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List Of Films Shown At The New York Film Festival
This is a list of feature-length films (at least 45 minutes) shown at the New York Film Festival. Films previously released in the U.S. and screened as retrospectives are not included. Films at the first New York Film Festival (1963) *Opening Night: The Exterminating Angel (Luis Buñuel, Mexico) *Closing Night: Sweet and Sour (Jacques Baratier, France) * All the Way Home ( Alex Segal, USA) *An Autumn Afternoon (Yasujirō Ozu, Japan) * Barravento (Glauber Rocha, Brazil) *Elektra at Epidaurus (Ted Zarpas, Greece) *The Fiances ( Ermanno Olmi, Italy) * Glory Sky ( Takis Kanellopoulos, Greece) *In the Midst of Life (Robert Enrico, France) * Hallelujah the Hills (Adolfas Mekas, USA) *Harakiri (Masaki Kobayashi, Japan) *Knife in the Water (Roman Polanski, Poland) * Le Joli Mai ( Chris Marker, France) * Love in the Suburbs (Tamás Fejér, Hungary) *Magnet of Doom (Jean-Pierre Melville, France) * Muriel, or The Time of Return (Alain Resnais, France) *RoGoPaG (Roberto Rossellini, Ugo G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Film Festival
The New York Film Festival (NYFF) is a film festival held every fall in New York City, presented by Film at Lincoln Center (FLC). Founded in 1963 by Richard Roud and Amos Vogel with the support of Lincoln Center president William Schuman, it is one of the longest-running and most prestigious film festivals in the United States. The non-competitive festival is centered on a "Main Slate" of typically 20–30 feature films, with additional sections for experimental cinema and new restorations. As of 2020, Eugene Hernandez is the Director of NYFF and Dennis Lim is the Director of Programming for NYFF. Kent Jones was the festival director from 2013 to 2019. Sections As of 2020, the festival program is divided into the following sections: Main Slate The Main Slate is the Festival’s primary section, a program typically featuring 25-30 feature-length films, intending to reflect the current state of cinema. The program is a mix of major international art house films from the fest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolfas Mekas
Adolfas Mekas (30 September 1925 – 31 May 2011) was a Lithuanian-born American filmmaker, writer, director, editor, actor and educator. With his brother Jonas Mekas, he founded the magazine ''Film Culture'', as well as the Film-Makers' Cooperative and was associated with George Maciunas and the Fluxus art movement at its beginning. He made several short films, culminating in the feature '' Hallelujah the Hills'' in 1963, which was played at the Cannes Film Festival of that year and is now considered a classic of American film. Early life Mekas was born on a farm in Semeniškiai, Lithuania, the son of Elzbieta (Jašinskaitė) and Povilas Mekas. His sister was Elžbieta and brothers were Povilas, Petras, Kostas and Jonas. Adolfas was the youngest in the family. At 14 years old, while still in Lithuania, Mekas saw his first film, '' Captain Blood'' starring Errol Flynn. In July 1944, Adolfas and his brother Jonas fled the approaching Red Army, going West in an attempt to reac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto Rossellini
Roberto Gastone Zeffiro Rossellini (8 May 1906 – 3 June 1977) was an Italian film director, producer, and screenwriter. He was one of the most prominent directors of the Italian neorealist cinema, contributing to the movement with films such as ''Rome, Open City'' (1945), ''Paisan'' (1946), and ''Germany, Year Zero'' (1948). Early life Rossellini was born in Rome. His mother, Elettra (née Bellan), was a housewife born in Rovigo, Veneto, and his father, Angiolo Giuseppe "Peppino" Rossellini, who owned a construction firm, was born in Rome from a family originally from Pisa, Tuscany. His mother was of partial French descent, from immigrants who had arrived in Italy during the Napoleonic Wars. He lived on the Via Ludovisi, where Benito Mussolini had his first Roman hotel in 1922 when Fascism obtained power in Italy. Rossellini's father built the first cinema in Rome, the "Barberini", a theatre where movies could be projected, granting his son an unlimited free pass; the young R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alain Resnais
Alain Resnais (; 3 June 19221 March 2014) was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included ''Night and Fog'' (1956), an influential documentary about the Nazi concentration camps.Ephraim Katz, ''The International Film Encyclopedia''. (London: Macmillan, 1980.) p. 966–967. Resnais began making feature films in the late 1950s and consolidated his early reputation with ''Hiroshima mon amour'' (1959), ''Last Year at Marienbad'' (1961), and '' Muriel'' (1963), all of which adopted unconventional narrative techniques to deal with themes of troubled memory and the imagined past. These films were contemporary with, and associated with, the French New Wave (''la nouvelle vague''), though Resnais did not regard himself as being fully part of that movement. He had closer links to the "Left Bank" group of authors and filmmakers wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muriel (film)
''Muriel'' (french: Muriel ou le Temps d'un retour, link=no, literally ''Muriel, or the Time of a Return'') is a 1963 French psychological drama film directed by Alain Resnais, and starring Delphine Seyrig, Jean-Pierre Kérien, Jean-Baptiste Thiérrée, and Nita Klein. Its plot follows a middle-aged widow in Boulogne-sur-Mer and her stepson—recently returned from military service in the Algerian War—who are visited by her ex-lover and his new young girlfriend. It was Resnais's third feature film, following ''Hiroshima mon amour'' (1959) and ''L'Année dernière à Marienbad'' (1961), and in common with those films it explores the challenge of integrating a remembered or imagined past with the life of the present. It also makes oblique reference to the controversial subject of the Algerian War, which had recently been brought to an end. ''Muriel'' was Resnais's second collaboration with Jean Cayrol, who had also written the screenplay of '' Nuit et brouillard'' (''Night and Fog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Pierre Melville
