Listed Buildings In Billinge And Winstanley
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Listed Buildings In Billinge And Winstanley
Billinge and Winstanley is an area in the Metropolitan Borough of Wigan, Greater Manchester, England. The area, which consists of small settlements and surrounding countryside, includes eleven listed buildings that are recorded in the National Heritage List for England The National Heritage List for England (NHLE) is England's official database of protected heritage assets. It includes details of all English listed buildings, scheduled monuments, register of historic parks and gardens, protected shipwrecks, a .... Of these, three are listed at Grade II*, the middle of the three grades, and the others are at Grade II, the lowest grade. Most of the listed buildings are houses and associated structures, the others being monuments and a set of stocks. __NOTOC__ Key Buildings References Citations Sources * * * * * * * * * * * * * {{DEFAULTSORT:Billinge and Winstanley Lists of listed buildings in Greater Manchester ...
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Higher End
Higher End or Billinge Higher End is an area of the Metropolitan Borough of Wigan, Greater Manchester, England. Governance Billinge was a civil parish lying within the historic county boundaries of Lancashire on 2 February 1837 it was divided into two townships, Billinge Chapel End and Billinge Higher End when the Wigan poor law union was formed merging the workhouse provision of 20 parishes in the Wigan area. The poor law union built the Wigan Poor Law Infirmary in 1906 which became Billinge Hospital. In 1872 Billinge Local Board of Health was established for the area of these two townships and two detached parts of Winstanley township (one known as Blackley Hurst and the other situated in the Carr Mill area, both lying within the area of Billinge Chapel End township). In 1894 the area of the Local Board (together with the remaining area of Winstanley township) became Billinge Urban District and in 1927 the urban district was renamed Billinge and Winstanley Urban District. ...
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Winstanley Hall 2006
Winstanley may refer to: People: *Alan Winstanley, British record producer * Bill Winstanley, English footballer who played for Stoke City *Dean Winstanley, English darts player *Eric Winstanley, English footballer *Gerrard Winstanley, 17th-century English religious reformer *Henry Winstanley, 17th-century English engineer * Henry DJ Winstanley, 14th-century sporter of dinner jackets, carrier of soft monkeys * Ivan Winstanley, South African football player *Michael Winstanley, Baron Winstanley, late 20th-century English politician and Member of Parliament * Neil Winstanley, South African football player * Paul Winstanley, British painter *Russ Winstanley, British disc jockey *William Winstanley (c. 1628 – 1698), English poet and compiler of biographies. Other: *Winstanley, Greater Manchester, England **Winstanley (ward), an electoral ward of the Wigan Metropolitan Borough Council *Billinge and Winstanley Urban District *Winstanley College Winstanley College is a sixth-form col ...
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Cast Iron
Cast iron is a class of iron–carbon alloys with a carbon content more than 2%. Its usefulness derives from its relatively low melting temperature. The alloy constituents affect its color when fractured: white cast iron has carbide impurities which allow cracks to pass straight through, grey cast iron has graphite flakes which deflect a passing crack and initiate countless new cracks as the material breaks, and ductile cast iron has spherical graphite "nodules" which stop the crack from further progressing. Carbon (C), ranging from 1.8 to 4 wt%, and silicon (Si), 1–3 wt%, are the main alloying elements of cast iron. Iron alloys with lower carbon content are known as steel. Cast iron tends to be brittle, except for malleable cast irons. With its relatively low melting point, good fluidity, castability, excellent machinability, resistance to deformation and wear resistance, cast irons have become an engineering material with a wide range of applications and are ...
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Tuscan Order
The Tuscan order (Latin ''Ordo Tuscanicus'' or ''Ordo Tuscanus'', with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order, but with un-fluted columns and a simpler entablature with no triglyphs or guttae. While relatively simple columns with round capitals had been part of the vernacular architecture of Italy and much of Europe since at least Etruscan architecture, the Romans did not consider this style to be a distinct architectural order (for example, the Roman architect Vitruvius did not include it alongside his descriptions of the Greek Doric, Ionic, and Corinthian orders). Its classification as a separate formal order is first mentioned in Isidore of Seville's ''Etymologies'' and refined during the Italian Renaissance. Sebastiano Serlio described five orders including a "Tuscan order", "the solidest and least ornate", in his fourth book of ''Regole generali di ...
