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List Of Songs Written By Holland, Dozier And Holland
This is a list of songs written by Brian Holland, Lamont Dozier, and Eddie Holland. In most cases the original recordings were for Motown, for whom the three were contracted until 1968. They continued to have success after establishing the Invictus and Hot Wax labels, in some cases using the writing pseudonym "Edyth Wayne" (in various spellings). The article also lists songs written by any of the three writers, sometimes in collaboration with others. For a list of their production Production may refer to: Economics and business * Production (economics) * Production, the act of manufacturing goods * Production, in the outline of industrial organization, the act of making products (goods and services) * Production as a stati ... credits, see Holland–Dozier–Holland#Production. Chart hits and other notable songs written by Holland, Dozier and Holland Other chart hits and notable songs written by Brian Holland alone or with others Other chart hits and notable songs writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Holland
Brian Holland (born February 15, 1941) is an American songwriter and record producer, best known as a member of Holland–Dozier–Holland, the songwriting and production team that was responsible for much of the Motown sound, and numerous hit records by artists such as Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers. Holland, along with Lamont Dozier, served as the team's musical arranger and producer. He has written or co-written 145 hits in US and 78 in the UK. Holland was born in Detroit, Michigan, United States. For a short time, he partnered with Robert Bateman, and together they were known as "Brianbert", collaborating on such hits as " Please Mr. Postman" for The Marvelettes. Holland has also had an on-and-off career as a performer. He released a solo single in 1958 under the name of "Briant Holland". He and longtime friend and future songwriting partner Freddie Gorman were in a short-lived group called the Fidalatones, and he was later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Love Like Yours (Don't Come Knocking Everyday)
"A Love Like Yours (Don't Come Knocking Everyday)" is a 1963 song issued as the B-side to Motown singing group Martha and the Vandellas' hit single, "Heat Wave", released on the Gordy label. The song, written and produced by Vandellas cohorts, Holland–Dozier–Holland, is a song where a woman praises her lover for loving her after she "broke (his) heart and made (him) blue" saying afterwards "instead of hurting back" telling her he loved her. The song, while not released as a single, is regarded as a sixties classic with notable covers by Ike & Tina Turner, Dusty Springfield, Harry Nilsson and Cher, Juice Newton, Manfred Mann, and the Animals. Ike & Tina's version was the only version that became a charted hit peaking at No. 16 on the UK Singles charts. Credits *Lead vocals and spoken monologues by Martha Reeves *Background vocals by Rosalind Ashford, Annette Beard, and Brian Holland *Produced by Brian Holland and Lamont Dozier *Written by Brian Holland, Lamont Dozier an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
When The Lovelight Starts Shining Through His Eyes
"When the Lovelight Starts Shining Through His Eyes" is a song written by Holland–Dozier–Holland and recorded in 1963 by Motown singing group The Supremes. It is notable as the Supremes' first ''Billboard'' Hot 100 Top 40 recording, following seven previous singles between January 1961 and September 1963 which failed to enter the Top 40. The single is also notable as the first Supremes single written and produced by Holland–Dozier–Holland, who had previously created hits for Martha and the Vandellas and Mary Wells. Overview Recording By 1963, the Supremes were struggling to find a pop hit. Until then, the Supremes was a regional R&B favorite, with their most successful single being "A Breathtaking Guy", which peaked at number 75 on the Hot 100. The group's competitors inside Motown included The Marvelettes, Motown's first successful female group, but also with Martha and the Vandellas, whose early hits included "(Love Is Like A) Heat Wave" and "Quicksand". Outside of Mot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quicksand (Martha And The Vandellas Song)
