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Listed Buildings In Hamstall Ridware
Hamstall Ridware is a civil parish in the district of Lichfield, Staffordshire, England. It contains 19 listed buildings that are recorded in the National Heritage List for England. Of these, one is at Grade I, the highest of the three grades, three are at Grade II*, the middle grade, and the others are at Grade II, the lowest grade. The parish contains the village of Hamstall Ridware and the surrounding countryside. In the village was a mansion that has been largely demolished and replaced by a newer house. The remaining buildings associated with the original house, namely a gatehouse, a tower and associated walls, are listed together with the later house and other structures associated with it. Also in the village is a church, with crosses and memorials in the churchyard, that are listed. The other listed buildings are houses, cottages, and farmhouses, the earlier of which are timber framed Timber framing (german: Holzfachwerk) and "post-and-beam" con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamstall Ridware
Hamstall Ridware is a village and civil parish in the Lichfield district of Staffordshire, England. It is in the Trent Valley, and lies close to the villages of Hill Ridware, Mavesyn Ridware and Pipe Ridware. It is eight miles north of the city of Lichfield, and four miles east of Rugeley Rugeley ( ) is a market town and civil parish in the Cannock Chase District in Staffordshire, England. It lies on the north-eastern edge of Cannock Chase next to the River Trent; it is situated north of Lichfield, south-east of Stafford, nort .... The hamlet of Olive Green lies to the east of the village at . Within the village lie the grade II* listed ruins of Hamstall Hall. See also * Listed buildings in Hamstall Ridware References External links Ridware Historical Society Villages in Staffordshire Civil parishes in Staffordshire {{Staffordshire-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steeple
In architecture, a steeple is a tall tower on a building, topped by a spire and often incorporating a belfry and other components. Steeples are very common on Christian churches and cathedrals and the use of the term generally connotes a religious structure. They might be stand-alone structures, or incorporated into the entrance or center of the building. Architecture Towers were not a part of Christian churches until about AD 600, when they were adapted from military watchtowers. At first they were fairly modest and entirely separate structures from churches. Over time, they were incorporated into the church building and capped with ever-more-elaborate roofs until the steeple resulted. Towers are a common element of religious architecture worldwide and are generally viewed as attempts to reach skyward toward heavens and the divine. Some wooden steeples are built with large wooden structural members arranged like tent poles and braced diagonally inside both with wood and stee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strapwork
In the history of art and design, strapwork is the use of stylised representations in ornament of ribbon-like forms. These may loosely imitate leather straps, parchment or metal cut into elaborate shapes, with piercings, and often interwoven in a geometric pattern. In early examples there may or may not be three-dimensionality, either actual in curling relief ends of the elements, or just represented in two dimensions. As the style continued, these curling elements became more prominent, often turning into scrollwork, where the ends curl into spirals or scrolls. By the Baroque scrollwork was a common element in ornament, often partly submerged by other rich ornament. European strapwork is a frequent background and framework for grotesque ornament – arabesque or candelabra figures filled with fantastical creatures, garlands and other elements – which were a frequent decorative motif in 16th-century Northern Mannerism, and revived in the 19th century and which may appear on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuscan Order
The Tuscan order (Latin ''Ordo Tuscanicus'' or ''Ordo Tuscanus'', with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order, but with un-fluted columns and a simpler entablature with no triglyphs or guttae. While relatively simple columns with round capitals had been part of the vernacular architecture of Italy and much of Europe since at least Etruscan architecture, the Romans did not consider this style to be a distinct architectural order (for example, the Roman architect Vitruvius did not include it alongside his descriptions of the Greek Doric, Ionic, and Corinthian orders). Its classification as a separate formal order is first mentioned in Isidore of Seville's ''Etymologies'' and refined during the Italian Renaissance. Sebastiano Serlio described five orders including a "Tuscan order", "the solidest and least ornate", in his fourth book of ''Regole generali di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portico
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome and the portico of University College London. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the ''cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quoin (architecture)
Quoins ( or ) are masonry blocks at the corner of a wall. Some are structural, providing strength for a wall made with inferior stone or rubble, while others merely add aesthetic detail to a corner. According to one 19th century encyclopedia, these imply strength, permanence, and expense, all reinforcing the onlooker's sense of a structure's presence. Stone quoins are used on stone or brick buildings. Brick quoins may appear on brick buildings, extending from the facing brickwork in such a way as to give the appearance of generally uniformly cut ashlar blocks of stone larger than the bricks. Where quoins are decorative and non-load-bearing a wider variety of materials is used, including timber, stucco, or other cement render. Techniques Ashlar blocks In a traditional, often decorative use, large rectangular ashlar stone blocks or replicas are laid horizontally at the corners. This results in an alternate, quoining pattern. Alternate cornerstones Courses of large and small c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gable
