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Live Electronics
Live electronic music (also known as live electronics) is a form of music that can include traditional electronic sound-generating devices, modified electric musical instruments, hacked sound generating technologies, and computers. Initially the practice developed in reaction to sound-based composition for fixed media such as musique concrète, electronic music and early computer music. Musical improvisation often plays a large role in the performance of this music. The timbres of various sounds may be transformed extensively using devices such as amplifiers, filters, ring modulators and other forms of circuitry. Real-time generation and manipulation of audio using live coding is now commonplace. History 1800s–1940s Early electronic instruments Early electronic instruments intended for live performance, such as Thaddeus Cahill's Telharmonium (1897) and instruments developed between the two world wars, such as the Theremin (1919), Spharophon (1924), ondes Martenot (1928), and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musique Concrète
Musique concrète (; ): "[A] problem for any translator of an academic work in French is that the language is relatively abstract and theoretical compared to English; one might even say that the mode of thinking itself tends to be more schematic, with a readiness to see material for study in terms of highly abstract dualisms and correlations, which on occasion does not sit easily with the perhaps more pragmatic English language. This creates several problems of translation affecting key terms. Perhaps the most obvious of these is the word ''concret''/''concrète'' itself. The word in French, which has nothing of the familiar meaning of "concrete" in English, is used throughout [''In Search of a Concrete Music''] with all its usual French connotations of "palpable", "nontheoretical", and "experiential", all of which pertain to a greater or lesser extent to the type of music Schaeffer is pioneering. Despite the risk of ambiguity, we decided to translate it with the English word ''conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ondes Martenot
The ondes Martenot ( ; , "Martenot waves") or ondes musicales ("musical waves") is an early electronic musical instrument. It is played with a keyboard or by moving a ring along a wire, creating "wavering" sounds similar to a theremin. A player of the ondes Martenot is called an ondist. The ondes Martenot was invented in 1928 by the French inventor Maurice Martenot. Martenot was inspired by the accidental overlaps of tones between military radio oscillators, and wanted to create an instrument with the expressiveness of the cello. The ondes Martenot is used in more than 100 orchestral compositions. The French composer Olivier Messiaen used it in pieces such as his 1949 symphony ''Turangalîla-Symphonie,'' and his sister-in-law Jeanne Loriod was a celebrated player of the instrument. It appears in numerous film and television soundtracks, particularly science fiction and horror films. Jonny Greenwood of the English rock band Radiohead is credited with bringing the ondes to a large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mauricio Kagel
Mauricio Raúl Kagel (; 24 December 1931 – 18 September 2008) was an Argentine-German composer. Biography Kagel was born in Buenos Aires, Argentina, into an Ashkenazi Jewish family that had fled from Russia in the 1920s . He studied music, history of literature, and philosophy in Buenos Aires . In 1957 he moved as a scholar to Cologne, Germany, where he lived until his death. As teacher From 1960–66 and 1972–76 he taught at the International Summer School at Darmstadt . He also taught from 1964–65 at the State University of New York at Buffalo as Slee Professor of music theory. At the Berlin Film and Television Academy he was a visiting lecturer. He served as director of courses for new music in Gothenburg and Cologne . He was professor for new music theatre at the Cologne Conservatory from 1974–97. Among his students were Maria de Alvear, Carola Bauckholt, Branimir Krstić, David Sawer, , Juan Maria Solare, Norma Tyer, Gerald Barry, and Chao-Ming Tung. As com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Schaeffer
