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Lithuanian Accentuation
In the Lithuanian phonology, stressed heavy syllables are pronounced in one of two prosodically distinct ways that are determined by accent and pitch. One way is the ''acute'' or ''falling'' accent. It may be described as sudden, sharp or rough. The phrase has the literal meaning "firm-start accent". The second way is the ''circumflex'' or ''rising'' accent. It may be described as continued, mild or smooth. The word has the literal meaning "firm-end". Short (or light) syllables may have stress without the differentiation of an accent. Syllable weight In Lithuanian, heavy syllables include those containing: * long vowels or monophthongs * diphthongs (/aw aj ɛj uj/) which end in a glide ( or ) * close syllables ending in sonorants (/l m n r/) * complex monophthongs (/ie/ and /uo/) behaving as a phonemic unit In mixed acute diphthongs beginning with /i or ''u'', the acute mark is replaced by a grave; this reflects the fact that, in the standard language (but not in some dialect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lithuanian Language
Lithuanian ( ) is an Eastern Baltic language belonging to the Baltic branch of the Indo-European language family. It is the official language of Lithuania and one of the official languages of the European Union. There are about 2.8 million native Lithuanian speakers in Lithuania and about 200,000 speakers elsewhere. Lithuanian is closely related to the neighbouring Latvian language. It is written in a Latin script. It is said to be the most conservative of the existing Indo-European languages, retaining features of the Proto-Indo-European language that had disappeared through development from other descendant languages. History Among Indo-European languages, Lithuanian is conservative in some aspects of its grammar and phonology, retaining archaic features otherwise found only in ancient languages such as Sanskrit (particularly its early form, Vedic Sanskrit) or Ancient Greek. For this reason, it is an important source for the reconstruction of the Proto-Indo-Euro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fundamental Frequency
The fundamental frequency, often referred to simply as the ''fundamental'', is defined as the lowest frequency of a periodic waveform. In music, the fundamental is the musical pitch of a note that is perceived as the lowest partial present. In terms of a superposition of sinusoids, the fundamental frequency is the lowest frequency sinusoidal in the sum of harmonically related frequencies, or the frequency of the difference between adjacent frequencies. In some contexts, the fundamental is usually abbreviated as 0, indicating the lowest frequency counting from zero. In other contexts, it is more common to abbreviate it as 1, the first harmonic. (The second harmonic is then 2 = 2⋅1, etc. In this context, the zeroth harmonic would be 0 Hz.) According to Benward's and Saker's ''Music: In Theory and Practice'': Explanation All sinusoidal and many non-sinusoidal waveforms repeat exactly over time – they are periodic. The period of a waveform is the smallest value of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marijampolė
Marijampolė (; also known by several other names) is a cultural and industrial city and the capital of the Marijampolė County in the south of Lithuania, bordering Poland and Russian Kaliningrad Oblast, and Lake Vištytis. The population of Marijampolė is 48,700 (2003). It is the Lithuanian center of the Suvalkija region. Marijampolė is the seventh-largest city in Lithuania, and has been its regional center since 1994. The city covers an area equal to . The Šešupė River divides the city into two parts which are connected by six bridges. Names The city has also been known as Marijampolis, Mariampol, Starapole, Pašešupiai, Marjampol, Mariyampole, and Kapsukas (1955–1989). History The settlement was founded as a village called "Pašešupė", after the nearby river of Šešupė. As such the town was first mentioned in 1667. In the 18th century the village, at that time belonging to the Catholic Church, grew to become a market town and its name was changed to Starpol or "S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kazimieras Jaunius
Kazimieras Jaunius (1848–1908) was a Lithuanian Catholic priest and linguist. While Jaunius published very little, his major achievements include a well regarded Lithuanian grammar, systematization and classification of the Lithuanian dialects, and descriptions of Lithuanian accentuation. Though most of his conclusions on etymology and comparative linguistics were proven to be incorrect, his works remain valuable for vast observational data. Jaunius studied at the Kaunas Priest Seminary and Saint Petersburg Roman Catholic Theological Academy. He was ordained a priest in 1875 and earned his Master of Theology in 1879. He taught several subjects, including moral theology and homiletics, at the Kaunas Priest Seminary from 1880 to 1892. His class notes on the Lithuanian language became a well regarded Lithuanian grammar book first published in 1897. After disagreements with Bishop , Jaunius became a dean in Kazan in 1893. However, he experienced severe mental health issues and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perfect Fifth
In music theory, a perfect fifth is the Interval (music), musical interval corresponding to a pair of pitch (music), pitches with a frequency ratio of 3:2, or very nearly so. In classical music from Western culture, a fifth is the interval from the first to the last of five consecutive Musical note, notes in a diatonic scale. The perfect fifth (often abbreviated P5) spans seven semitones, while the Tritone, diminished fifth spans six and the augmented fifth spans eight semitones. For example, the interval from C to G is a perfect fifth, as the note G lies seven semitones above C. The perfect fifth may be derived from the Harmonic series (music), harmonic series as the interval between the second and third harmonics. In a diatonic scale, the dominant (music), dominant note is a perfect fifth above the tonic (music), tonic note. The perfect fifth is more consonance and dissonance, consonant, or stable, than any other interval except the unison and the octave. It occurs above the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perfect Fourth