"Quicksand" is a song recorded by the Motown girl group Martha and the Vandellas. It was written by the songwriting team of Holland-Dozier-Holland and released as a single in November 1963. Background "Quicksand" was built around a similar gospel-inspired delivery of the Martha and the Vandellas' breakout hit " Heat Wave", but with a slightly slower tempo and a harder edge. Like "Heat Wave", it features an analogy to a natural phenomenon, with the narrator comparing falling in love to sinking in quicksand. ''Cash Box'' said that "it continues the hard-hitting excitement of Heat Wave']." "Quicksand" was Martha and the Vandellas' third single to be written by Holland–Dozier–Holland, who would later write songs for other Motown artists such as The Supremes and the Four Tops. Personnel *Lead vocals by Martha Reeves *Background vocals by Rosalind Ashford and Annette Beard *Produced by Brian Holland and Lamont Dozier *Written by Brian Holland, Lamont Dozier and Edward Holland ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Gotta Dance To Keep From Crying
"I Gotta Dance to Keep from Crying" is a 1963 hit by the Miracles on Motown's Tamla label. It was written and produced by Motown's main songwriting team, Brian Holland, Lamont Dozier, and Eddie Holland. Background "I Gotta Dance to Keep from Crying" was the follow-up to the group's Top 10 pop hit, "Mickey's Monkey", also written by Holland, Dozier and Holland. The smash success of that song, according to Motown policy, automatically gave Holland-Dozier-Holland the green light to write and produce the Miracles' next release, which resulted in this song. Like "Mickey's Monkey", "I Gotta Dance to Keep from Crying" features a "live party" feel. The song's title is a play on the old expression, "I Gotta ''Laugh'' to Keep from Crying", highlighting the all-too-human tendency to escape from heartbreak or personal pain by dancing, laughing and having a good time. Miracles lead singer Smokey Robinson, as the song's narrator, portrays a young man trying to get over the heartbreak of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Brown (singer)
Samantha Brown (born 7 October 1964) is an English singer, musician and songwriter. Brown is a blue-eyed soul and jazz singer, and ukulele and piano player. She came to prominence in the late 1980s as a solo artist, and released six singles that entered the UK Singles Chart during the 1980s and 1990s. Her solo singles, sometimes dealing with lost love, include " Stop!", " This Feeling", "Can I Get a Witness", "Kissing Gate", " With a Little Love" and "Just Good Friends". She worked as a session backing vocalist, working with artists such as Gary Moore, George Harrison, Small Faces, Spandau Ballet, Adam Ant, Jon Lord (of Deep Purple), Pink Floyd (also David Gilmour), The Firm, Dodgy and Nick Cave. Brown released her debut album '' Stop!'' in 1988 and in total has released six studio albums, one EP, one live album, and three compilation albums, as well as three albums as part of the group Homespun. She developed serious problems with her singing voice in 2007 after which she ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Michaels
Lee Eugene Michaels (born Michael Olsen, November 24, 1945) is an American rock musician who sings and accompanies himself on organ (music), organ, piano, or guitar. He is best known for his powerful soulful voice and his energetic virtuosity on the Hammond organ, peaking in 1971 with his Top 40, Top 10 pop music, pop hit single, "Do You Know What I Mean". In 1988 he founded the Marina del Rey, California, Marina Del Rey-based restaurant chain Killer Shrimp which he and his family continue to operate to this day. Career Born in Los Angeles, California, United States, Michaels began his career with The Sentinals (band), The Sentinals, a San Luis Obispo, California-based surf group that included drummer Johny Barbata (later of The Turtles, Jefferson Airplane and Jefferson Starship). Michaels joined Barbata in the Joel Scott Hill Trio, a group led by guitarist Joel Scott Hill. Michaels later moved to San Francisco, where he joined an early version of The Family Tree (band), The Fam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marvin Gaye
Marvin Pentz Gay Jr., who also spelled his surname as Gaye (April 2, 1939 – April 1, 1984), was an American singer and songwriter. He helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of successes, earning him the nicknames "Prince of Motown" and "Prince of Soul". Gaye's Motown songs include "Ain't That Peculiar", "How Sweet It Is (To Be Loved By You)", and "I Heard It Through the Grapevine". Gaye also recorded duets with Mary Wells, Kim Weston, Tammi Terrell, and Diana Ross. During the 1970s, Gaye recorded the albums '' What's Going On'' and ''Let's Get It On'' and became one of the first artists in Motown to break away from the reins of a production company. His later recordings influenced several contemporary R&B subgenres, such as quiet storm and neo soul. "Sexual Healing", released in 1982 on the album ''Midnight Love'', won him his first two Grammy Awards. Gaye's last televised appearances we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Can I Get A Witness
