Live (The Sensational Alex Harvey Band Album)
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Live (The Sensational Alex Harvey Band Album)
''Live'' was the first live record (fifth album overall) by The Sensational Alex Harvey Band, released in 1975. It features a cover version of the Tom Jones song " Delilah". Donald A. Guarisco of AllMusic writes "''Live'' is a double-triumph for the Sensational Alex Harvey Band because it functions both as a strong live souvenir for the group's fans and also as a solid introduction to the group's highlights for the novice". Track listing #"Fanfare (Justly, Skillfully, Magnanimously)" ( Derek Wadsworth) – 1:24 #"Faith Healer" (Alex Harvey, Hugh McKenna) – 6:50 #"Tomahawk Kid" (Harvey, David Batchelor, H. McKenna) – 5:50 #"Vambo" (Harvey, H. McKenna) – 9:25 #"Give My Compliments To The Chef" (Harvey, H. McKenna, Zal Cleminson) – 7:05 #" Delilah" ( Les Reed, Barry Mason) – 5:17 #"Framed" (Jerry Leiber, Mike Stoller) – 11:04 Personnel The Sensational Alex Harvey Band * Alex Harvey – lead vocals, guitar * Zal Cleminson – guitar * Chris Glen – bass guitar * Hu ...
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Live Album
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at   rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disapp ...
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Mike Stoller
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such Crossover music, crossover hit songs as "Hound Dog (song), Hound Dog" (1952) and "Kansas City (Leiber and Stoller song), Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including "Young Blood (The Coasters song), Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including "Love Me (Leiber/Stoller song), Love Me" (1956), "Jailhouse Rock (song), Jailhouse Rock" (1957), "Loving You (Elvis Presley song), Loving You", "Don't (Leiber/Stoller song), Don't", and "King Creole (song), King Creole". They also collaborate ...
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Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who de ...
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John Punter
John Punter (born 27 January 1949) is a former English record producer and recording engineer. He has worked with many bands and musicians, such as Japan, Procol Harum, Roxy Music, Doctors of Madness, Sad Café and Slade. His career in music spanned over 30 years and many different genres. He is now retired from the entertainment business, and ran a small bar in Peterborough, Ontario, Canada. On July 24, 2019, he became a citizen of Canada. Selected production, mixing and remixing * Japan - '' Quiet Life'' - 1979 * Japan - ''Gentlemen Take Polaroids'' - 1980 * Japan - ''Oil on Canvas'' - 1983 *Ivan - ''The Spell'' *Spoons - '' Arias & Symphonies'', ''Vertigo Tango'' *Bryan Ferry - '' Let's Stick Together'' - 1976 * Nazareth - '' Nazareth'' - 1970 *Nazareth - ''2XS'' - 1982 *Roxy Music - '' Country Life'' - 1974 * Doctors of Madness - ''Late Night Movies, All Night Brainstorms'' * Sad Café - ''Fanx Ta-Ra'' - 1977 * Sad Café - ''Misplaced Ideals'' - 1978 *Judie Tzuke - ''Welco ...
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Music Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure. Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005). Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artis ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral mu ...
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Ted McKenna
Edward McKenna (10 March 1950 – 19 January 2019) was a Scottish drummer who played with The Sensational Alex Harvey Band, Rory Gallagher, The Greg Lake Band, and The Michael Schenker Group. He also toured with Ian Gillan for a short period of time in 1990, alongside fellow former SAHB member, bassist Chris Glen. He lectured in Applied Arts at North Glasgow College from 1996–2011. Biography McKenna was born in Lennoxtown, Stirlingshire. He was educated at St Patrick's High School, Coatbridge. His studies included double bass lessons at school, several piano lessons, and a year under Glasgow big band veteran, Lester Penman. He was the drummer of The Sensational Alex Harvey Band from 1972 to 1978, and then worked with artists including Rory Gallagher, 1978–1981; Greg Lake & Gary Moore in The Greg Lake Band, 1981–83; the Michael Schenker Group (MSG), 1981–84; Bugatti & Musker, 1982; Ian Gillan; and worked on a solo album for Nazareth singer Dan McCafferty in 1975. H ...
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Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first ...
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Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early p ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bass ...
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Chris Glen
Christopher John Glen (born 6 November 1950), known simply as Chris Glen, is a Scottish rock musician. He is best known for playing with The Sensational Alex Harvey Band from 1972 to 1978, and Michael Schenker Group from 1980 to 1984, 2008 to 2010, and 2016 to present. He currently performs with Michael Schenker Fest; featuring original MSG band members. Early career and The Sensational Alex Harvey Band Glen began his career as bassist for a band known as The Jade in 1969. That band changed their name to Mustard, which eventually was composed of Eddie Campbell (keyboards), Zal Cleminson (guitar), Chris Glen (bass, vocals), Gilson Lavis (drums) and Andi Mulvey (vocals). After changing their name to Tear Gas, Mulvey was replaced by David Batchelor, and Lavis was replaced by Richard Munro. This lineup recorded their first album ''Piggy Go Getter'' in 1970. Eventually another personnel change saw Campbell leave and Ted McKenna and his cousin Hugh McKenna take over for Munro and Ba ...
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Zal Cleminson
Alistair Macdonald "Zal" Cleminson (born 4 May 1949) is a Scottish guitarist, best known for his role in The Sensational Alex Harvey Band between 1972 and 1978. In 2017, he put together a new rock band - /sin'dogs/, which recorded and released a 4-song CD and toured Scotland and England at the end of the year. Career A self-taught guitarist, at the start of the 1970s he played and recorded with the Glasgow-based band Tear Gas. The musicians in that band then provided the backing for Alex Harvey in The Sensational Alex Harvey Band (SAHB). Cleminson was an extremely distinctive stage presence with SAHB owing to his white-face mime makeup. He started wearing the mime makeup when the band started playing larger venues, so they could see what he was doing on stage easier. Cleminson has said "The mime face came about with bigger gigs – more people could see what I was up to". When SAHB split up, in 1978, they decided to tour as the Zal Band, recruited The Tubes' vocalist Leroi J ...
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