List Of Satirical Films
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List Of Satirical Films
This is a list of films that incorporate satire or were described as such. Made-for-television and animated films are also included. See also *Satirical film : References {{Films by genre sat sat The SAT ( ) is a standardized test widely used for college admissions in the United States. Since its debut in 1926, its name and scoring have changed several times; originally called the Scholastic Aptitude Test, it was later called the Schol ...
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Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming or exposing the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. A feature of satire is strong irony or sarcasm —"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very things the satirist wishes to question. Satire is found in many a ...
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The Manchurian Candidate
''The Manchurian Candidate'' is a novel by Richard Condon, first published in 1959. It is a political thriller about the son of a prominent U.S. political family who is brainwashed into being an unwitting assassin for a Communist conspiracy. The novel has twice been adapted into a feature film with the same title: the first was released in 1962 and the second in 2004. Plot summary Major Bennett Marco, Sergeant Raymond Shaw, and the rest of their infantry platoon are captured by an elite Soviet commando unit during the Korean War in 1952. They are taken to Manchuria, and brainwashed into believing Shaw saved their lives in combat – for which Shaw is subsequently awarded the Medal of Honor. Years after the war, Marco, now back in the United States working as an intelligence officer, begins suffering a recurring nightmare in which the seated platoon members are surrounded by a group of sweet little old ladies who had been a part of their brainwashing. One of the ladies tells S ...
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Stanley Kubrick
Stanley Kubrick (; July 26, 1928 – March 7, 1999) was an American film director, producer, screenwriter, and photographer. Widely considered one of the greatest filmmakers of all time, his films, almost all of which are adaptations of novels or short stories, cover a wide range of genres and are noted for their innovative cinematography, Black comedy, dark humor, realistic attention to detail and extensive set designs. Kubrick was raised in the Bronx, New York City, and attended William Howard Taft High School (New York City), William Howard Taft High School from 1941 to 1945. He received average grades but displayed a keen interest in literature, photography, and film from a young age, and taught himself all aspects of film production and directing after graduating from high school. After working as a photographer for ''Look (American magazine), Look'' magazine in the late 1940s and early 1950s, he began making short films on shoestring budgets, and made his first major Ho ...
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How I Learned To Stop Worrying And Love The Bomb
''Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb'', known simply and more commonly as ''Dr. Strangelove'', is a 1964 black comedy film that satirizes the Cold War fears of a nuclear conflict between the Soviet Union and the United States. The film was directed, produced, and co-written by Stanley Kubrick and stars Peter Sellers, George C. Scott, Sterling Hayden, and Slim Pickens. The film is loosely based on Peter George's thriller novel '' Red Alert'' (1958). The story concerns an unhinged United States Air Force general who orders a first strike nuclear attack on the Soviet Union. It separately follows the President of the United States, his advisors, the Joint Chiefs of Staff and a Royal Air Force (RAF) exchange officer as they attempt to prevent the crew of a B-52 plane (who were following orders from the general) from bombing the Soviets and starting a nuclear war. The film is often considered one of the best comedies ever made, as well as one ...
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French New Wave
French New Wave (french: La Nouvelle Vague) is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinema. The term was first used by a group of French film critics and cinephiles associated with the magazine '' Cahiers du cinéma'' in the late 1950s and 1960s. These critics rejected the ''Tradition de qualité'' ("Tradition of Quality") of mainstream French cinema, which emphasized craft over innovation and old works over experimentation. This was apparent in a manifesto-like 1954 essay by François Truffaut, ''Une certaine tenda ...
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Cinema Of France
French cinema consists of the film industry and its film productions, whether made within the nation of France or by French film production companies abroad. It is the oldest and largest precursor of national cinemas in Europe; with primary influence also on the creation of national cinemas in Asia. France continues to have a particularly strong film industry, due in part to protections afforded by the French government. In 2013, France was the second largest exporter of films in the world after the United States. A study in April 2014 showed that French cinema maintains a positive influence around the world, being the most appreciated by global audiences after that of America. France currently has the most successful film industry in Europe, in terms of number of films produced per annum, with a record-breaking 300 feature-length films produced in 2015. France is also one of the few countries where non-American productions have the biggest share: American films only represented ...
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Alberto Moravia
Alberto Moravia ( , ; born Alberto Pincherle ; 28 November 1907 – 26 September 1990) was an Italian novelist and journalist. His novels explored matters of modern sexuality, social alienation and existentialism. Moravia is best known for his debut novel ''Gli indifferenti'' (''The Time of Indifference'' 1929) and for the anti-fascist novel ''Il Conformista'' (''The Conformist'' 1947), the basis for the film ''The Conformist'' (1970) directed by Bernardo Bertolucci. Other novels of his adapted for the cinema are ''Agostino'', filmed with the same title by Mauro Bolognini in 1962; ''Il disprezzo'' (''A Ghost at Noon'' or ''Contempt''), filmed by Jean-Luc Godard as ''Le Mépris'' (''Contempt'' 1963); ''La Noia'' (''Boredom''), filmed with that title by Damiano Damiani in 1963 and released in the US as ''The Empty Canvas'' in 1964 and ''La ciociara'', filmed by Vittorio De Sica as ''Two Women'' (1960). Cédric Kahn's ''L'Ennui'' (1998) is another version of ''La Noia''. Moravia onc ...
