Little Richard Meets Masayoshi Takanaka
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Little Richard Meets Masayoshi Takanaka
''Little Richard Meets Masayoshi Takanaka'' is a rock and roll album recorded by American rock pioneer Little Richard and Japanese jazz fusion guitarist Masayoshi Takanaka. Released on the Eastworld label in 1992, it was Little Richard's final studio album before his death in 2020. The record features re-recordings of some of Little Richard's biggest hits. Track listing #"Good Golly Miss Molly" – 3:42 #"Tutti Frutti" – 3:39 #"Miss Ann" – 4:43 #" Lucille" – 3:49 #"Long Tall Sally" – 3:30 #"Send Me Some Lovin'" – 3:32 #"Jenny, Jenny" – 3:09 #" Rip It Up" – 3:10 #"Kansas City / Hey Hey Hey Hey" – 3:52 #"Ready Teddy "Ready Teddy" is a song written by John Marascalco and Robert Blackwell, and first made popular by Little Richard in 1956. Little Richard sang and played piano on the recording, backed by a band consisting of Lee Allen (tenor saxophone), Alvin " ..." – 3:52 References External links 1992 albums Little Richard albums Collaborative albums ...
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Little Richard
Richard Wayne Penniman (December 5, 1932 – May 9, 2020), known professionally as Little Richard, was an American musician, singer, and songwriter. He was an influential figure in popular music and culture for seven decades. Described as the " Architect of Rock and Roll", Richard's most celebrated work dates from the mid-1950s, when his charismatic showmanship and dynamic music, characterized by frenetic piano playing, pounding back beat and raspy shouted vocals, laid the foundation for rock and roll. Richard's innovative emotive vocalizations and uptempo rhythmic music also played a key role in the formation of other popular music genres, including soul and funk. He influenced numerous singers and musicians across musical genres from rock to hip hop; his music helped shape rhythm and blues for generations. "Tutti Frutti" (1955), one of Richard's signature songs, became an instant hit, crossing over to the pop charts in both the United States and the United Kingdom. His next ...
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Miss Ann
''Miss Ann'' is an expression used inside the African-American community to refer to a European-American woman (or sometimes a black woman) who is arrogant and condescending in her attitude. The characteristics associated with someone called a "Miss Ann" include being considered "uppity", or in the case of a black woman, "acting white". Like the male counterpart term, Mister Charlie, the term Miss Ann was once common among many African-Americans. It was a pejorative way of commenting on imperious behaviour from white women, particularly when it came with racist undertones. It is seldom used among young African-Americans today, instead the term “Karen” has come into further usage amongst people of all races in the United States. In popular culture Miss Anne: “A White Woman” —Zora Neale Hurston, ''Glossary of Harlem Slang'' Ann; Miss Ann: Coded term for any white female. .e.“His mama washes clothes on Wednesday for Miss Ann.” —Clarence Major, ''From Juba to J ...
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1992 Albums
Year 199 ( CXCIX) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was sometimes known as year 952 ''Ab urbe condita''. The denomination 199 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Mesopotamia is partitioned into two Roman provinces divided by the Euphrates, Mesopotamia and Osroene. * Emperor Septimius Severus lays siege to the city-state Hatra in Central-Mesopotamia, but fails to capture the city despite breaching the walls. * Two new legions, I Parthica and III Parthica, are formed as a permanent garrison. China * Battle of Yijing: Chinese warlord Yuan Shao defeats Gongsun Zan. Korea * Geodeung succeeds Suro of Geumgwan Gaya, as king of the Korean kingdom of Gaya (traditional date). By topic Religion * Pope Zephyrinus succeeds Pope Victor I, as th ...
