Little Phatty
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Little Phatty
The Little Phatty is a monophonic analog synthesizer manufactured by Moog Music from 2006 to 2013, preceded by the Voyager and succeeded by Voyager Old School. Its design was conceived, in part, by Robert Moog himself, and is the last instrument to have that distinction, although the primary engineer was Cyril Lance. It is also the first Moog product to be produced following his death. Jordan Rudess of the band Dream Theater also assisted with the design of the product. It is one of the few Moog synthesizers to utilize MIDI from the factory (the others being the Minimoog Voyager and the earlier Memorymoog+). This allows for better integration in the modern studio and for live performance. On 9 September 2013, Moog Music Moog Music Inc. () is an American synthesizer company based in Asheville, North Carolina. It was founded in 1953 as R. A. Moog Co. by Robert Moog and his father and was renamed Moog Music in 1972. Its early instruments included the Moog synthesi ... announced ...
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Moog Music
Moog Music Inc. () is an American synthesizer company based in Asheville, North Carolina. It was founded in 1953 as R. A. Moog Co. by Robert Moog and his father and was renamed Moog Music in 1972. Its early instruments included the Moog synthesizer (the first commercial synthesizer), followed by the Minimoog in 1970, two of the most influential electronic instruments of all time. In 1971, following a Recession of 1969–70, recession, Robert Moog sold Moog Music to Norlin Musical Instruments, where he remained employed as a designer until 1977. In 1978, he founded a new company, Big Briar. Moog Music filed for bankruptcy in 1987 and the Moog Music trademark was returned to Robert Moog in 2002, when Big Briar resumed operations under the name Moog Music. Moog Music also manages Moogfest, a pioneering electronic music and music technology festival in Durham, NC. History 1953–1967: R. A. Moog Co. Robert Moog founded R. A. Moog Co. with his father in 1953 at the age of 19 ...
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Analog Synthesizer
An analog (or analogue) synthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically. The earliest analog synthesizers in the 1920s and 1930s, such as the Trautonium, were built with a variety of vacuum-tube (thermionic valve) and electro-mechanical technologies. After the 1960s, analog synthesizers were built using operational amplifier (op-amp) integrated circuits, and used potentiometers (pots, or variable resistors) to adjust the sound parameters. Analog synthesizers also use low-pass filters and high-pass filters to modify the sound. While 1960s-era analog synthesizers such as the Moog used a number of independent electronic modules connected by patch cables, later analog synthesizers such as the Minimoog integrated them into single units, eliminating patch cords in favour of integrated signal routing systems. History 1900–1920 The earliest mention of a "synthetic harmoniser" using electricity appears to be in 1906, cre ...
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Subtractive Synthesis
Subtractive synthesis is a method of sound synthesis in which partials of an audio signal (often one rich in harmonics) are attenuated by a filter to alter the timbre of the sound. While subtractive synthesis can be applied to any source audio signal, the sound most commonly associated with the technique is that of analog synthesizers of the 1960s and 1970s, in which the harmonics of simple waveforms such as sawtooth, pulse or square waves are attenuated with a voltage-controlled resonant low-pass filter. Many digital, virtual analog and software synthesizers use subtractive synthesis, sometimes in conjunction with other methods of sound synthesis. Examples of subtractive synthesis A human example The basis of subtractive synthesis can be understood by considering the human voice; when a human speaks, sings or makes other vocal noises, the vocal folds act as an oscillator and the mouth and throat as a filter. Consider the difference between singing "oooh" and "aaah" , a ...
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Low-pass Filter
A low-pass filter is a filter that passes signals with a frequency lower than a selected cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency. The exact frequency response of the filter depends on the filter design. The filter is sometimes called a high-cut filter, or treble-cut filter in audio applications. A low-pass filter is the complement of a high-pass filter. In optics, high-pass and low-pass may have different meanings, depending on whether referring to frequency or wavelength of light, since these variables are inversely related. High-pass frequency filters would act as low-pass wavelength filters, and vice versa. For this reason it is a good practice to refer to wavelength filters as ''short-pass'' and ''long-pass'' to avoid confusion, which would correspond to ''high-pass'' and ''low-pass'' frequencies. Low-pass filters exist in many different forms, including electronic circuits such as a hiss filter used in audio, anti-aliasing fil ...
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ADSR Envelope
ADSR may refer to: * ADSR envelope (attack decay sustain release), a common type of music envelope * Accelerator-driven sub-critical reactor, a nuclear reactor using a particle accelerator to generate a fission reaction in a sub-critical assembly of fissionable material * A.D.S.R. Musicwerks, a Seattle, Washington store and US record label that releases Synth Pop and Electro Industrial music *'' Attack Decay Sustain Release'', the debut album from Simian Mobile Disco, released on June 18, 2007 {{disambiguation ...
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MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which t ...
