List Of Musical Films By Year
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List Of Musical Films By Year
The following is a list of musical films by year. A musical film is a film genre in which songs sung by the characters are interwoven into the narrative, sometimes accompanied by dancing. 1920s 1927 * ''The Jazz Singer'' 1928 * '' My Man'' * ''The Singing Fool'' 1929 1930s 1930 1931 1932 1933 1934 1935 1936 1937 1938 1939 1940s 1940 1941 1942 1943 1944 1945 1946 1947 1948 1949 1950s 1950 1951 1952 1953 1954 1955 1956 1957 1958 1959 1960s 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970s 1970 1971 1972 1973 1974 1975 1976 1977 } 1978 1979 1980s 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990s 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000s 2000 2001 2002 2003 2004 * ''Terkel in Trouble'' (animated horror) 2005 2006 2007 2008 2009 2010s 2010 2011 2012 2013 2014 2015 2016 ...
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Musical Film
Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers". The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if a live audience were watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it. With the advent of sound in the late 1920s, musicals gained popularity with the public and are exemplified by the films of Busby Ber ...
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Footlights And Fools
''Footlights and Fools'' is a 1929 American pre-Code film directed by William A. Seiter that was billed by Warner Brothers as an all-talking musical film and released in Vitaphone with Technicolor sequences. Plot Moore plays the "dual" role of a French singer in America who was originally an American chorus girl in France to acquire a new persona. Cast * Colleen Moore as Betty Murphy / Fifi D'Auray * Raymond Hackett as Jimmy Willet *Fredric March as Gregory Pyne * Virginia Lee Corbin as Claire Floyd *Mickey Bennett as Call boy *Edward Martindel as Chandler Cunnungham * Adrienne D'Ambricourt as Jo *Fred Howard as Treasurer (credited as Frederick Howard) *Sydney Jarvis as Stage manager *Cleve Moore as Press agent *Andy Rice Jr. as Song plugger *Ben Hendricks Jr. as Stage doorman *Larry Banthim as Bud Burke * Earl Bartlett as Trio Leader (uncredited) *Nora Cecil (uncredited) Production background This film was Moore's fourth film under her contract signed February 28, 1929. It f ...
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Is Everybody Happy? (1929 Film)
''Is Everybody Happy?'' (1929) is an American pre-Code musical film starring Ted Lewis, Alice Day, Lawrence Grant, Ann Pennington, and Julia Swayne Gordon, directed by Archie Mayo, and released by Warner Bros. The music for the film was written by Harry Akst and Grant Clarke, except for "St. Louis Blues" by W. C. Handy and "Tiger Rag". The film's title comes from Lewis's catchphrase "Is everybody happy?" The film's soundtrack exists on Vitaphone discs preserved at the UCLA Film and Television Archive, but the film itself is considered a lost film, according to the Vitaphone Project website. A five-minute clip from the film can be found on YouTube. Lewis and his orchestra also appeared in a short subject called ''Is Everybody Happy?'' (1941), consisting of musical numbers cut from the Abbott and Costello feature film '' Hold That Ghost'' (1941) released by Universal Studios. Columbia Pictures released a feature-length biopic of Lewis also titled '' Is Everybody Happy?'' (1 ...
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Innocents Of Paris
''Innocents of Paris'' is a 1929 black and white American musical film. Directed by Richard Wallace and is based on the play ''Flea Market'', the film was the first musical production by Paramount Pictures. Although the screenplay was regarded as mediocre, the critics were impressed with the newly-arrived Chevalier, for whom they predicted much success. At the preview in Los Angeles, established film-actor Adolphe Menjou, son of French immigrant parents,congratulated Chevalier in person. The film utilized the somewhat new technology of sound. Dubbing was not a common practice, but the film makers attempted it here over stock footage of Paris. An orchestra played "Louise" under one microphone while several actors spoke street observations under another, like "What pretty flowers!", and a group of three men whistled bird calls into a third microphone. Several takes were required to get the mixing right, but what resulted was an early example of sound dubbing. Cast * Maurice Ch ...