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Ready Teddy
"Ready Teddy" is a song written by John Marascalco and Robert Blackwell, and first made popular by Little Richard in 1956. Little Richard sang and played piano on the recording, backed by a band consisting of Lee Allen (tenor saxophone), Alvin "Red" Tyler (baritone sax), Edgar Blanchard (guitar), Frank Fields (bass), and Earl Palmer (drums). It has since been covered by Buddy Holly, The Tornados, Elvis Presley, Tony Sheridan and others, making it something of a rock and roll standard. The composition, an uptempo rock and roll song, received its largest ever recognition on the evening of September 9, 1956, as Presley sang it in front of some 60 million television viewers during his first appearance on ''The Ed Sullivan Show'' on CBS, a broadcast which received a Trendex percentage share of 82.6, the largest ever obtained in the history of U.S. television. It was later used in Federico Fellini's ''La Dolce Vita'' (1960) as a version by Italian rocker Adriano Celentano Adriano Ce ...
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Hey-Hey-Hey-Hey!
The song "Hey-Hey-Hey-Hey", also known as "Hey-Hey-Hey-Hey! (Goin' Back to Birmingham)", was written by Little Richard and recorded on May 9, 1956 at J&M Studio, New Orleans, Louisiana, (supervised by Bumps Blackwell). Recording and releases In 1955, Little Richard recorded two different versions of "Kansas City" by Jerry Leiber and Mike Stoller: one on September 13 (supervised by Bumps Blackwell), and one on November 29 (with five vocalists, supervised by Art Rupe). The first version, which adheres closely to the original 1952 recording by Little Willie Littlefield for the first two verses, was not released until November 1970, on the compilation album ''Well Alright!'' The second version, which had been substantially re-worked by Little Richard (in particular, it featured a new refrain starting with words, "Hey, hey, hey, hey; Hey baby, hey child, hey now") was released in March 1959 on ''The Fabulous Little Richard'' and in April 1959 as single after the success of the Wilbert ...
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Kansas City (Leiber And Stoller Song)
"Kansas City" is a rhythm and blues song written by Jerry Leiber and Mike Stoller in 1952. First recorded by Little Willie Littlefield the same year, the song later became a chart-topping hit when it was recorded by Wilbert Harrison in 1959. "Kansas City" is one of Leiber and Stoller's "most recorded tunes, with more than three hundred versions", with several appearing in the R&B and pop record charts. Original song "Kansas City" was written by Jerry Leiber and Mike Stoller, two nineteen-year-old rhythm and blues fans from Los Angeles. Neither had been to Kansas City, but were inspired by Big Joe Turner records. Through a connection to producer Ralph Bass, they wrote "Kansas City" specifically for West Coast blues/R&B artist Little Willie Littlefield. There was an initial disagreement between the two writers over the song's melody: Leiber (who wrote the lyrics) preferred a traditional blues song, while Stoller wanted a more distinctive vocal line; Stoller ultimately prevaile ...
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Rip It Up (Little Richard Song)
"Rip It Up" is a rock and roll song written by Robert Blackwell and John Marascalco. In June 1956, Specialty Records released it as a single by Little Richard with "Ready Teddy" as the B-side. The song reached the top position on the ''Billboard'' Rhythm & Blues Records chart as well as number 17 on the magazine's broader Billboard Hot 100. The version peaked at number 30 in the UK Singles Chart. The tenor saxophone solo is by Lee Allen. Also in 1956, Bill Haley and his Comets released a version of the song. Their version reached number 25 on the Hot 100, and number four in the UK Singles Chart. The song, which was recorded at J&M Recording Studio in New Orleans, is included as a full-length performance by Earl Palmer with guest vocalist Ivan Neville and house band in the 2005 documentary film '' Make It Funky!'', which presents a history of New Orleans music and its influence on rhythm and blues, rock and roll, funk and jazz Jazz is a music genre that originated in ...
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Jenny, Jenny
"Jenny, Jenny" is a 1957 song written by American musician Little Richard and Enotris Johnson and recorded and released by Little Richard. It was featured on Penniman's debut album, ''Here's Little Richard'' and peaked at number ten on the US ''Billboard'' Hot 100 and reached number two on the Hot Rhythm and Blues Singles chart. The song featured Penniman and studio musicians for Cosimo Matassa's J&M Studios in New Orleans that had been recording with Penniman since September 1955 including drummer Earl Palmer and saxophonists Lee Allen and Alvin "Red" Tyler. Penniman re-recorded the song three times in his career, the first version re-recorded for his 1966 Modern album, '' The Incredible Little Richard Sings His Greatest Hits - Live!'', the 1967 live album, '' Little Richard's Greatest Hits: Recorded Live!'', for an album titled '' Mr. Big'', which included re-recorded studio versions of Penniman's classic hits recorded between 1964 and 1965, and his 1976 album, '' Little R ...
