List Of Secular Cantatas By Johann Sebastian Bach
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List Of Secular Cantatas By Johann Sebastian Bach
Apart from his hundreds of church cantatas, Johann Sebastian Bach wrote secular cantatas in Weimar, Köthen and Leipzig, for instance for members of the Royal-Polish and Prince-electoral Saxonian family (e.g. '' Trauer-Ode''), or other public or private occasions (e.g. ''Hunting Cantata''). The text of these cantatas was occasionally in dialect (e.g. '' Peasant Cantata'') or in Italian (e.g. ''Amore traditore''). Many of the secular cantatas were lost, but for some of these the text and the occasion are known, for instance when Picander later published their libretto (e.g. BWV Anh. 11– 12). Some of the secular cantatas had a plot carried by mythological figures of Greek antiquity (e.g. ''Der Streit zwischen Phoebus und Pan''), others were almost miniature buffo operas (e.g. ''Coffee Cantata''). Extant secular cantatas are published in the New Bach Edition (Neue Bach-Ausgabe, NBA), Series I, volumes 35 to 40, with the two Italian cantatas included in volume 41. The Bach ...
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BWV 211 Autograph Fol 1r
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) edition f ...
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List Of Compositions By Johann Sebastian Bach
Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble and orchestra. There are over 1000 known compositions by Bach. Nearly all of them are listed in the ' (BWV), which is the best known and most widely used catalogue of Bach's compositions. Listing Bach's compositions Some of the early biographies of Johann Sebastian Bach contain lists of his compositions. For instance, his obituary contains a list of the instrumental compositions printed during the composer's lifetime, followed by an approximate list of his unpublished work. The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same approach: its ninth chapter first lists printed works (adding four-part chorales which ...
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BWV 202
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) edition f ...
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BWV 201
(Swift, swift, you swirling winds), BWV 201, is a secular cantata by Johann Sebastian Bach, on a libretto by Picander (pen name of Christian Friedrich Henrici). It is a dramma per musica, likely composed for a public performance in 1729, around which time its oldest extant printed libretto was published. The text, titled (''The Contest between Phoebus and Pan''), is based on the " Ears of a Donkey" story in Ovid's ''Metamorphoses'', and mocks unsophisticated music in favour of a more intelligent composition style. The music is scored for SATTBB singers, and a baroque orchestra which includes trumpets, timpani, traversos, oboes, strings and continuo. The cantata has been recorded several times from the 1950s to the 21st century. History was likely composed for Leipzig's autumn fair of 1729, or, in that year, for a weekly concert outside the periods of Leipzig's fairs. Its oldest extant separately printed libretto, which can not be dated exactly, was published aroun ...
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BWV 198
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) edition f ...
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BWV 194a
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) edition f ...
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BWV 193a
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) edition f ...
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BWV 184a
Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble and orchestra. There are over 1000 known compositions by Bach. Nearly all of them are listed in the ' (BWV), which is the best known and most widely used catalogue of Bach's compositions. Listing Bach's compositions Some of the early biographies of Johann Sebastian Bach contain lists of his compositions. For instance, his obituary contains a list of the instrumental compositions printed during the composer's lifetime, followed by an approximate list of his unpublished work. The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same approach: its ninth chapter first lists printed works (adding four-part chorales which ...
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BWV 173a
(Most illustrious Leopold), BWV 173.1 (formerly BWV 173a),Work at Bach Digital website. is a secular cantata by Johann Sebastian Bach. Bach composed the cantata for performance in Köthen to celebrate the birthday of Leopold von Anhalt-Köthen. The cantata is one of a series of congratulatory works which Bach wrote for this employer. Some of them are lost, while others such as ''Der Himmel dacht auf Anhalts Ruhm und Glück'', BWV 66.1 can be reconstructed because Bach reused the music later. ''Durchlauchtster Leopold'' is unusual in surviving in a complete state. History and words Bach composed the cantata as a congratulatory cantata, also termed serenata, for the 28th birthday of his employer, Leopold von Anhalt-Köthen, on 10 December 1722. The holograph manuscript survives in Berlin, but cannot be dated exactly. The libretto shows a date of "before 22 December 1722". Bach may have begun the work when he was appointed Prince Leopold's ' in 1717, according to Al ...
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BWV 134a
Johann Sebastian Bach composed the secular cantata (Time, which day and year doth make), BWV134.1, BWV134a, while he was in the service of the court of Leopold, Prince of Anhalt-Köthen. Bach wrote the work as a ''serenata'' for the celebration of New Year's Day 1719. The libretto by Christian Friedrich Hunold, an academic at the University of Halle, takes the form of a dialogue between two allegorical figures, ''Time'' and ''Divine Providence'', representing the past and future, respectively. Bach set the words in eight movements consisting of alternating recitatives and arias, culminating in a choral finale. Most movements are duets of solo voices, an alto as ''Divine Providence'' and a tenor as ''Time''. Even the closing movement features long duet passages, leading to parts for four voices. The singers are supported by a baroque instrumental ensemble of two oboes, two violins, viola and continuo. The character of the music is close to baroque opera, including French d ...
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BWV 66a
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) edition f ...
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BWV 36c
(Soar joyfully aloft), BWV 36.1 (formerly BWV 36c), is a secular cantata by Johann Sebastian Bach.Work at Bach Digital website He composed it in Leipzig, most likely in 1725. There is evidence that the cantata was performed in April or May that year, and that it was re-staged six years later for the 40th birthday of Johann Matthias Gesner. Bach reused parts of the cantata in two other secular cantatas, and in a church cantata for the first Sunday in Advent, ''Schwingt freudig euch empor'', BWV 36. History and text Bach wrote several works for celebrations of the Leipzig University, ''Festmusiken zu Leipziger Universitätsfeiern''. This cantata was originally probably composed as a homage to one of the composer's academic colleagues, but it is not known which. and Johann Heinrich Ernesti (the septuagenarian rector of the Thomasschule) have been suggested as possible recipients. The unmodified cantata was likely re-staged for Johann Matthias Gesner's 40th birthday ...
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