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Hot For Paris
''Hot for Paris'' is a 1929 American pre-Code black-and-white romantic adventure musical film. This film is believed to be lost. The film is also known as ''Fifì dimmi di sì'' in Italy and ''Un marido afortunado'' in Spain. The film length (metres) is 1710.84 m in the silent version and 2002.54 m (7 reels) in the sound version. Cast *Victor McLaglen - John Patrick Duke *Fifi D'Orsay - Fifi Dupre *El Brendel - Axel Olson *Polly Moran - Polly *Lennox Pawle - Mr. Pratt *August Tollaire - Papa Gouset *George Fawcett - Chop Captain *Charles Judels - Charlott Gouset * Edward Dillon - Ship's Cook (as Eddie Dillon) *Rosita Marstini - Fifi's Mother *Agostino Borgato - Fifi's Father *Yola d'Avril - Yola Dupre Soundtrack * "Duke of Ka-ki-ak" :Music by Walter Donaldson :Lyrics by Edgar Leslie Edgar Leslie (December 31, 1885 – January 22, 1976) was an American songwriter. Biography Edgar Leslie was born in Stamford, Connecticut, in 1885. He studied at the Cooper Union in New Yor ...
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Honky Tonk (1929 Film)
''Honky Tonk'' is a 1929 American Pre-Code musical film starring Sophie Tucker in her film debut. The film was a flop when released and is now lost, although the Vitaphone soundtrack for the film and for the trailer still exists. Tucker sings a number of songs in the movie, including her theme song "Some of These Days", and "I'm the Last of the Red Hot Mamas", from which she took her billing as "The Last of the Red Hot Mamas".''The American Film Institute Catalog Feature Films: 1921-30'' American Film Institute (1971) Plot Sophie Tucker plays Sophie Leonard, a singer in a nightclub who at great sacrifice sends her daughter Beth (Lila Lee) to Europe to be educated, keeping her work as an entertainer a secret from her. When the grown-up, expensively educated Beth returns to America, she is shocked to discover her mother's true profession and disowns her, breaking Sophie's heart. Cast * Sophie Tucker as Sophie Leonard * Lila Lee as Beth, Sophie daughter * Wilbur Mack as Stutt ...
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The Hollywood Revue Of 1929
''The Hollywood Revue of 1929'', or simply ''The Hollywood Revue'', is a 1929 American Pre-Code Hollywood, pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The Master of ceremonies, masters of ceremonies are Conrad Nagel and Jack Benny. At the 2nd Academy Awards, the film received a Academy Award for Best Picture, Best Picture nomination (its sole nomination) but lost to another Irving Thalberg Metro-Goldwyn-Mayer, MGM production, The Broadway Melody. Production Unlike M-G-M's imposing feature films, which always boasted strong story values, ''The Hollywood Revue of 1929'' was a plotless parade of variety acts. Conrad Nagel, interviewed for the book ''The Real Tinsel'', recalled, "Everybody thought Ha ...
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Hearts In Dixie (film)
''Hearts in Dixie'' (1929) starring Stepin Fetchit was one of the first all- "talkie", big-studio productions to boast a predominantly African-American cast. A musical, the film celebrates African-American music and dance. It was released by Fox Film Corporation just months before the release of '' Hallelujah!'', another all-black musical by competitor Metro-Goldwyn-Mayer. The director of ''Hearts in Dixie'' was Paul Sloane. Walter Weems wrote the screenplay, and William Fox was producer. Synopsis There is no overarching storyline. The film is a series of unconnected scenes celebrating the advent of sound technology in the context of "black music". ''Hearts in Dixie'' unfolds as a series of sketches of life among American blacks. Although the characters are not slaves they are nevertheless racial stereotypes in terms of the contemporary white images of the period. One plot focuses on Grandfather Nappus (Clarence Muse), his daughter, Chloe (Bernice Pilot), her young son, ...
