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Literary Merit
Artistic merit is the artistic quality or value of any given work of art, music, film, literature, sculpture or painting. Obscenity and literary merit The 1921 US trial of James Joyce's novel ''Ulysses'' concerned the publication of the ''Nausicaa'' episode by the literary magazine ''The Little Review'', which was serializing the novel. Though not required to do so by law, John Quinn, the lawyer for the defence, decided to produce three literary experts to attest to the literary merits of ''Ulysses'', as well as ''The Little Review''s broader reputation. The first expert witness was Philip Moeller, of the Theatre Guild, who interpreted ''Ulysses'' using the Freudian method of unveiling the subconscious mind, which prompted one of the judges to ask him to "speak in a language that the court could understand". The next witness was Scofield Thayer, editor of ''The Dial'', another literary magazine of the time, who "was forced to admit that if he had had the desire to publish ''Ulys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Folio
''Mr. William Shakespeare's Comedies, Histories, & Tragedies'' is a collection of plays by William Shakespeare, commonly referred to by modern scholars as the First Folio, published in 1623, about seven years after Shakespeare's death. It is considered one of the most influential books ever published. Printed in folio format and containing 36 plays (see list of Shakespeare's plays), it was prepared by Shakespeare's colleagues John Heminges and Henry Condell. It was dedicated to the "incomparable pair of brethren" William Herbert, 3rd Earl of Pembroke and his brother Philip Herbert, Earl of Montgomery (later 4th Earl of Pembroke). Although 19 of Shakespeare's plays had been published in quarto before 1623, the First Folio is arguably the only reliable text for about 20 of the plays, and a valuable source text for many of those previously published. Eighteen of the plays in the First Folio, including '' The Tempest'', ''Twelfth Night'', and ''Measure for Measure'' among others, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
R V Penguin Books Ltd
''R v Penguin Books Ltd'' was the public prosecution in the United Kingdom of Penguin Books under the ''Obscene Publications Act 1959'' for the publication of D. H. Lawrence's 1928 novel ''Lady Chatterley's Lover''. The trial took place over six days, in No 1 court of the Old Bailey, between 20 October and 2 November 1960 with Mervyn Griffith-Jones prosecuting, Gerald Gardiner counsel for the defence and Laurence Byrne presiding. The trial was a test case of the defence of public good provision under section 4 of the Act which was defined as a work "in the interests of science, literature, art or learning, or of other objects of general concern". The jury found for the defendant in a result that ushered in the liberalisation of publishing, and which some saw as the beginning of the permissive society in Britain. Legislative and legal background The Obscene Publications Bill was first put before the UK Parliament in 1955 as a private member's bill on the recommendation of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theory Of Art
A theory of art is intended to contrast with a definition of art. Traditionally, ''definitions'' are composed of necessary and sufficient conditions and a single counterexample overthrows such a definition. ''Theorizing'' about art, on the other hand, is analogous to a theory of a natural phenomenon like gravity. In fact, the intent behind a theory of art is to treat art as a natural phenomenon that should be investigated like any other. The question of whether one can speak of a theory of art without employing a concept of art is also discussed below. The motivation behind seeking a theory, rather than a definition, is that our best minds have not been able to find definitions without counterexamples. The term 'definition' assumes there are concepts, in something along Platonic lines, and a definition is an attempt to reach in and pluck out the essence of the concept and also assumes that at least some of us humans have intellectual access to these concepts. In contrast, a 'conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taste (sociology)
In sociology, taste or palate is an individual or a demographic group's subjective preferences of dietary, design, cultural and/or aesthetic patterns. Taste manifests socially via distinctions in consumer choices such as delicacies/beverages, fashions, music, etiquettes, goods, styles of artwork, and other related cultural activities. The social inquiry of taste is about the arbitrary human ability to judge what is considered beautiful, good, proper and valuable. Social and cultural phenomena concerning taste are closely associated to social relations and dynamics between people. The concept of social taste is therefore rarely separated from its accompanying sociological concepts. An understanding of taste as something that is expressed in actions between people helps to perceive many social phenomena that would otherwise be inconceivable. Aesthetic preferences and attendance to various cultural events are associated with education and social origin. Different socioeconom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masterpiece
A masterpiece, ''magnum opus'' (), or ''chef-d’œuvre'' (; ; ) in modern use is a creation that has been given much critical praise, especially one that is considered the greatest work of a person's career or a work of outstanding creativity, skill, profundity, or workmanship. Historically, a "masterpiece" was a work of a very high standard produced to obtain membership of a guild or academy in various areas of the visual arts and crafts. Etymology The form ''masterstik'' is recorded in English or Scots in a set of Aberdeen guild regulations dated to 1579, whereas "masterpiece" is first found in 1605, already outside a guild context, in a Ben Jonson play. "Masterprize" was another early variant in English. In English, the term rapidly became used in a variety of contexts for an exceptionally good piece of creative work, and was "in early use, often applied to man as the 'masterpiece' of God or Nature". History Originally, the term ''masterpiece'' referred to a piece of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