"Can I Get a Witness" is a song composed by Brian Holland, Lamont Dozier, and Eddie Holland and produced by Brian Holland and Lamont Dozier as a non-album single for American recording vocalist Marvin Gaye, who issued the record on Motown's Tamla imprint in September 1963. Recording Recorded at Motown's Hitsville U.S.A. studios on July 17, 1963, the song's lyrical writer Eddie Holland discussed going over the song once with Gaye, who had complained to the producers about singing their songs above his vocal range, something he would later complain about during recording sessions for his rendition of "I Heard It Through the Grapevine". According to Holland, once Gaye heard Holland perform the song to him, he nodded and stated, "okay I'm ready" to a perplexed Holland, who often had to work over the song a few times with other artists who recorded their songs. According to Holland, Gaye recorded the song in one take, which impressed Holland, his brother and Dozier. Holland would l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Wells
Mary Esther Wells (May 13, 1943 – July 26, 1992) was an American singer, who helped to define the emerging sound of Motown in the early 1960s. Along with The Supremes, The Miracles, The Temptations, Martha Reeves and the Vandellas, and the Four Tops, Wells was said to have been part of the charge in black music onto radio stations and record shelves of mainstream America, "bridging the color lines in music at the time." With a string of hit singles composed mainly by Smokey Robinson, including "The One Who Really Loves You (song), The One Who Really Loves You", "Two Lovers (Mary Wells song), Two Lovers", and the Grammy Award, Grammy-nominated "You Beat Me to the Punch", all in 1962, plus her signature hit, "My Guy" (1964), she became recognized as "The Queen of Motown" until her departure from the company in 1964, at the height of her success. Life and career Early life and initial recordings Mary Esther Wells was born near Detroit's Wayne State University on May 13, 1943, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Lost The Sweetest Boy
"You Lost the Sweetest Boy" is a song written by Holland–Dozier–Holland and released as a single by Motown star Mary Wells. The song is most noted for the background vocals by The Supremes and The Temptations. Song information In this song, the narrator of the song gets back at a girl whom she says always chased after other boys while supposedly with a boyfriend. The narrator ends up winning the girl's boyfriend's affections and before she knew it, the boyfriend had left her for the narrator causing her to chant, "you lost the sweetest boy that you had that time". '' Cash Box'' described it as "an exciting gospel-like thumper...that has a happy romantic ending." Release and chart status Released in late 1963, the single reached number 22 on the ''Billboard'' Hot 100 and number 10 on the R&B chart. Personnel *Lead vocal by Mary Wells *Background vocals by The Supremes (Florence Ballard, Diana Ross, and Mary Wilson) and The Temptations ( Paul Williams, Eddie Kendricks, Mel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Miracles
The Miracles (also known as Smokey Robinson and the Miracles from 1965 to 1972) were an American vocal group that was the first successful recording act for Berry Gordy's Motown Records, and one of the most important and most influential groups in pop, rock and roll, soul and R&B music history. Referred to as Motown's "soul supergroup", the Miracles recorded 26 Top 40 Pop hits, sixteen of which reached the ''Billboard'' Top 20, seven top 10 singles, and a number one single ("The Tears of a Clown") while the Robinsons and Tarplin were members. Following the departure of Tarplin and the Robinsons, the rest of the group continued with singer Billy Griffin and managed by Martin Pichinson who helped rebuild the Miracles, they scored two final top 20 singles, "Do It Baby" and " Love Machine", a second No. 1 hit, which topped the charts before the group departed for Columbia Records in 1977, recording as a quintet with Billy's brother Donald Griffin replacing Marv Tarplin, where afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