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Il Disprezzo
''Il disprezzo'', known in English as ''Contempt'' or ''A Ghost At Noon'', is an Italian existential novel by Alberto Moravia that came out in 1954. It was the basis for the 1963 film '' Le Mépris'' by Jean-Luc Godard. Plot Young Riccardo Molteni, who sees himself as an intellectual writer, does work he despises preparing scripts for distasteful film productions. All this to support his new wife Emilia, the new flat he has taken, the new car he has bought, the maid who cooks and cleans for them and the secretary who comes in to type for him. He believes, even if his work is menial and his income shaky, that he is secure in his wife's love. While he is well educated, able to recite Dante at length, her impoverished family could not afford to educate her and she had to work as a typist. But the spark has gone out of their marriage and two small incidents trigger its dissolution. First, Emilia catches Riccardo kissing the secretary, a lapse he shrugs off as meaningless. Then the br ...
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Jean-Luc Godard
Jean-Luc Godard ( , ; ; 3 December 193013 September 2022) was a French-Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer, and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity editing, continuity, film sound, sound, and cinematography, camerawork. His most acclaimed films include ''Breathless (1960 film), Breathless'' (1960), ''Vivre sa vie'' (1962), ''Contempt (film), Contempt'' (1963), ''Bande à part (film), Band of Outsiders'' (1964), ''Alphaville (film), Alphaville'' (1965), ''Pierrot le Fou'' (1965), ''Masculin Féminin'' (1966), ''Weekend (1967 film), Weekend'' (1967), and ''Goodbye to Language'' (2014). During his early career as a film critic f ...
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Contempt (film)
''Contempt'' (french: Le Mépris, link=no) is a 1963 French New Wave drama film written and directed by Jean-Luc Godard, based on the 1954 Italian novel ''Il disprezzo'' (''A Ghost at Noon'') by Alberto Moravia. It stars Brigitte Bardot, Michel Piccoli, Jack Palance, and Giorgia Moll. Plot Paul Javal, a young French playwright who has found commercial success in Rome, accepts an offer from vulgar American producer Jeremy Prokosch to rework the script for German director Fritz Lang's screen adaptation of the ''Odyssey''. Paul's wife, Camille Javal, joins him on the first day of the project at Cinecittà. As the first discussions are completed, Prokosch invites the crew to join him at his villa, offering Camille a ride in his two-seat sportscar. Camille looks to Paul to decline the offer, but he submissively withdraws to follow by taxi, leaving Camille and Prokosch alone. Paul does not catch up with them until 30 minutes later, explaining that he was delayed by a traffic accident. C ...
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Psychological Thriller
Psychological thriller is a genre combining the thriller and psychological fiction genres. It is commonly used to describe literature or films that deal with psychological narratives in a thriller or thrilling setting. In terms of context and convention, it is a subgenre of the broader ranging thriller narrative structure,Dictionary.com, definitionpsychological thriller (definition) Accessed November 3, 2013, "...a suspenseful movie or book emphasizing the psychology of its characters rather than the plot; this subgenre of thriller movie or book – Example: In a psychological thriller, the characters are exposed to danger on a mental level rather than a physical one....", with similarities to Gothic and detective fiction in the sense of sometimes having a "dissolving sense of reality". It is often told through the viewpoint of psychologically stressed characters, revealing their distorted mental perceptions and focusing on the complex and often tortured relationships between obs ...
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Neo-noir
Neo-noir is a revival of film noir, a genre that had originally flourished during the post-World War II era in the United Statesroughly from 1940 to 1960. The French term, ''film noir'', translates literally to English as "black film", indicating sinister stories often presented in a shadowy cinematographic style. Neo-noir has a similar style but with updated themes, content, style, and visual elements. Definition The neologism neo-noir, using the Greek prefix for the word ''new'', is defined by Mark Conard as "any film coming after the classic noir period that contains noir themes and noir sensibility". Another definition describes it as later noir that often synthesizes diverse genres while foregrounding the scaffolding of ''film noir''. History " Film noir" was coined by critic Nino Frank in 1946 and popularized by French critics Raymond Borde and Etienne Chaumeton in 1955. The term revived in general use beginning in the 1980s, with a revival of the style. The classic ''fil ...
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