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List Of Films About Socialism
This is a list of films in which the theme of socialism features prominently in the movie. References {{DEFAULTSORT:Films about socialism Socialism Socialism is a left-wing Economic ideology, economic philosophy and Political movement, movement encompassing a range of economic systems characterized by the dominance of social ownership of the means of production as opposed to Private prop ... Socialism-related lists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Socialism
Socialism is a left-wing economic philosophy and movement encompassing a range of economic systems characterized by the dominance of social ownership of the means of production as opposed to private ownership. As a term, it describes the economic, political and social theories and movements associated with the implementation of such systems. Social ownership can be state/public, community, collective, cooperative, or employee. While no single definition encapsulates the many types of socialism, social ownership is the one common element. Different types of socialism vary based on the role of markets and planning in resource allocation, on the structure of management in organizations, and from below or from above approaches, with some socialists favouring a party, state, or technocratic-driven approach. Socialists disagree on whether government, particularly existing government, is the correct vehicle for change. Socialist systems are divided into non-market and market f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ten Days That Shook The World
''Ten Days That Shook the World'' (1919) is a book by the American journalist and socialist John Reed. Here, Reed presented a firsthand account of the 1917 Russian October Revolution. Reed followed many of the most prominent Bolsheviks closely during his time in Russia. Background John Reed was on an assignment for ''The Masses'', a magazine of socialist politics, when he was reporting on the Russian Revolution. Although Reed stated that he had "tried to see events with the eye of a conscientious reporter, interested in setting down the truth" during the time of the event, he stated in the preface that "in the struggle my sympathies were not neutral" (since the book primarily shares the perspective of the Russian working class). Before John Reed left for Russia, the Espionage Act was passed on June 15, 1917. This provided for fines and imprisonment as a punishment for interference with the recruiting of soldiers and prohibited the mailing of any newspaper or magazine that pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ten Days That Shook The World
''Ten Days That Shook the World'' (1919) is a book by the American journalist and socialist John Reed. Here, Reed presented a firsthand account of the 1917 Russian October Revolution. Reed followed many of the most prominent Bolsheviks closely during his time in Russia. Background John Reed was on an assignment for ''The Masses'', a magazine of socialist politics, when he was reporting on the Russian Revolution. Although Reed stated that he had "tried to see events with the eye of a conscientious reporter, interested in setting down the truth" during the time of the event, he stated in the preface that "in the struggle my sympathies were not neutral" (since the book primarily shares the perspective of the Russian working class). Before John Reed left for Russia, the Espionage Act was passed on June 15, 1917. This provided for fines and imprisonment as a punishment for interference with the recruiting of soldiers and prohibited the mailing of any newspaper or magazine that pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Times (film)
''Modern Times'' is a 1936 American part-talkie satirical romantic black comedy film written and directed by Charlie Chaplin in which his iconic Little Tramp character struggles to survive in the modern, industrialized world. The film is a commentary on the desperate employment and financial conditions many people faced during the Great Depression — conditions created, in Chaplin's view, by the efficiencies of modern industrialization. The movie stars Chaplin, Paulette Goddard, Henry Bergman, Tiny Sandford and Chester Conklin. It is notable for being the last time that Chaplin portrayed the Tramp character and for being the first time Chaplin's voice is heard on film. In 1989, ''Modern Times'' was one of the first 25 films selected by the Library of Congress for preservation in the United States National Film Registry for being "culturally, historically, or aesthetically significant". In 2003, it was screened "out of competition" at the Cannes Film Festival. Plot The Tramp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maoism
Maoism, officially called Mao Zedong Thought by the Chinese Communist Party, is a variety of Marxism–Leninism that Mao Zedong developed to realise a socialist revolution in the agricultural, pre-industrial society of the Republic of China and later the People's Republic of China. The philosophical difference between Maoism and traditional Marxism–Leninism is that the peasantry is the revolutionary vanguard in pre-industrial societies rather than the proletariat. This updating and adaptation of Marxism–Leninism to Chinese conditions in which revolutionary praxis is primary and ideological orthodoxy is secondary represents urban Marxism–Leninism adapted to pre-industrial China. Later theoreticians expanded on the idea that Mao had adapted Marxism–Leninism to Chinese conditions, arguing that he had in fact updated it fundamentally, and that Maoism could be applied universally throughout the world. This ideology is often referred to as Marxism–Leninism–Maoism to d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Luc Godard