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Happy Days (1929 Film)
''Happy Days'' is a 1929 American pre-Code musical film directed by Benjamin Stoloff, which was the first feature film shown entirely in widescreen anywhere in the world, filmed using the Fox Grandeur 70 mm process. French director Abel Gance's ''Napoléon'' (1927) had a final widescreen segment in what Gance called Polyvision. Paramount released '' Old Ironsides'' (1927), with two sequences in a widescreen process called "Magnascope", while MGM released ''Trail of '98'' (1928) in a widescreen process called "Fanthom Screen". The film features an array of stars who were contracted to William Fox's Fox Film Corporation at that time, including Marjorie White, Will Rogers, Charles Farrell, Janet Gaynor, George Jessel, El Brendel, Ann Pennington, Victor McLaglen, Dixie Lee, Edmund Lowe, and Frank Richardson. It also featured the first appearance of Betty Grable on film, aged 12, as a chorus girl, and Sir Harry Lauder's nephew, Harry Lauder II, a conductor for Fox, who was dr ...
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Hallelujah (film)
''Hallelujah'' is a 1929 American pre-Code Metro-Goldwyn-Mayer musical directed by King Vidor, and starring Daniel L. Haynes and Nina Mae McKinney. Filmed in Tennessee and Arkansas and chronicling the troubled quest of a sharecropper, Zeke Johnson (Haynes), and his relationship with the seductive Chick (McKinney), ''Hallelujah'' was one of the first films with an all-African American cast produced by a major studio. (Although frequently touted as Hollywood's first all-black cast musical, that distinction more properly belongs to ''Hearts in Dixie'', which premiered several months earlier.) It was intended for a general audience and was considered so risky a venture by MGM that they required King Vidor to invest his own salary in the production. Vidor expressed an interest in "showing the Southern Negro as he is" and attempted to present a relatively non-stereotyped view of African-American life. ''Hallelujah'' was King Vidor's first sound film, and combined sound recorded on l ...
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The Great Gabbo
''The Great Gabbo'' is a 1929 American Pre-Code early sound musical drama film directed by James Cruze, based on Ben Hecht's 1928 short story "The Rival Dummy", and starring Erich von Stroheim and Betty Compson. The film features songs by Lynn Cowan, Paul Titsworth, Donald McNamee and King Zany. Originally released by Sono Art-World Wide Pictures, certain sequences were presented in Multicolor. However, current prints, restored by the Library of Congress and released by Kino International on DVD, exist only in black and white. Plot Brilliant ventriloquist Gabbo increasingly uses his dummy "Otto" as his only means of self-expression—an artist driven insane by his work. Gabbo's gimmick is his astonishing ability to make Otto talk—and even sing—while Gabbo himself smokes, drinks and eats. Gabbo's girlfriend and assistant Mary loves him, but is driven to leave him by his megalomania, superstitions, irritability, and inability to express any human emotion without using Otto as ...
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Gold Diggers Of Broadway
''Gold Diggers of Broadway'' is a 1929 American pre-Code musical comedy film directed by Roy Del Ruth and starring Winnie Lightner and Nick Lucas. Distributed by Warner Bros., the film is the second all-talking, all-Technicolor feature-length film (after ''On with the Show!'', also released that year by Warner Bros). ''Gold Diggers of Broadway'' became a box office sensation, making Winnie Lightner a worldwide star and boosting guitarist crooner Nick Lucas to further fame as he sang two songs that became 20th-century standards: "Tiptoe Through the Tulips" and "Painting the Clouds with Sunshine." Based on the 1919 play '' The Gold Diggers''—which was also turned into a silent film of the same name in 1923—''Gold Diggers of Broadway'' utilized showgirls, Technicolor, and sound as its main selling points. It was chosen as one of the ten best films of 1929 by '' Film Daily''. As with many early Technicolor films, no complete print survives, although the last twenty minutes do, ...
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