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Cupola
In architecture, a cupola () is a relatively small, most often dome-like, tall structure on top of a building. Often used to provide a lookout or to admit light and air, it usually crowns a larger roof or dome. The word derives, via Italian, from lower Latin ''cupula'' (classical Latin ''cupella''), (Latin ''cupa''), indicating a vault resembling an upside-down cup. Background The cupola evolved during the Renaissance from the older oculus. Being weatherproof, the cupola was better suited to the wetter climates of northern Europe. The chhatri, seen in Indian architecture, fits the definition of a cupola when it is used atop a larger structure. Cupolas often serve as a belfry, belvedere, or roof lantern above a main roof. In other cases they may crown a spire, tower, or turret. Barns often have cupolas for ventilation. Cupolas can also appear as small buildings in their own right. The square, dome-like segment of a North American railroad train caboose that contains the seco ...
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Cant (architecture)
A cant in architecture is an angled (oblique-angled) line or surface that cuts off a corner. Something with a cant is ''canted''. Canted facades are a typical of, but not exclusive to, Baroque architecture. The angle breaking the facade is less than a right angle, thus enabling a canted facade to be viewed as, and remain, one composition. Bay windows frequently have canted sides. A cant is sometimes synonymous with ''chamfer A chamfer or is a transitional edge between two faces of an object. Sometimes defined as a form of bevel, it is often created at a 45° angle between two adjoining right-angled faces. Chamfers are frequently used in machining, carpentry, fu ...'' and '' bevel''. References Architectural elements Building engineering {{Architecturalelement-stub ...
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Diocletian Window
Diocletian windows, also called thermal windows, are large semicircular windows characteristic of the enormous public baths (''thermae'') of Ancient Rome. They have been revived on a limited basis by some classical revivalist architects in more modern times. Description Diocletian windows are large segmental arched windows (or other openings), which are usually divided into three lights (window compartments) by two vertical mullions. The central compartment is often wider than the two side lights on either side of it. Names Diocletian windows are named after the windows found in the Baths of Diocletian (AD 302) in Rome. (The Thermae is now the church of Santa Maria degli Angeli e dei Martiri.) The variant name, thermal window, also comes from their association with the Thermae of Diocletian. Influence This type of window was revived and used in Italy in the 16th century, especially by Andrea Palladio. Palladio and others incorporated an elongated Diocletian window in the for ...
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Sash Window
A sash window or hung sash window is made of one or more movable panels, or "sashes". The individual sashes are traditionally paned window (architecture), paned windows, but can now contain an individual sheet (or sheets, in the case of double glazing) of glass. History The oldest surviving examples of sash windows were installed in England in the 1670s, for example at Ham House.Louw, HJ, ''Architectural History'', Vol. 26, 1983 (1983), pp. 49–72, 144–15JSTOR The invention of the sash window is sometimes credited, without conclusive evidence, to Robert Hooke. Others see the sash window as a Dutch invention. H.J. Louw believed that the sash window was developed in England, but concluded that it was impossible to determine the exact inventor. The sash window is often found in Georgian architecture, Georgian and Victorian architecture, Victorian houses, and the classic arrangement has three panes across by two up on each of two sash, giving a ''six over six'' panel window, alth ...
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Parapet
A parapet is a barrier that is an extension of the wall at the edge of a roof, terrace, balcony, walkway or other structure. The word comes ultimately from the Italian ''parapetto'' (''parare'' 'to cover/defend' and ''petto'' 'chest/breast'). Where extending above a roof, a parapet may simply be the portion of an exterior wall that continues above the edge line of the roof surface, or may be a continuation of a vertical feature beneath the roof such as a fire wall or party wall. Parapets were originally used to defend buildings from military attack, but today they are primarily used as guard rails, to conceal rooftop equipment, reduce wind loads on the roof, and to prevent the spread of fires. In the Bible the Hebrews are obligated to build a parapet on the roof of their houses to prevent people falling (Deuteronomy 22:8). Parapet types Parapets may be plain, embattled, perforated or panelled, which are not mutually exclusive terms. *Plain parapets are upward extensions of ...
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Pulvinated Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ...
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Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Varian ...
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Ionic Order
The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital, which have been the subject of much theoretical and practical discourse, based on a brief and obscure passage i ...
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