List Of Philosophical Concepts
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List Of Philosophical Concepts
__NOTOC__ A * A priori and a posteriori * Absolute * Absolute time and space * Abstract and concrete * Adiaphora * Aesthetic emotions * Aesthetic interpretation * Agathusia and aschimothusia * Alief * All men are created equal * Analytic-synthetic distinction * Anthropic principle * Antinomy * Antinomian * Apeiron * Arborescent * Artha * Art manifesto * Atman * Aufheben * Autonomy * Avant-garde * Avatar * Avadhuta B * Beauty * Being * Belief * Binary opposition * Biofact * Body without organs * Boredom * Brahman * Brahmanda * Brain in a vat * Brute fact C * Cambridge change * Camp * Cartesian Other * Cartesian Self * Categorical imperative * Categorization * Category of being * Causal adequacy principle * Causality * Chakra * Charvaka * Chaitanya * Choice * Civic virtue * Class consciousness * Class * Cogito ergo sum * Cognitive bias * Cognitive closure * Commensurability * Common good * Common sense * Composition of Causes * Compossibility * Conatus * Con ...
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A Priori And A Posteriori
("from the earlier") and ("from the later") are Latin phrases used in philosophy to distinguish types of knowledge, justification, or argument by their reliance on empirical evidence or experience. knowledge is independent from current experience (e.g., as part of a new study). Examples include mathematics,Some associationist philosophers have contended that mathematics comes from experience and is not a form of any a priori knowledge () tautologies, and deduction from pure reason.Galen Strawson has stated that an argument is one in which "you can see that it is true just lying on your couch. You don't have to get up off your couch and go outside and examine the way things are in the physical world. You don't have to do any science." () knowledge depends on empirical evidence. Examples include most fields of science and aspects of personal knowledge. The terms originate from the analytic methods found in ''Organon'', a collection of works by Aristotle. Prior analytic ...
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Art Manifesto
An art manifesto is a public declaration of the intentions, motives, or views of an artist or artistic movement. Manifestos are a standard feature of the various movements in the modernist avant-garde and are still written today. Art manifestos are sometimes in their rhetoric intended for shock value, to achieve a revolutionary effect. They often address wider issues, such as the political system. Typical themes are the need for revolution, freedom (of expression) and the implied or overtly stated superiority of the writers over the status quo. The manifesto gives a means of expressing, publicising and recording ideas for the artist or art group—even if only one or two people write the words, it is mostly still attributed to the group name. In 1855 Gustave Courbet wrote a Realist manifesto for the introduction to the catalogue of his independent, personal exhibition. And in 1886 the Symbolist Manifesto was published in the French newspaper ''Le Figaro'' by the poet and essayist ...
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Boredom
In conventional usage, boredom, ennui, or tedium is an emotional and occasionally psychological state experienced when an individual is left without anything in particular to do, is listlessness and dissatisfaction arising from a lack of occupation or excitement, is not interested in their surroundings, or feels that a day or period is dull or tedious. It is also understood by scholars as a modern phenomenon which has a cultural dimension. "There is no universally accepted definition of boredom. But whatever it is, researchers argue, it is not simply another name for depression or apathy. It seems to be a specific mental state that people find unpleasant—a lack of stimulation that leaves them craving relief, with a host of behavioral, medical and social consequences." According to BBC News, boredom "...can be a dangerous and disruptive state of mind that damages your health"; yet research "...suggest that without boredom we couldn't achieve our creative feats." In ''Experie ...
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Body Without Organs
The body without organs (or BwO; French: or ) is a philosophical concept used in the work of French philosophers Gilles Deleuze and Félix Guattari. The term was first used by French writer Antonin Artaud in his 1947 play ''To Have Done With the Judgment of God'', later adapted by Deleuze in his book '' The Logic of Sense'' as part of a response to psychoanalysis, and ambiguously expanded upon by himself and Guattari in both volumes of '' Capitalism and Schizophrenia''. Stemming from ideas of the body and the unconscious in psychoanalysis, Deleuze and Guattari theorized that since the conscious and unconscious fantasies in psychosis and schizophrenia express potential forms and functions of the body that demand it to be liberated, the homeostatic process of the body is limited by organs. Therefore, the body without organs is the unregulated potential of a body without organizational structures imposed on its constituent parts, operating freely. There are three types of the bo ...
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Biofact (philosophy)
In philosophy and sociology, a biofact is a being that is both an artifact and living being, or both natural and artificial. This being has been created by purposive human action but exists by processes of growth. The word is a neologism coined from the Portmanteau, combination of the words ''bios'' and artifact. There are sources who cite some creations of genetic engineering as examples of biofacts. History ''Biofact'' was introduced as early as 2001 by the German philosopher Nicole C. Karafyllis although her book ''Biofakte'' published in 2003 is commonly used as reference for the introduction of the term. According to Karafyllis, the word biofact first appeared in a German article (entitled 'Biofakt und Artefakt') in 1943, written by the Austrian protozoologist Bruno M. Klein. Addressing both microscopy and philosophy, Klein named a biofact something that is a visible dead product emerging from a living being while this being is still alive (e.g. a shell). However, Klein ...