A fourth is a musical interval encompassing four staff positions in the music notation of Western culture, and a perfect fourth () is the fourth spanning five semitones (half steps, or half tones). For example, the ascending interval from C to the next F is a perfect fourth, because the note F is the fifth semitone above C, and there are four staff positions between C and F. Diminished and augmented fourths span the same number of staff positions, but consist of a different number of semitones (four and six, respectively). The perfect fourth may be derived from the harmonic series as the interval between the third and fourth harmonics. The term ''perfect'' identifies this interval as belonging to the group of perfect intervals, so called because they are neither major nor minor. A perfect fourth in just intonation corresponds to a pitch ratio of 4:3, or about 498 cents (), while in equal temperament a perfect fourth is equal to five semitones, or 500 cents (see additive s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minor Third
In music theory, a minor third is a musical interval that encompasses three half steps, or semitones. Staff notation represents the minor third as encompassing three staff positions (see: interval number). The minor third is one of two commonly occurring thirds. It is called ''minor'' because it is the smaller of the two: the major third spans an additional semitone. For example, the interval from A to C is a minor third, as the note C lies three semitones above A. Coincidentally, there are three staff positions from A to C. Diminished and augmented thirds span the same number of staff positions, but consist of a different number of semitones (two and five). The minor third is a skip melodically. Notable examples of ascending minor thirds include the opening two notes of " Greensleeves" and of " Light My Fire". The minor third may be derived from the harmonic series as the interval between the fifth and sixth harmonics, or from the 19th harmonic. The minor third is co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Kurschat
Friedrich Kurschat ( lt, Frydrichas Kuršaitis; 1806–1884) was a Prussian Lithuanian linguist and professor at the University of Königsberg. He studied the Lithuanian language and published its grammar in 1876 in which he was the first to describe Lithuanian accentuation in detail. Kurschat was born into a family of a poor school teacher and received no formal education until age 28. In 1836, he enrolled into the University of Königsberg where he became an assistant to linguist Ludwig Rhesa. After Rhesa's death in 1840, Kurschat became the leader of the Lithuanian language seminar at the university and held that position for more than forty years. He graduated in 1844 and was ordained as a Lutheran priest. Kurschat published several linguistic studies of the Lithuanian language. His most important work was the grammar of the Lithuanian language published in 1876. He also published two-volume German–Lithuanian dictionary and one-volume Lithuanian–German dictionary. Kursch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norwegian Language
Norwegian ( no, norsk, links=no ) is a North Germanic language spoken mainly in Norway, where it is an official language. Along with Swedish and Danish, Norwegian forms a dialect continuum of more or less mutually intelligible local and regional varieties; some Norwegian and Swedish dialects, in particular, are very close. These Scandinavian languages, together with Faroese and Icelandic as well as some extinct languages, constitute the North Germanic languages. Faroese and Icelandic are not mutually intelligible with Norwegian in their spoken form because continental Scandinavian has diverged from them. While the two Germanic languages with the greatest numbers of speakers, English and German, have close similarities with Norwegian, neither is mutually intelligible with it. Norwegian is a descendant of Old Norse, the common language of the Germanic peoples living in Scandinavia during the Viking Age. Today there are two official forms of ''written'' Norwegian, (literally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swedish Language
Swedish ( ) is a North Germanic language spoken predominantly in Sweden and in parts of Finland. It has at least 10 million native speakers, the fourth most spoken Germanic language and the first among any other of its type in the Nordic countries overall. Swedish, like the other Nordic languages, is a descendant of Old Norse, the common language of the Germanic peoples living in Scandinavia during the Viking Era. It is largely mutually intelligible with Norwegian and Danish, although the degree of mutual intelligibility is largely dependent on the dialect and accent of the speaker. Written Norwegian and Danish are usually more easily understood by Swedish speakers than the spoken languages, due to the differences in tone, accent, and intonation. Standard Swedish, spoken by most Swedes, is the national language that evolved from the Central Swedish dialects in the 19th century and was well established by the beginning of the 20th century. While distinct regional varieties ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek
Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic period (), and the Classical period (). Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical periods of the language. From the Hellenistic period (), Ancient Greek was followed by Koine Greek, which is regarded as a separate historical stage, although its earliest form closely resembles Attic Greek and its latest form approaches Medieval Greek. There were several regional dialects of Ancient Greek, of which Attic Greek developed into Koine. Dia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serbo-Croatian
Serbo-Croatian () – also called Serbo-Croat (), Serbo-Croat-Bosnian (SCB), Bosnian-Croatian-Serbian (BCS), and Bosnian-Croatian-Montenegrin-Serbian (BCMS) – is a South Slavic language and the primary language of Serbia, Croatia, Bosnia and Herzegovina, and Montenegro. It is a pluricentric language with four mutually intelligible standard varieties, namely Serbian, Croatian, Bosnian, and Montenegrin. South Slavic languages historically formed a continuum. The turbulent history of the area, particularly due to expansion of the Ottoman Empire, resulted in a patchwork of dialectal and religious differences. Due to population migrations, Shtokavian became the most widespread dialect in the western Balkans, intruding westwards into the area previously occupied by Chakavian and Kajkavian (which further blend into Slovenian in the northwest). Bosniaks, Croats and Serbs differ in religion and were historically often part of different cultural circles, although a large part o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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