Jean-Pierre Melville (; born Jean-Pierre Grumbach; 20 October 1917 – 2 August 1973) was a French filmmaker and actor. Among his films are ''Le Silence de la mer'' (1949), ''Bob le flambeur'' (1956), '' Le Doulos'' (1962), ''Le Samouraï'' (1967), ''Army of Shadows'' (1969) and ''Le Cercle Rouge'' (1970). While with the French Resistance during World War II, he adopted the pseudonym Melville as a tribute to his favorite American author Herman Melville. He kept it as his stage name once the war was over. Spiritual father of the French New Wave, he has influenced new generations of filmmakers across the world. Life and career Jean-Pierre Grumbach was born in 1917 in Paris, France, the son of Berthe and Jules Grumbach. His family were Alsatian Jews. After the fall of France in 1940 during World War II, during which he was evacuated from Dunkirk as a soldier in the French Army, Grumbach entered the French Resistance to oppose the German Nazis who occupied the country. He adopted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnet Of Doom
''Magnet of Doom'' (french: L'Aîné des Ferchaux, "The Elder Ferchaux"), also known as ''An Honorable Young Man'', is a 1963 French film, directed by Jean-Pierre Melville, based on the novel of the same title by Georges Simenon. Synopsis In Paris the young ex-para and would-be boxer, Michel Maudet, loses his first big fight and is sacked by his manager. Needing a job, he answers an ad for a male secretary able to travel and is hired on the spot by Dieudonné Ferchaux, senior partner of a failing bank who has a criminal past. Without telling his girl friend Lina, whom he leaves penniless, that night he flies with Ferchaux to New York. Next morning, Ferchaux is able to collect millions of dollars from his safe-deposit box but cannot touch his US bank account because the French authorities are seeking his extradition. Hiring a car, he and Maudet drive by back roads to Louisiana, shadowed by FBI agents. Renting an isolated house in New Orleans, Ferchaux falls sick and Maudet gets inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamás Fejér
Tamás Fejér (29 December 1920 – 27 June 2006) was a Hungarian film director. He directed 28 films between 1937 and 1988. Selected filmography * ''A Cozy Cottage'' (1963) References External links * 1920 births 2006 deaths Hungarian film directors People from Pécs {{Hungary-film-director-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Cozy Cottage
''A Cozy Cottage'' ( hu, Kertes házak utcája) is a 1963 Hungarian drama film directed by Tamás Fejér. It was entered into the 1963 Cannes Film Festival. Cast * Margit Bara as Panni - Máté felesége * Miklós Gábor as Palotás * György Pálos as Máté József * Éva Schubert as Máthé titkárnõje * Zoltán Latinovits as János * Mária Medgyesi as Szekeresné * Nóra Tábori as Palotásné * Nándor Tomanek as Szekeres Péter References External links * 1963 films 1960s Hungarian-language films Hungarian black-and-white films 1963 drama films Films directed by Tamás Fejér Hungarian drama films {{Hungary-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chris Marker
Chris Marker (; 29 July 1921 – 29 July 2012) was a French writer, photographer, documentary film director, multimedia artist and Essay#Film, film essayist. His best known films are ''La Jetée'' (1962), ''A Grin Without a Cat'' (1977) and ''Sans Soleil'' (1983). Marker is usually associated with the Left Bank Cinema, Left Bank subset of the French New Wave that occurred in the late 1950s and 1960s, and included such other filmmakers as Alain Resnais, Agnès Varda and Jacques Demy. His friend and sometime collaborator Alain Resnais called him "the prototype of the twenty-first-century man."Wakeman, John. World Film Directors, Volume 2. The H. W. Wilson Company. 1988. 649–654. Film theorist Roy Armes has said of him: "Marker is unclassifiable because he is unique...The French Cinema has its dramatists and its poets, its technicians, and its autobiographers, but only has one true essayist: Chris Marker." Early life Marker was born Christian François Bouche-Villeneuve. He was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Joli Mai
''Le Joli Mai'' ("The Lovely Month of May") is a 1963 French documentary film by Chris Marker and Pierre Lhomme. Beginning in the spring of 1962, just after the close of the Algerian War and the Évian Accords, Marker and his cinematographer Pierre Lhomme shot 55 hours of footage interviewing people on the streets of Paris. The questions, asked by the unseen Marker, range from their personal lives to social and political issues of the day. As he had with montages of landscapes and indigenous art, Marker created a film essay that contrasts and juxtaposes a variety of lives with his signature commentary (spoken by Marker's friends, singer-actor Yves Montand in the French version and Simone Signoret in the English version). The film has been compared to the ''cinéma vérité'' films of Jean Rouch, and criticized by its practitioners at the time.Wakeman, John. World Film Directors, Volume 2. The H. W. Wilson Company. 1988. 649–654. It was shown in competition at the 1963 Venice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Polanski
Raymond Roman Thierry Polański , group=lower-alpha, name=note_a (né Liebling; 18 August 1933) is a French-Polish film director, producer, screenwriter, and actor. He is the recipient of numerous accolades, including an Academy Award, two British Academy Film Awards, nine César Awards, two Golden Globe Awards, as well as the Golden Bear and a Palme d'Or. His Polish–Jewish parents moved the family from his birthplace in Paris back to Kraków in 1937.Paul Werner, ''Polański. Biografia'', Poznań: Rebis, 2013, p. 13. Two years later, the invasion of Poland by Nazi Germany started World War II, and the family found themselves trapped in the Kraków Ghetto. After his mother and father were taken in raids, Polanski spent his formative years in foster homes, surviving the Holocaust by adopting a false identity and concealing his Jewish heritage. Polanski's first feature-length film, ''Knife in the Water'' (1962), was made in Poland and was nominated for the United States ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
