Literary Mode
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Literary Mode
In literature and other artistic media, a mode is an unspecific critical term usually designating a broad but identifiable kind of literary method, mood, or manner that is not tied exclusively to a particular form or genre. Examples are the ''satiric'' mode, the ''ironic'', the ''comic'', the ''pastoral'', and the ''didactic''. History In his '' Poetics'', the ancient Greek philosopher Aristotle uses 'mode' in a more specific sense. Kinds of poetry, he writes, may be differentiated in three ways: according to their ''medium'' of imitation, according to their ''objects'' of imitation, and according to their mode or 'manner' of imitation (section I). "For the medium being the same, and the objects the same, the poet may imitate by narration—in which case he can either take another personality as Homer does, or speak in his own person, unchanged—or he may present all his characters as living and moving before us" (section III). According to this definition, 'narrative' and 'dram ...
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Literature
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role. Literature, as an art form, can also include works in various non-fiction genres, such as biography, diaries, memoir, letters, and the essay. Within its broad definition, literature includes non-fictional books, articles or other printed information on a particular subject.''OED'' Etymologically, the term derives from Latin ''literatura/litteratura'' "learning, a writing, grammar," originally "writing formed with letters," from ''litera/littera'' "letter". In spite of this, the term has also been applied to spoken or s ...
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Jessica Page Morrell
Jessica Page Morrell is an American author. Career Morrell is a contributor to ''The Writer'' and ''Writer's Digest'' magazines. Her book, ''Thanks But This Isn't For Us'' (2009), describes mistakes that new authors make and how these writers can fix their writing. In particular, she lays out the necessity and process of creating a plan or structure for a novel, before starting to write one. '' Library Journal'' states that she "convincingly portrays the craft of writing for publication." Morrell conducts workshops throughout the Pacific Northwest. Morrell grew up in Wisconsin and earned a Bachelor of Arts degree at the University of Wisconsin–Madison. She has one daughter and two granddaughters and lives in Portland, Oregon Portland (, ) is a port city in the Pacific Northwest and the list of cities in Oregon, largest city in the U.S. state of Oregon. Situated at the confluence of the Willamette River, Willamette and Columbia River, Columbia rivers, Portland is .. ...
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Poetics
Poetics is the theory of structure, form, and discourse within literature, and, in particular, within poetry. History The term ''poetics'' derives from the Ancient Greek ποιητικός ''poietikos'' "pertaining to poetry"; also "creative" and "productive". In the Western world, the development and evolution of poetics featured three artistic movements concerned with poetical composition: (i) the formalist, (2) the objectivist, and (iii) the Aristotelian. (see the '' Poetics''). Aristotle's ''Poetics'' is the first extant philosophical treatise to focus on literary theory. The work was lost to the Western world for a long time. It was available in the Middle Ages and early Renaissance only through a Latin translation of an Arabic commentary written by Averroes and translated by Hermannus Alemannus in 1256. The accurate Greek-Latin translation made by William of Moerbeke in 1278 was virtually ignored. The Arabic translation departed widely in vocabulary from the original ''P ...
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Narratology
Narratology is the study of narrative and narrative structure and the ways that these affect human perception. It is an anglicisation of French ''narratologie'', coined by Tzvetan Todorov (''Grammaire du Décaméron'', 1969). Its theoretical lineage is traceable to Aristotle (''Poetics'') but modern narratology is agreed to have begun with the Russian Formalists, particularly Vladimir Propp (''Morphology of the Folktale'', 1928), and Mikhail Bakhtin's theories of heteroglossia, dialogism, and the chronotope first presented in ''The Dialogic Imagination'' (1975). Cognitive narratology is a more recent development that allows for a broader understanding of narrative. Rather than focus on the structure of the story, cognitive narratology asks "how humans make sense of stories" and "how humans use stories as sense-making instruments". Defining narrative Structuralist narratologists like Rimmon-Kenan define narrative fiction as "the narration of a succession of fictional eve ...
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