A gable is the generally triangular portion of a wall between the edges of intersecting roof pitches. The shape of the gable and how it is detailed depends on the structural system used, which reflects climate, material availability, and aesthetic concerns. The term gable wall or gable end more commonly refers to the entire wall, including the gable and the wall below it. Some types of roof do not have a gable (for example hip roofs do not). One common type of roof with gables, the gable roof, is named after its prominent gables. A parapet made of a series of curves (Dutch gable) or horizontal steps (crow-stepped gable) may hide the diagonal lines of the roof. Gable ends of more recent buildings are often treated in the same way as the Classic pediment form. But unlike Classical structures, which operate through trabeation, the gable ends of many buildings are actually bearing-wall structures. Gable style is also used in the design of fabric structures, with varying degree ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tudor Arch
A four-centered arch is a low, wide type of arch with a pointed apex. Its structure is achieved by drafting two arcs which rise steeply from each springing point on a small radius, and then turning into two arches with a wide radius and much lower springing point. It is a pointed sub-type of the general flattened depressed arch. This type of arch uses space efficiently and decoratively when used for doorways. It is also employed as a wall decoration in which arcade and window openings form part of the whole decorative surface. Two of the most notable types are known as the Persian arch, which is moderately "depressed" and found in Islamic architecture, and the Tudor arch, which is much flatter and found in English architecture. Another variant, the keel arch, has partially straight rather than curved sides and developed in Fatimid architecture. Use in Islamic architecture The four-centered arch is widely used in Islamic architecture, originally employed by the Abbasids and la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casement Window
A casement window is a window that is attached to its frame by one or more hinges at the side. They are used singly or in pairs within a common frame, in which case they are hinged on the outside. Casement windows are often held open using a casement stay. Windows hinged at the top are referred to as awning windows, and ones hinged at the bottom are called hoppers. Overview Throughout Britain and Ireland, casement windows were common before the sash window was introduced. They were usually metal with leaded glass, which refers to glass panes held in place with strips of lead called cames (leaded glass should not be confused with lead glass, which refers to the manufacture of the glass itself). These casement windows usually were hinged on the side, and opened inward. By the start of the Victorian era, opening casements and frames were constructed from timber in their entirety. The windows were covered by functional exterior shutters, which opened outward. Variants of casement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bay (architecture)
In architecture, a bay is the space between architectural elements, or a recess or compartment. The term ''bay'' comes from Old French ''baie'', meaning an opening or hole."Bay" ''Online Etymology Dictionary''. http://www.etymonline.com/index.php?allowed_in_frame=0&search=bay&searchmode=none accessed 3/10/2014 __NOTOC__ Examples # The spaces between posts, columns, or buttresses in the length of a building, the division in the widths being called aisles. This meaning also applies to overhead vaults (between ribs), in a building using a vaulted structural system. For example, the Gothic architecture period's Chartres Cathedral has a nave (main interior space) that is '' "seven bays long." '' Similarly in timber framing a bay is the space between posts in the transverse direction of the building and aisles run longitudinally."Bay", n.3. def. 1-6 and "Bay", n.5 def 2. ''Oxford English Dictionary'' Second Edition on CD-ROM (v. 4.0) © Oxford University Press 2009 # Where there a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Architecture
The term Norman architecture is used to categorise styles of Romanesque architecture developed by the Normans in the various lands under their dominion or influence in the 11th and 12th centuries. In particular the term is traditionally used for English Romanesque architecture. The Normans introduced large numbers of castles and fortifications including Norman keeps, and at the same time monasteries, abbeys, churches and cathedrals, in a style characterised by the usual Romanesque rounded arches (particularly over windows and doorways) and especially massive proportions compared to other regional variations of the style. Origins These Romanesque styles originated in Normandy and became widespread in northwestern Europe, particularly in England, which contributed considerable development and where the largest number of examples survived. At about the same time, a Norman dynasty that ruled in Sicily produced a distinctive variation–incorporating Byzantine and Saracen influen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucarne
In general architecture a lucarne is a term used to describe a dormer window. The original term french: lucarne refers to a dormer window, usually set into the middle of a roof although it can also apply to a façade lucarne, where the gable of the lucarne is aligned with the face of the wall. This general meaning is also preserved in British use, particularly for small windows into unoccupied attic or spire spaces. Nikolaus Pevsner gives its meaning as "a small gabled opening in a roof or a spire". In industrial architecture the term lucarne is used to describe a feature of a warehouse, mill or factory where a window or opening high up on an outside wall supports a hoist above doors on the floors below. The simplest lucarne is no more than the extension of a roof beyond a gable wall, with a ridge timber strong enough to support a hoist. A gin wheel on this beam can provide a simple rope hoist, sufficient to lift a sack of grain. Any greater weights than this are likely to nee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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