Jean-Luc Godard ( , ; ; 3 December 193013 September 2022) was a French-Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer, and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity editing, continuity, film sound, sound, and cinematography, camerawork. His most acclaimed films include ''Breathless (1960 film), Breathless'' (1960), ''Vivre sa vie'' (1962), ''Contempt (film), Contempt'' (1963), ''Bande à part (film), Band of Outsiders'' (1964), ''Alphaville (film), Alphaville'' (1965), ''Pierrot le Fou'' (1965), ''Masculin Féminin'' (1966), ''Weekend (1967 film), Weekend'' (1967), and ''Goodbye to Language'' (2014). During his early career as a film critic f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French New Wave
French New Wave (french: La Nouvelle Vague) is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinema. The term was first used by a group of French film critics and cinephiles associated with the magazine '' Cahiers du cinéma'' in the late 1950s and 1960s. These critics rejected the ''Tradition de qualité'' ("Tradition of Quality") of mainstream French cinema, which emphasized craft over innovation and old works over experimentation. This was apparent in a manifesto-like 1954 essay by François Truffaut, ''Une certaine tenda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Chinoise
''La Chinoise, ou plutôt à la Chinoise: un film en train de se faire'' (English: ''The Chinese, or, rather, in the Chinese manner: a film in the making''), commonly referred to simply as ''La Chinoise'', is a 1967 French political film directed by Jean-Luc Godard about a group of young Maoist activists in Paris. ''La Chinoise'' is a loose adaptation of Fyodor Dostoyevsky's 1872 novel ''Demons''. In the novel, a group of five disaffected citizens, each representing a different ideological persuasion and personality type, conspire to overthrow the Russian imperial regime through a campaign of sustained revolutionary violence. The film, set in contemporary Paris and largely taking place in a small apartment, is structured as a series of personal and ideological dialogues dramatizing the interactions of five French university students—three young men and two young women—belonging to a radical Maoist group called the "Aden Arabie Cell" (named after the novel ''Aden, Arabie'' by Pau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elio Petri
Eraclio Petri (29 January 1929 – 10 November 1982), commonly known as Elio Petri, was an Italian film director, screenwriter, theatre director, and critic associated with the political cinema in the 1960s and '70s. His film ''Investigation of a Citizen Above Suspicion'' won the 1971 Oscar for Best Foreign-Language Film, and his film ''The Working Class Goes to Heaven'' won the Palme d'Or at the 1972 Cannes Film Festival. Petri's other notable films include ''The 10th Victim'' (1965), ''We Still Kill the Old Way'' (1967), '' A Quiet Place in the Country'' (1968), ''Property Is No Longer a Theft'' (1973), and '' Todo modo'' (1976). The Museum of Modern Art described him as "one of the preeminent political and social satirists of Italian cinema." Early life Petri was born in Rome on 29 January 1929. He was expelled for political reasons from San Giuseppe di Merode, a school run by a priest on the Piazza di Spagna, and joined the youth organization of the Italian Communist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Political Drama
A political drama can describe a play, film or TV program that has a political component, whether reflecting the author's political opinion, or describing a politician or series of political events. Dramatists who have written political dramas include Aaron Sorkin, Robert Penn Warren, Sergei Eisenstein, Bertolt Brecht, Jean-Paul Sartre, Howard Brenton, Caryl Churchill, and Federico García Lorca. Theatre In the history of theatre, there is long tradition of performances addressing issues of current events, especially those central to society itself. The political satire performed by the comic poets at the theatres had considerable influence on public opinion in the Athenian democracy. Those earlier Western dramas, arising out of the polis, or democratic city-state of Greek society, were performed in amphitheaters, central arenas used for theatrical performances, religious ceremonies and political gatherings; these dramas had a ritualistic and social significance that enhanced t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satirical
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming or exposing the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. A feature of satire is strong irony or sarcasm —"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very things the satirist wishes to question. Satire is found in many artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Working Class Goes To Heaven
''The Working Class Goes to Heaven'' (Italian: ''La classe operaia va in paradiso''), released in the US as ''Lulu the Tool'', is a 1971 political drama film directed by Elio Petri. It depicts a factory worker's realisation of his own condition as a simple "tool" in the process of production and, implicitly, his struggle with the trade unions. The film competed at the 1972 Cannes Film Festival, where it tied with ''The Mattei Affair'' for the Grand Prix International du Festival, the festival's highest honour. In Italy, it also won the David di Donatello for Best Film. Plot Lulu Massa is a highly productive worker at a factory paying piece work but is disliked by his colleagues as his efficiency is used by management to justify their demands for higher output. While employees are told to care for and rely on their machines, they see radical students outside the factory campaigning for higher pay rates and less work. Lulu lives with Lidia and her son. He puts his lack of interest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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