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Send Me Some Lovin'
"Send Me Some Lovin'" is a 1957 rock and roll standard recorded by Little Richard. John S. Marascalso co-wrote "Send Me Some Lovin'" with Leo Price. Background Little Richard recorded the song October 16, 1956, at J&M Music Shop in New Orleans, Louisiana, recording "The Girl Can't Help It" and "Baby Face" at the same session. Richard's backing band on the session consisted of Lee Allen (tenor saxophone), Alvin "Red" Tyler (baritone saxophone), Edgar Blanchard (guitar), Frank Fields (bass), and Earl Palmer (drums). Specialty Records owner Art Rupe produced the recording. Specialty released Little Richard's track as a single in February 1957. The song also appeared on his second album in 1958. The song was also recorded by The Crickets for their 1957 debut album, The "Chirping" Crickets, and by various other artists including Sam Cooke, Brenda Lee, Dean Martin, James Booker, Stevie Wonder, Hank Williams Jr., Otis Redding, Gene Vincent, and John Lennon John Winston O ...
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Long Tall Sally
"Long Tall Sally", also known as "Long Tall Sally (The Thing)", is a rock and roll song written by Robert "Bumps" Blackwell, Enotris Johnson, and Little Richard. Richard recorded it for Specialty Records, which released it as a single in March 1956, backed with "Slippin' and Slidin'. The single reached number one on the ''Billboard'' rhythm and blues chart, staying at the top for six of 19 weeks, while peaking at number six on the pop chart. It received the ''Cash Box'' Triple Crown Award in 1956. The song as sung by Little Richard is listed at number 55 on ''Rolling Stone''s list of The 500 Greatest Songs of All Time. It also ranked at number 45 on '' Billboard''s year-end singles of 1956. It became one of the singer's best-known hits and has become a rock and roll standard covered by hundreds of artists, including Elvis Presley, the Kinks and the Beatles. History "Tutti Frutti" was a big hit for Little Richard and Specialty in early 1956, reaching number two in the R&B ch ...
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Lucille (Little Richard Song)
"Lucille" is a 1957 rock and roll song originally recorded by American musician Little Richard. Released on Specialty Records in February 1957, the single reached number 1 on the Billboard R&B chart, 21 on the US pop chart, and number 10 on the UK chart. It was composed by Albert Collins (not to be confused with the blues guitarist of the same name) and Little Richard. First pressings of Specialty 78rpm credit Collins as the sole writer. Little Richard bought half of the song's rights while Collins was in Louisiana State Penitentiary. The song foreshadowed the rhythmic feel of 1960s rock music in several ways, including its heavy bassline and slower tempo, inspired by the chugging of a train the band had been riding. The scene-setting sections also feature stop-time breaks and no change in harmony, and it has a darker sound because most of the instruments use a low register. Recording Little Richard sang and played piano on his recording, backed by a band consisting of Lee Allen ...
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Tutti Frutti (song)
Tutti Frutti is a song written by Little Richard and Dorothy LaBostrie, recorded in 1955, which was his first major hit. With its energetic refrain, often transcribed as "A-wop-bop-a-loo-mop-a-lop-bam-boom!" (a verbal rendition of a drum pattern that Little Richard had imagined),White, Charles (2003), pp. 49–51 ''The Life and Times of Little Richard: The Authorised Biography.'' Omnibus Press. and its hard-driving sound and wild lyrics, it became not only a model for many future Little Richard songs, but also for rock and roll itself. The song introduced several of rock music's most characteristic musical features, including its loud volume, powerful vocal style, and distinctive beat and rhythm. In 2007, an eclectic panel of renowned recording artists ranked "Tutti Frutti" at No. 1 on ''Mojos "The Top 100 Records That Changed The World" and hailed the recording as "the sound of the birth of rock and roll". In 2010, the U.S. Library of Congress National Recording Registry added t ...
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