List Of Musical Genres Of The African Diaspora
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List Of Musical Genres Of The African Diaspora
{{Main, Music of the African diaspora * African American music :* Acid House :* Bluegrass :* Blues :* Blues Rock :* Bounce Music :* Breakbeat :* Chicago Blues :* Chicago House :* Country :* Deep House :* Delta Blues :* Detroit Blues :* Detroit Techno :* Contemporary R&B :* Disco :* Doo-wop :* Electric Blues :* Electro :* Funk :* Garage :* Go-go :* Gospel music :* Hard Rock :* Heavy Metal :* Hip Hop :* Hip House :* House :* Jazz :* Memphis Blues :* Minimal Techno :* Neo Soul :* New Orleans Blues :* Ragtime :* Rap :* Rhythm & Blues :* Rock :* Rock & Roll :* Rockabilly :* Soul :* Spirituals :* Swing :* Techno :* Texas Blues :* Zydeco * Arabic music :* Adhan :* Anasheed :* Liwa :* Fann at-Tanbura :* Middle-Eastern & North African :* Mizmar :* Gnawa * Brazilian music :* Afoxé :* Capoeira :* Maracatu :* Samba :* Samba-Reggae :* Funk Carioca * British Black music :*2 Tone :* 2-Step Garage :* Afroswing :*Blues :*Caribbean :*Disco :*Drum & Bass :* Dubstep :*Eu ...
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African American Music
African-American music is an umbrella term covering a diverse range of music and musical genres largely developed by African Americans and their culture. Their origins are in musical forms that first came to be due to the condition of slavery that characterized the lives of African Americans prior to the American Civil War. Slavery and other impositions such as the Jim Crow laws shaped the world view of African Americans. Some of the globally most popular music types today, such as rock and roll, funk, jazz, rap, blues, hip-hop, and rhythm and blues were developed from the worldview of the African Americans who created and influenced these genres. It has been said that "every genre that is born from America has black roots." White slave owners sought to completely subjugate their slaves physically, mentally, and spiritually through brutal and demeaning acts. African Americans used music to counter this dehumanization. White Americans considered African Americans separate and ...
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Electric Blues
Electric blues refers to any type of blues music distinguished by the use of electric amplifier, amplification for musical instruments. The guitar was the first instrument to be popularly amplified and used by early pioneers T-Bone Walker in the late 1930s and John Lee Hooker and Muddy Waters in the 1940s. Their styles developed into West Coast blues, Detroit blues, and post-World War II Chicago blues, which differed from earlier, predominantly acoustic-style blues. By the early 1950s, Little Walter was a featured soloist on Richter-tuned harmonica, blues harmonica using a small hand-held microphone fed into a guitar amplifier. Although it took a little longer, the electric bass guitar gradually replaced the stand-up bass by the early 1960s. Electric organs and especially keyboards later became widely used in electric blues. Early regional styles The blues, like jazz, probably began to be amplified in the late 1930s.V. Bogdanov, C. Woodstra, S. T. Erlewine, ''All music guide ...
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Minimal Techno
Minimal techno is a subgenre of techno music. It is characterized by a stripped-down aesthetic that exploits the use of repetition and understated development. Minimal techno is thought to have been originally developed in the early 1990s by Detroit-based producers Robert Hood and Daniel Bell.Sicko, D., ''Techno Rebels: The Renegades of Electronic Funk'', Billboard Books, 1999, (pp. 199–200). By the early 2000s the term 'minimal' generally described a style of techno that was popularized in Germany by labels such as Kompakt, Perlon, and Richie Hawtin's M-nus, among others. Origins Minimal techno first emerged in the early 1990s. The development of the style is often attributed to a so-called "second wave" of American producers associated with Detroit techno. According to Derrick May, "while the first-wave artists were enjoying their early global success, techno also inspired many up-and-coming DJs and bedroom producers in Detroit". This younger generation included produce ...
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Memphis Blues
The Memphis blues is a style of blues music created from the 1910s to the 1930s by musicians in the Memphis area, such as Frank Stokes, Sleepy John Estes, Furry Lewis and Memphis Minnie. The style was popular in vaudeville and medicine shows and was associated with Beale Street, the main entertainment area in Memphis. W. C. Handy, the "Father of the Blues", published the song "The Memphis Blues" in 1909 and this was the first blues to be written down.. In lyrics, the phrase has been used to describe a depressed mood. History In addition to guitar-based blues, jug bands, such as Gus Cannon's Jug Stompers and the Memphis Jug Band, were extremely popular practitioners of Memphis blues. The jug band style emphasized the danceable, syncopated rhythms of early jazz and a range of other folk styles. It was played on simple, sometimes homemade, instruments such as harmonicas, violins, mandolins, banjos, and guitars, backed by washboards, kazoo, guimbarde and jugs blown to supp ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ...
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Hip House
Hip house, also known as rap house or house rap, is a musical genre that mixes elements of house music and hip hop, that originated in both London, United Kingdom and Chicago, United States in the mid to late 1980s. British group the Beatmasters' "Rok da House" is known to be the very first hip house record, having been written and pressed to vinyl in August 1986. Other early hip house records by British artists include " Pump Up the Volume" by MARRS and "Beat Dis" by Bomb the Bass, both from 1987. History Minor controversy ensued in 1988 when a U.S. record called "Turn Up the Bass" by Tyree featuring Kool Rock Steady claimed it was the "first hip house record on vinyl". The Beatmasters disputed this, pointing out that "Rok da House" had originally been written and pressed to vinyl in 1986. The outfit then released "Who's in the House?" featuring British emcee Merlin, containing the lines "Beatmasters stand to attention, hip house is your invention" and "Watch out Tyree, we ...
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Heavy Metal Music
Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distortion (music), distorted guitars, extended guitar solos, emphatic Beat (music), beats and loudness. In 1968, three of the genre's most famous pioneers – Led Zeppelin, Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss (band), Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence,Walser (1993), p. 6 while Motörhea ...
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Hard Rock
Hard rock or heavy rock is a loosely defined subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, The Beatles, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Golden Earring, Steppenwolf and Deep Purple also produced hard rock. The genre developed into a major form of popular music in the 1970s, with the Who, Led Zeppelin and Deep Purple being joined by Queen, AC/DC, Aerosmith, Kiss, and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul'' (Milwaukee, WI: Backbeat Books, 3rd edn., 2002), ...
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Gospel Music
Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. Hymns and sacred songs were often repeated in a call and response fashion, heavily influenced by ancestral African music. Most of the churches relied on hand-clapping and foot-stomping as rhythmic accompaniment. Most of the singing was done a cappella.Jackson, Joyce Marie. "The changing nature of gospel music: A southern case study." ''African American Review'' 29.2 (1995): 185. Academic Search Premier. EBSCO. Web. October 5, 2010. The ...
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Go-go
Go-go is a music subgenre, subgenre of funk music with an emphasis on specific rhythmic patterns, and live audience Call and response (music), call and response. Go-go was originated by African-American musicians in the Washington, D.C. area during the mid-60s to late-70s. Go-go has limited popularity in other areas, but maintains a devoted audience in the Washington metropolitan area, Washington, D.C. metropolitan area as a uniquely regional music style and was named the official music of Washington, D.C. in February 2020. Performers associated with the development of the style include Young Senators, Trouble Funk, Black Heat, and singer-guitarist Chuck Brown. In the 1990s and 2000s, hip hop music, hip-hop increasingly influenced go-go. However, there is also a Retro style, retro movement going back to its original style of marathon sessions incorporating popular contemporary R&B songs. Description In technical terms, "go-go's essential beat is characterized by a five throug ...
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