny Carey – drums (tracks 1–2), tabla (track 3) * Gary Tussing – cello (track 4) * Peter Hyrka – violin (tracks 4, 9) * Ian Wallace – "voice of the ...
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Side Two
''Side Two'' is the fourteenth solo album by Adrian Belew, released in 2005. It was recorded in his home studio and he played all the instruments himself. It is part of a series of albums. The other three are ''Side One'', ''Side Three'' and ''Side Four''. This album features the song "Dead Dog On Asphalt", inspired by the event (and Belew's cover painting of said event) mentioned below. Cover artwork Previously, Adrian Belew was driving his truck and nearly hit a dog, when another ended up in front of him and couldn't get away. He had always wanted to be a painter, but never had something that he was inspired to paint. After dragging the dead dog off the road, he decided that he knew what he should paint. The result of this is the album's cover: resembling a 'dead dog on asphalt' (the opening track). Track listing All songs written by Adrian Belew. # "Dead Dog on Asphalt" – 4:05 # "I Wish I Knew" – 3:19 # "Face to Face" – 3:03 # "Asleep" – 5:23 # "Sex Nerve" – 3 ...
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Side Three
''Side Three'' is the fifteenth solo album by Adrian Belew, released in 2006. The album features contributions from various other musicians including Tool's Danny Carey on drums, Primus' Les Claypool on bass guitar and a single guest appearance by Belew's King Crimson bandmate Robert Fripp. Track listing All songs written by Adrian Belew. # "Troubles" – 3:14 # "Incompetence Indifference" – 5:02 # "Water Turns to Wine" – 3:47 # "Crunk" – 1:17 # "Drive" – 3:27 # "Cinemusic" – 1:37 # "Whatever" – 3:18 # "Men in Helicopters v4.0" – 3:07 # "Beat Box Car" – 4:30 # "Truth Is" – 1:34 # "The Red Bull Rides a Boomerang Across the Blue Constellation" – 4:34 # "&" – 3:18 Personnel Musicians * Adrian Belew – vocals, guitar, instrumentation * Robert Fripp – flute guitar (track 3) * Les Claypool – bass (tracks 7-8) * Danny Carey – drums (tracks 7-8) * Mel Collins – saxophone (track 9) * The Prophet Omega – voice * Martha Belew – telephone message Tech ...
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Ampersand
The ampersand, also known as the and sign, is the logogram , representing the conjunction "and". It originated as a ligature of the letters ''et''—Latin for "and". Etymology Traditionally in English, when spelling aloud, any letter that could also be used as a word in itself ("A", "I", and, " O") was prefixed with the Latin expression ('by itself'), as in "per se A". It was also common practice to add the sign at the end of the alphabet as if it were the 27th letter, pronounced as the Latin ''et'' or later in English as ''and''. As a result, the recitation of the alphabet would end in "X, Y, Z, ''and per se and''". This last phrase was routinely slurred to "ampersand" and the term had entered common English usage by 1837. It has been falsely claimed that André-Marie Ampère used the symbol in his widely read publications and that people began calling the new shape "Ampère's and". History The ampersand can be traced back to the 1st century A.D. and the old Roman c ...
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Three Of A Perfect Pair
''Three of a Perfect Pair'' is the tenth studio album by English band King Crimson, released in March 1984 by record label E.G. It is the final studio album to feature the quartet of Robert Fripp, Adrian Belew, Tony Levin and Bill Bruford. Content According to Fripp: "The album presents two distinct sides of the band’s personality, which has caused at least as much confusion for the group as it has the public and the industry. The left side is accessible, the right side excessive." The "other side" on the 2001 CD remaster consists of instrumental material from the 1983 sessions, and a 1989 a cappella recording (first published in the 1991 "Frame By Frame" box set) in which Tony Levin performed his humorous song "The King Crimson Barber Shop". The title of the album is based on the idea of “perfect opposites”, or someone's truth, someone else's truth, and an objective truth (the idea of “three sides to every story”). The Peter Willis designed artwork illustrates th ...
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Thela Hun Ginjeet
"Thela Hun Ginjeet" is a single by the band King Crimson, released in 1981 and on the album '' Discipline'' (1981). The song name is an anagram of "heat in the jungle", which is a reference to crime in the city. (The term "heat" is American slang for firearms or for police.) While most of the instruments are in time, Robert Fripp's electric guitar plays in time during part of the song, creating an unusual effect. In the middle of the song, voice recordings are heard. Adrian Belew talks about his experiences with London Rastafarians and the police, while he was trying to get voice recordings for the song. Live versions During their tour for the ''Discipline'' and ''Beat'' albums, Belew would tell the story while the song was being performed. During the ''Beat'' tour, the story-telling was somewhat improvised. In later live performances, beginning on the ''Three of a Perfect Pair'' tour, as evidenced by the performance on '' Absent Lovers: Live in Montreal'', the storytelli ...
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Adrian Belew Albums
Adrian is a form of the Latin given name Adrianus or Hadrianus. Its ultimate origin is most likely via the former river Adria from the Venetic and Illyrian word ''adur'', meaning "sea" or "water". The Adria was until the 8th century BC the main channel of the Po River into the Adriatic Sea but ceased to exist before the 1st century BC. Hecataeus of Miletus (c.550 – c.476 BC) asserted that both the Etruscan harbor city of Adria and the Adriatic Sea had been named after it. Emperor Hadrian's family was named after the city or region of Adria/Hadria, now Atri, in Picenum, which most likely started as an Etruscan or Greek colony of the older harbor city of the same name. Several saints and six popes have borne this name, including the only English pope, Adrian IV, and the only Dutch pope, Adrian VI. As an English name, it has been in use since the Middle Ages, although it did not become common until modern times. Religion *Pope Adrian I (c. 700–795) *Pope Adrian II (792–872) ...
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2009 Live Albums
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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