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Control Voltage
CV/gate (an abbreviation of ''control voltage/gate'') is an analog method of controlling synthesizers, drum machines, and similar equipment with external sequencers. The control voltage typically controls pitch and the gate signal controls note on-off. This method was widely used in the epoch of analog modular synthesizers and CV/Gate music sequencers, since the introduction of the Roland MC-8 Microcomposer in 1977 through to the 1980s, when it was eventually superseded by the MIDI protocol (introduced in 1983), which is more feature-rich, easier to configure reliably, and more readily supports polyphony. The advent of digital synthesizers also made it possible to store and retrieve voice "patches" – eliminating patch cables and (for the most part) control voltages. However, numerous companies – including Doepfer, who designed a modular system for Kraftwerk in 1992, Buchla, MOTM, Analogue Systems, and others continue to manufacture modular synthesizers that are increasingly ...
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Monophonic (synthesizers)
Polyphony is a property of musical instruments that means that they can play multiple independent melody lines simultaneously. Instruments featuring polyphony are said to be polyphonic. Instruments that are not capable of polyphony are monophonic or paraphonic. Synthesizer Monophonic A monophonic synthesizer or ''monosynth'' is a synthesizer that produces only one note at a time, making it smaller and cheaper than a polyphonic synthesizer which can play multiple notes at once. This does not necessarily refer to a synthesizer with a single oscillator; The Minimoog, for example, has three oscillators which are settable in arbitrary intervals, but it can play only one note at a time. Well-known monosynths include the Minimoog, the Roland TB-303, the Korg Prophecy, and the Korg Monologue. Duophonic Duophonic synthesizers, such as the ARP Odyssey and Formanta Polivoks built in the 1970s and 1980s respectively, have a capability to independently play two pitches at a time. ...
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Robert Moog
Robert Arthur Moog ( ; May 23, 1934 – August 21, 2005) was an American engineer and electronic music pioneer. He was the founder of the synthesizer manufacturer Moog Music and the inventor of the first commercial synthesizer, the Moog synthesizer, which debuted in 1964. In 1970, Moog released a more portable model, the Minimoog, described as the most famous and influential synthesizer in history. Among Moog's honors are a Technical Grammy Award, received in 2002, and an induction into the National Inventors Hall of Fame. By 1963, Moog had been designing and selling theremins for several years, while working towards a PhD in engineering physics at Cornell University. He developed his synthesizer in response to demand for more practical and affordable electronic music equipment, guided by suggestions and requests from composers. Moog's principal innovation was the voltage-controlled oscillator, which uses voltage to control pitch. He also introduced fundamental synthesizer conce ...
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Jordan Rudess
Jordan Rudess (born Jordan Charles Rudes; November 4, 1956) is an American musician, software developer and composer best known as a member of the progressive metal band Dream Theater and the progressive metal supergroup Liquid Tension Experiment. Biography Jordan Rudess was born in 1956 in Long Island, New York. He was recognized by his 2nd grade teacher for his piano playing and was immediately given professional instruction. At nine, he entered the Juilliard School of Music Pre-College Division for classical piano training, but by his late teens he had grown increasingly interested in synthesizers and progressive rock music, citing his very first experience in the genre as the Hammond playing and distorted stylistic expression of Jon Lord. Against the counsel of his parents and tutors, he turned away from classical piano and tried his hand as a solo progressive rock keyboardist. When Bleu Ocean was assembling a team of fellow drummers to perform on the song "Bring the Boys ...
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Dream Theater
Dream Theater is an American progressive metal band formed in 1985 under the name Majesty by John Petrucci, John Myung and Mike Portnoy while they attended Berklee College of Music in Boston, Massachusetts. They subsequently dropped out of their studies to concentrate further on the band that would eventually become Dream Theater. Their current lineup consists of Petrucci, Myung, vocalist James LaBrie, keyboardist Jordan Rudess and drummer Mike Mangini. Over the course of various lineup changes, Petrucci and Myung have been the only two constant members, and Portnoy remained with the band until 2010, when he left to pursue other musical endeavors and he has since been replaced by Mangini. After a brief stint with Chris Collins (singer), Chris Collins, followed by Charlie Dominici (who was dismissed from Dream Theater not long after the release of their When Dream and Day Unite, first album), LaBrie was hired as the band's singer in 1991. Dream Theater's first keyboardist, Kevin ...
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Moog Synthesizer
The Moog synthesizer is a modular synthesizer developed by the American engineer Robert Moog. Moog debuted it in 1964, and Moog's company R. A. Moog Co. (later known as Moog Music) produced numerous models from 1965 to 1981, and again from 2014. It was the first commercial synthesizer, and is credited with creating the analog synthesizer as it is known today. The Moog synthesizer consists of separate modules which create and shape sounds, which are connected via patch cords. Modules include voltage-controlled oscillators, amplifiers, filters, envelope generators, noise generators, ring modulators, triggers, and mixers. The synthesizer can be played using controllers including keyboards, joysticks, pedals, and ribbon controllers, or controlled with sequencers. Its oscillators can produce waveforms of different timbres, which can be modulated and filtered to shape their sounds (subtractive synthesis). By 1963, Robert Moog had been designing and selling theremins for several ...
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