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Binary Opposition
A binary opposition (also binary system) is a pair of related terms or concepts that are opposite in meaning. Binary opposition is the system of language and/or thought by which two theoretical opposites are strictly defined and set off against one another. It is the contrast between two mutually exclusive terms, such as on and off, up and down, left and right. Binary opposition is an important concept of structuralism, which sees such distinctions as fundamental to all language and thought.Baldick, C 2004. The concise Oxford Dictionary of literary terms, viewed 8 March 2011, http://www.highbeam.com/doc/1056-binaryopposition.html In structuralism, a binary opposition is seen as a fundamental organizer of human philosophy, culture, and language. Binary opposition originated in Saussurean structuralist theory.Fogarty, S 2005, The literary encyclopedia, viewed 6 March 2011, http://www.litencyc.com/php/stopics.php?pec=true&UID=122 According to Ferdinand de Saussure, the binary opposit ...
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Belief
A belief is an attitude that something is the case, or that some proposition is true. In epistemology, philosophers use the term "belief" to refer to attitudes about the world which can be either true or false. To believe something is to take it to be true; for instance, to believe that snow is white is comparable to accepting the truth of the proposition "snow is white". However, holding a belief does not require active introspection. For example, few carefully consider whether or not the sun will rise tomorrow, simply assuming that it will. Moreover, beliefs need not be ''occurrent'' (e.g. a person actively thinking "snow is white"), but can instead be ''dispositional'' (e.g. a person who if asked about the color of snow would assert "snow is white"). There are various different ways that contemporary philosophers have tried to describe beliefs, including as representations of ways that the world could be (Jerry Fodor), as dispositions to act as if certain things are true (Rod ...
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Being
In metaphysics, ontology is the philosophical study of being, as well as related concepts such as existence, becoming, and reality. Ontology addresses questions like how entities are grouped into categories and which of these entities exist on the most fundamental level. Ontologists often try to determine what the categories or highest kinds are and how they form a system of categories that encompasses classification of all entities. Commonly proposed categories include substances, properties, relations, states of affairs and events. These categories are characterized by fundamental ontological concepts, including particularity and universality, abstractness and concreteness, or possibility and necessity. Of special interest is the concept of ontological dependence, which determines whether the entities of a category exist on the most fundamental level. Disagreements within ontology are often about whether entities belonging to a certain category exist and, if so, how they ...
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Beauty
Beauty is commonly described as a feature of objects that makes these objects pleasurable to perceive. Such objects include landscapes, sunsets, humans and works of art. Beauty, together with art and taste, is the main subject of aesthetics, one of the major branches of philosophy. As a positive aesthetic value, it is contrasted with ugliness as its negative counterpart. Along with truth and goodness it is one of the transcendentals, which are often considered the three fundamental concepts of human understanding. One difficulty in understanding beauty is because it has both objective and subjective aspects: it is seen as a property of things but also as depending on the emotional response of observers. Because of its subjective side, beauty is said to be "in the eye of the beholder". It has been argued that the ability on the side of the subject needed to perceive and judge beauty, sometimes referred to as the "sense of taste", can be trained and that the verdicts of experts ...
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Avadhuta
''Avadhūta'' ( IAST ', written as अवधूत) is a Sanskrit term from the root 'to shake' (see V. S. Apte and Monier-Williams) that, among its many uses, in some Indian religions indicates a type of mystic or saint who is beyond egoic-consciousness, duality and common worldly concerns and acts without consideration for standard social etiquette. Avadhūta is a Jivanmukta who gives his insight to others and teaches them about his realisation of the true nature of the ultimate reality (Brahman) and self ( Ātman) and takes the role of a guru to show the path of ''moksha'' to others. Some Avadhūta also achieve the title of ''Paramahamsa''. Similar figures (colloquially called 'mad/crazy monks') are also known in Buddhist traditions, such as the medieval Zen monk Ikkyū, and the 20th century Tibetan tulku Chögyam Trungpa Rinpoche. In Tibetan Buddhism the equivalent type is called a nyönpa (). Types of avadhūtas Feuerstein (1991: p. 105) frames how the term ''avadhūt ...
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Avatar
Avatar (, ; ), is a concept within Hinduism that in Sanskrit literally means "descent". It signifies the material appearance or incarnation of a powerful deity, goddess or spirit on Earth. The relative verb to "alight, to make one's appearance" is sometimes used to refer to any guru or revered human being. The word ''avatar'' does not appear in the Vedic literature; however, it appears in developed forms in post-Vedic literature, and as a noun particularly in the Puranic literature after the 6th century CE. Despite that, the concept of an avatar is compatible with the content of the Vedic literature like the Upanishads as it is symbolic imagery of the Saguna Brahman concept in the philosophy of Hinduism. The ''Rigveda'' describes Indra as endowed with a mysterious power of assuming any form at will. The ''Bhagavad Gita'' expounds the doctrine of Avatara but with terms other than ''avatar''. Theologically, the term is most often associated with the Hindu god Vishnu, though th ...
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Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013
The avant-garde pushes the boundaries of what is accepted as the norm or the ''
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