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List Of Jazz Contrafacts ...
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. This article is a list of notable contrafacts by jazz artists. References Further reading * * * . * * * * * External links Searchable Realbook Indexat www.seventhstring.co.uk "Charlie Parker I: – Hot House", article by Bernard Chazelle (Princeton, Collège de France), Sep. 9, 2008 {{Music theory lists Musical techniques Jazz contrafacts, list of Contrafacts A contrafact is a musical work based on a prior work. The term comes from classical music and has only since the 1940s been applied to jazz, where it is still not standard. In classical music, contrafacts have been used as early as the parody ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrafact
A contrafact is a musical work based on a prior work. The term comes from classical music and has only since the 1940s been applied to jazz, where it is still not standard. In classical music, contrafacts have been used as early as the parody mass and In Nomine of the 16th century. More recently, ''Cheap Imitation'' (1969) by John Cage was produced by systematically changing notes from the melody line of ''Socrate'' by Erik Satie using chance procedures. In jazz, a contrafact is a musical composition consisting of a new melody overlaid on a familiar harmonic structure.. As a compositional device, it was of particular importance in the 1940s development of bop, since it allowed jazz musicians to create new pieces for performance and recording on which they could immediately improvise, without having to seek permission or pay publisher fees for copyrighted materials (while melodies can be copyrighted, the underlying harmonic structure cannot be). Contrafacts are not to be confus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Hall (musician)
James Stanley Hall (December 4, 1930 – December 10, 2013) was an American jazz guitarist, composer and arranger. Biography Early life and education Born in Buffalo, New York, Hall moved with his family to Cleveland, Ohio, during his childhood. Hall's mother played the piano, his grandfather violin, and his uncle guitar.Hall, Devra "Sketches from PROS Folios: Jim Hall". Copyright 1988-2004. He began playing the guitar at the age of 10, when his mother gave him an instrument as a Christmas present. At 13 he heard Charlie Christian play on a Benny Goodman record, which he calls his "spiritual awakening". As a teenager in Cleveland, he performed professionally, and also took up the double bass. Hall's major influences since childhood were tenor saxophonists Coleman Hawkins, Lester Young, Paul Gonsalves, and Lucky Thompson. While he copied out solos by Charlie Christian, and later Barney Kessel, it was horn players from whom he took the lead. In 1955, Hall attended the Cleveland I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Hall's Three
''Jim Hall's Three'' is an album by guitarist Jim Hall recorded in 1986 and released by the Concord Jazz label. accessed November 7, 2019 Reception awarded the album 4 stars, with the review by Ken Dryden stating, "Hall, as usual, solos in his unique economical style and leaves plenty of breathing room for the music ... This is another gem from one of the deans of modern jazz guitar".Track listing All compositions by Jim Hall except where noted # "Hide and Seek" – 4:06 # "" ( |
Mal Waldron
Malcolm Earl "Mal" Waldron (August 16, 1925 – December 2, 2002) was an American jazz pianist, composer, and arranger. He started playing professionally in New York in 1950, after graduating from college. In the following dozen years or so Waldron led his own bands and played for those led by Charles Mingus, Jackie McLean, John Coltrane, and Eric Dolphy, among others. During Waldron's period as house pianist for Prestige Records in the late 1950s, he appeared on dozens of albums and composed for many of them, including writing his most famous song, "Soul Eyes", for Coltrane. Waldron was often an accompanist for vocalists, and was Billie Holiday's regular accompanist from April 1957 until her death in July 1959. A breakdown caused by a drug overdose in 1963 left Waldron unable to play or remember any music; he regained his skills gradually, while redeveloping his speed of thought. He left the U.S. permanently in the mid-1960s, settled in Europe, and continued touring internat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interplay For 2 Trumpets And 2 Tenors
''Interplay for 2 Trumpets and 2 Tenors'' is a jazz album released in November 1957 by Prestige Records. It is credited to Idrees Sulieman, Webster Young, John Coltrane and Bobby Jaspar, with Mal Waldron, Kenny Burrell, Paul Chambers and Art Taylor. Overview ''Interplay for 2 Trumpets and 2 Tenors'' was released in November 1957 on Prestige Records as 7112. The record features the first recording of pianist Mal Waldron's composition, "Soul Eyes", which went on to become a jazz standard.Gioia, Ted (2012) ''The jazz standards: a guide to the repertoire''. Oxford University Press, pp. 388-390. Some CD reissues also include the bonus track "C.T.A." (Jimmy Heath), originally issued on '' Taylor's Wailers'', recorded the same day, with just Coltrane, Chambers, Taylor and pianist Red Garland."Interplay for 2 Trumpets and 2 TenorsAllMusic review./ref> The album would also be issued in 1964 as ''Jazz Interplay'', a 2-LP compilation credited to Coltrane alone, which features tracks from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mingus
Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz upright bassist, pianist, composer, bandleader, and author. A major proponent of collective improvisation, he is considered to be one of the greatest jazz musicians and composers in history,See the 1998 documentary ''Triumph of the Underdog'' with a career spanning three decades and collaborations with other jazz musicians such as Louis Armstrong, Duke Ellington, Charlie Parker, Dizzy Gillespie, and Herbie Hancock. Mingus' compositions continue to be played by contemporary musicians ranging from the repertory bands Mingus Big Band, Mingus Dynasty, and Mingus Orchestra, to the high school students who play the charts and compete in the Charles Mingus High School Competition. In 1993, the Library of Congress acquired Mingus' collected papers—including scores, sound recordings, correspondence and photos—in what they described as "the most important acquisition of a manuscript collection relating to jaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All The Things You Could Be By Now If Sigmund Freud's Wife Was Your Mother
''Charles Mingus Presents Charles Mingus'' is an album by the jazz double bassist and composer Charles Mingus, recorded in October 1960 and released in December of the same year. The quartet of Mingus, multi-instrumentalist Eric Dolphy, trumpeter Ted Curson, and drummer Dannie Richmond constituted Mingus' core working band at the time, and had been performing the material on this album for weeks at The Showplace in New York. To recreate this atmosphere, Mingus introduces the songs as if he were speaking to the audience, even admonishing them to not applaud or rattle their glasses. This explains why the recordings on ''Presents'' would seemingly give off the illusion of a live album, when in fact it is a studio album. The album was recorded in New York for the Candid label, founded by Nat Hentoff. Mingus usually recorded on major labels like Columbia and Atlantic, but he was given more freedom on Hentoff's independent label. ''Presents'' has received positive reviews from jazz c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Curson
Theodore Curson (June 3, 1935 – November 4, 2012) was an American jazz trumpeter. Life and career Curson was born in Philadelphia. He became interested in playing trumpet after watching a newspaper salesman play a silver trumpet. Curson's father, however, wanted him to play alto saxophone like Louis Jordan. When he was ten, he gained his first trumpet. He attended Granoff School of Music in Philadelphia. (web version) At the suggestion of Miles Davis, he moved to New York in 1956. He performed and recorded with Cecil Taylor in the late 1950s and early 1960s. His composition "Tears for Dolphy" has been used in numerous films. He was featured in a profile on composer Graham Collier in the 1985 Channel 4 documentary 'Hoarded Dreams' He was a familiar face in Finland, having performed at the Pori Jazz festival every year since it began in 1966. In 2007, he performed at Finland's Independence Day Ball at the invitation of president Tarja Halonen. A longtime resident of Montclai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All The Things You Are
"All the Things You Are" is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II. The song was written for the musical ''Very Warm for May'' (1939)"Jerome Kern" . Songwriters Hall of Fame and was introduced by , , , and Ralph Stuart. It appeared in the film '' |
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