Live Cream
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Live Cream
''Live Cream'' (also called ''Live Cream, Volume 1'') is a live compilation album by the British rock band Cream, released in 1970. This album comprises four live tracks recorded in 1968 and one studio track "Lawdy Mama" from 1967. The instrumental track for "Lawdy Mama" is the same as heard on "Strange Brew" with a different vocal and guitar solo by Eric Clapton. ''Live Cream'' hit No. 15 on the ''Billboard'' 200, No. 4 on the UK Albums Chart, and No. 10 on the Finnish Album Charts. Critical reception In a 1970 review, ''Rolling Stone'' magazine called ''Live Cream'' "an excellent album" and "well-recorded, controlled, and tense; the timing of the band can capture the listener with an excitement that has nothing to do with nostalgia". Paul Kresh of ''Stereo Review'' called it "a strangely uneven set of performances" highlighted by the "studio-made" "Lawdy Mama", which he called "three minutes of truly exciting music." He described the album as "disappointing jazz/rock" wi ...
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Cream (band)
Cream were a British rock band formed in London in 1966. The group consisted of bassist Jack Bruce, guitarist Eric Clapton, and drummer Ginger Baker. Bruce was the primary songwriter and vocalist, although Clapton and Baker also sang and contributed songs. Formed from members of previously successful bands, they are widely regarded as the world's first supergroup. Cream were highly regarded for the instrumental proficiency of each of their members. During their brief three-year career together, the band produced four albums, '' Fresh Cream'' (1966), '' Disraeli Gears'' (1967), '' Wheels of Fire'' (1968), and '' Goodbye'' (1969). Beginning with ''Disraeli Gears'', the band was joined in the studio by producer and multi-instrumentalist Felix Pappalardi, who became an important influence on the band's sound. Cream's music spanned many genres of rock music, including blues rock ("Crossroads", " Born Under a Bad Sign"), psychedelic rock ("Tales of Brave Ulysses", " Whi ...
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Rock Albums Of The Seventies
''Christgau's Record Guide: Rock Albums of the Seventies'' is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in ''The Village Voice'' throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music. Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily ...
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Robert Christgau
Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for ''The Village Voice'', during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for ''Esquire'', '' Creem'', '' Newsday'', ''Playboy'', ''Rolling Stone'', '' Billboard'', NPR, '' Blender'', and '' MSN Music'', and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen." Christgau is best known for his terse, letter-graded capsule album reviews, composed in a ...
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Fresh Cream
''Fresh Cream'' is the debut studio album by the British rock band Cream. The album was released in the UK on 9 December 1966, as the first LP on the Reaction Records label, owned by producer Robert Stigwood. The UK album was released in both mono and stereo versions, at the same time as the release of the single "I Feel Free". The album peaked at No. 6 on the UK Albums Chart. The album was released in a slightly different form in January 1967 by Atco Records in the US, also in mono and stereo versions. The mono versions were deleted not long after release and for many years only the stereo recordings were available. The UK mono album was reissued on CD for the first time in Japan, by Universal Music, in late 2013 as part of a deluxe SHM-CD and SHM-SACD sets (both editions also contain the UK stereo counterpart). In January 2017, the album was again reissued, by Polydor, in a 4-CD box-set containing mono and stereo versions of the original UK and US release along with single ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Gui ...
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Adrian Barber
Adrian Barber (13 November 1938 - 8 August 2020 in Ilkley, Bradford, West Yorkshire, England) was a musician/producer who is most noted for recording the Beatles ''Live! at the Star-Club in Hamburg, Germany; 1962'', producing the Allman Brothers Band's self-titled debut album, along with the Velvet Underground's album '' Loaded''. He died due to Covid 19, spending the rest of his life on the island of Hawaii. Musician / electronics Barber was the lead guitarist in Liverpool's quartet "Cass and the Casanovas" (led by Brian "Cass" Casser) and its subsequent Big Three. Also an electronic wizard, he was responsible for upgrading the group amps (called "coffins") but also upgrading other Liverpudlians gears. This included Paul McCartney's quad amp. He left the Big Three in mid-1962, when the band planned to be a quartet. Sound stage manager In 1962, due to his knowledge in the electronic field, Barber was hired by Horst Fascher to improve the Star-Club's Sound system. In late Decembe ...
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Stereo Review
''Sound & Vision'' is an American magazine, purchased by AVTech Media Ltd. (UK) in March 2018, covering home theater, audio, video and multimedia consumer products. Before 2000, it had been published for most of its history as ''Stereo Review''. The magazine is headquartered in New York City. History and profile ''Stereo Review'' was an American magazine first published in 1958 by Ziff-Davis with the title ''HiFi and Music Review''. During the initial phase the magazine was headquartered in Chicago, Illinois. It was one of a handful of magazines then available for the individual interested in high fidelity. Throughout its life it published a blend of record and equipment reviews, articles on music and musicians, and articles on technical issues and advice. The name changed to ''HiFi Review'' in 1959. It became ''HiFi/Stereo Review'' in 1961 to reflect the growing use of stereophonic technology in recordings and broadcasts. In 1968 it became, simply, ''Stereo Review'', reflect ...
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Rolling Stone
''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its coverage of rock music and political reporting by Hunter S. Thompson. In the 1990s, the magazine broadened and shifted its focus to a younger readership interested in youth-oriented television shows, film actors, and popular music. It has since returned to its traditional mix of content, including music, entertainment, and politics. The first magazine was released in 1967 and featured John Lennon on the cover and was published every two weeks. It is known for provocative photography and its cover photos, featuring musicians, politicians, athletes, and actors. In addition to its print version in the United States, it publishes content through Rollingstone.com and numerous international editions. Penske Media Corporation is the current ...
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Finnish Album Charts
The Official Finnish Charts ( fi, Suomen virallinen lista; sv, Finlands officiella lista) are national record charts in Finland compiled and published by Musiikkituottajat – IFPI Finland. The name ''Suomen virallinen lista/Finlands officiella lista'' (lit. "the Official Finnish Chart"), which is singular in both Finnish and Swedish, is used generically to refer to both the albums and the singles chart, and the context (albums or songs) reveals which chart is meant. History The first charts were published in 1951. In January 1991, the Yle radio station Radiomafia started to compile the first weekly chart in Finland called ''Radiomafian lista'', which was broadcast on the radio every Sunday. Prior to that, all singles and album charts in Finland had been either monthly or biweekly published sales charts. ''Radiomafian lista'' became the official Finnish charts in January 1994 when they began a partnership with Suomen Ääni- ja kuvatallennetuottajat (ÄKT) (now known as Musiik ...
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Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of ...
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UK Albums Chart
The Official Albums Chart is a list of albums ranked by physical and digital sales and (from March 2015) audio streaming in the United Kingdom. It was published for the first time on 22 July 1956 and is compiled every week by the Official Charts Company (OCC) on Fridays (previously Sundays). It is broadcast on BBC Radio 1 (top 5) and found on the OCC website as a Top 100 or on UKChartsPlus as a Top 200, with positions continuing until all sales have been tracked in data only available to industry insiders. However, even though number 100 was classed as a hit album (as in the case of The Guinness Book of British Hit Albums) in the 1980s until January 1989, since the compilations were removed this definition was changed to Top 75 with follow-up books such as The Virgin Book of British Hit Albums book only including this data. As of 2021, the OCC still only tracks how many UK Top 75s album hits and how many weeks in Top 75 albums chart each artist has achieved. To qualify for the O ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coi ...
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