Pierre Henri Marie Schaeffer (English pronunciation: , ; 14 August 1910 – 19 August 1995) was a French composer, writer, broadcaster, engineer, musicologist, acoustician and founder of Groupe de Recherche de Musique Concrète (GRMC). His innovative work in both the sciences—particularly communications and acoustics—and the various arts of music, literature and radio presentation after the end of World War II, as well as his anti-nuclear activism and cultural criticism garnered him widespread recognition in his lifetime. Amongst the vast range of works and projects he undertook, Schaeffer is most widely and currently recognized for his accomplishments in electronic and experimental music, at the core of which stands his role as the chief developer of a unique and early form of avant-garde music known as musique concrète. The genre emerged in Europe from the utilization of new music technology developed in the post-war era, following the advance of electroacoustic and acous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiraz 39
Shiraz (; fa, شیراز, Širâz ) is the fifth-most-populous city of Iran and the capital of Fars Province, which has been historically known as Pars () and Persis. As of the 2016 national census, the population of the city was 1,565,572 people, and its built-up area with Sadra was home to almost 1,800,000 inhabitants. A census in 2021 showed an increase in the city's population to 1,995,500 people. Shiraz is located in southwestern Iran on the () seasonal river. Founded in the early Islamic period, the city has a moderate climate and has been a regional trade center for over a thousand years. The earliest reference to the city, as ''Tiraziš'', is on Elamite clay tablets dated to 2000 BCE. The modern city was restored or founded by the Arab Umayyad Caliphate in 693 CE and grew prominent under the successive Iranian Saffarid and Buyid dynasties in the 9th and 10th–11th centuries, respectively. In the 13th century, Shiraz became a leading center of the arts and letters, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imaginary Landscape No
Imaginary may refer to: * Imaginary (sociology), a concept in sociology * The Imaginary (psychoanalysis), a concept by Jacques Lacan * Imaginary number, a concept in mathematics * Imaginary time, a concept in physics * Imagination, a mental faculty * Object of the mind, an object of the imagination * Imaginary friend Music * Imaginary Records, a record label * "Imaginary", a song by Evanescence from ''Fallen'' * "Imaginary", a song by Imran Khan best video and best song Pakistani Music and Media Awards (PMMA) * "Imaginary", a song by Peace from '' Happy People'' * "Imaginary", a song by Brennan Heart with Jonathan Mendelsohn Other * ''The Imaginary'' (Sartre), a 1940 philosophical work by Jean-Paul Sartre * Imaginary (exhibition), a mathematical art exhibition by the Mathematisches Forschungsinstitut Oberwolfach See also * The Imaginary (other) * Imagination (other) Imagination is the process of producing mental images. Imagination or Imaginations may also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposition Internationale Des Arts Et Techniques Dans La Vie Moderne
The ''Exposition Internationale des Arts et Techniques dans la Vie Moderne'' (International Exposition of Art and Technology in Modern Life) was held from 25 May to 25 November 1937 in Paris, France. Both the Palais de Chaillot, housing the Musée de l'Homme, and the Palais de Tokyo, which houses the Musée d'Art Moderne de la Ville de Paris, were created for this exhibition that was officially sanctioned by the Bureau International des Expositions. A third building, , housing the permanent Museum of Public Works, which was originally to be among the new museums created on the hill of Chaillot on the occasion of the Exhibition, was not built until January 1937 and inaugurated in March 1939. Exhibitions At first the centerpiece of the exposition was to be a tower (" Phare du Monde") which was to have a spiraling road to a parking garage located at the top and a hotel and restaurant located above that. The idea was abandoned as it was far too expensive. Pavilions Finnish P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fête Des Belles Eaux
''Fête des belles eaux'', or ''Beutiful Water Festival'', is a 1937 composition by French composer Olivier Messiaen. The work is scored for six ''ondes Martenots'' and was commissioned for the 1937 Paris Exhibition. The work was written to accompany the movement of the fountains at the Exhibition. Structure This composition is in eight movements and takes approximately 30 minutes to perform. The movement list is as follows: The melodic theme used in IV ''L'eau'' was also used later in the fifth movement ("Louange à l'Éternité de Jésus") of Messiaen's ''Quatuor pour la fin du temps ''Quatuor pour la fin du temps'' (), originally ''Quatuor de la fin du temps'' ("''Quartet of the End of Time''"), also known by its English title ''Quartet for the End of Time'', is an eight-movement piece of chamber music by the French composer ...''. References External links Olivier Messiaen: Fête des belles eaux (1937)(YouTube) {{DEFAULTSORT:Fete des belles eaux 1937 compositi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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