List Of Display Typefaces
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List Of Display Typefaces
This list details display typefaces used in typesetting and printing. See also *List of monospaced typefaces * List of sans serif typefaces *List of script typefaces *List of serif typefaces References {{DEFAULTSORT:Samples Of Display Typefaces Display Display Display may refer to: Technology * Display device, output device for presenting information, including: ** Cathode ray tube, video display that provides a quality picture, but can be very heavy and deep ** Electronic visual display, output devi ...
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Display Typeface
A display typeface is a typeface that is intended for use at large sizes for headings, rather than for extended passages of body text. Display typefaces will often have more eccentric and variable designs than the simple, relatively restrained typefaces generally used for body text. They may take inspiration from other genres of lettering, such as handpainted signs, calligraphy or an aesthetic appropriate to their use, perhaps ornamented, exotic, abstracted or drawn in the style of a different writing system. Several genres of font are particularly associated with display setting, such as slab serif, script font, reverse-contrast and to a lesser extent sans serif. Walter Tracy defines display typefaces in the metal type sense as "sizes of type over 14 point" and in design that "text types when enlarged can be used for headings, display types, if reduced, cannot be used for text setting." Titling fonts are a subset of display typefaces which are typically used for headlines ...
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Banco (typeface)
Banco is an inclined titling typeface. It was designed by Roger Excoffon for the Fonderie Olive foundry in 1951. Excoffon did not design a matching lower case alphabet for the capitals. This font is most famously used as the typeface for Thrasher Magazine. See also * Samples of display typefaces This list details display typefaces used in typesetting and printing. See also *List of monospaced typefaces * List of sans serif typefaces *List of script type ... Display typefaces Letterpress typefaces Photocomposition typefaces Digital typefaces Typefaces and fonts introduced in 1951 Typefaces designed by Roger Excoffon Fonderie Olive typefaces {{Typ-stub ...
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Exocet (typeface)
Exocet is a typeface designed by the British typographer Jonathan Barnbrook for the Emigre foundry in 1991. It was originally designed for the European annual series ''Illustration Now''. The font is inspired by ancient incised Greek and Roman letter carvings, with geometric shapes used for the main construction. For example, its stylized ''Q'' is based on qoppa, an ancient form of ''Q''. The ''O'' with a cross () is an early form of theta. It is an all-capital font, but with different capital glyphs for both lowercase and capital letters. However, the only letter that have visually distinct forms is ''T'', with the lowercase ''t'' being a cross. Variants It is available in “light” and “heavy” varieties. There is no italic. A sans version of the font from the same designer, called Patriot, was released in 1997. Notable uses It was used extensively for product designs in the 1990s, most notably for the American tea company Tazo. It was also used on the album cover ...
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Ellington (typeface)
Ellington is a typeface for display use designed by Michael HarveyEllington Family Tree
on www.myfonts.com licensed from . It was designed in 1990 and it is named after . The face has a large and combines features of a modern serif typefaces with calligraphic elements.


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Steve Matteson
Steven R. Matteson (born 1965, Chicago, Illinois) is an American typeface designer whose work is included in several computer operating systems and embedded in game consoles, cell phones and other electronic devices. He is the designer of the Microsoft font family Segoe included since Windows XP; of the Droid font collection used in the Android mobile device platform, and designed the brand and user-interface fonts used in both the original Microsoft Xbox and the Xbox 360. Biography Matteson is a 1988 graduate of Rochester Institute of Technology where he studied typography, design and printing. Upon graduation, he spent two years learning font hinting technology while employed at laser-printer manufacturer QMS. In 1990 Matteson began work at Monotype Corporation (later Agfa-Monotype) contributing to the creation of the Windows 3.1x core TrueType fonts: Arial, Times New Roman and Courier New. Matteson produced fonts for the Agfa-Monotype library (such as Goudy Ornate and Gill ...
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Curlz
Curlz MT is an OTF display typeface designed by Carl Crossgrove and Steve Matteson in 1995 for Agfa Monotype. It's distinct from other popular typefaces, characterized by its wavy strokes and swirls at the beginning or end of letters. Similar to Comic Sans and Papyrus, the font has garnered criticism from graphic designers for being used excessively in inappropriate ways. Curlz was designed as a casual, decorative typeface. TTF version A TrueType version of Curlz shipped as part of the original Microsoft Project font set, and with Microsoft Office for Macintosh. See also * Samples of display typefaces *Monotype Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass. The ... References Monotype typefaces Display typefaces Typefaces and fonts introduced in 1995 Typefaces designed b ...
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Oswald Bruce Cooper
Oswald Bruce Cooper (April 13, 1879 – December 17, 1940) was an American type designer, lettering artist, graphic designer, and teacher of these trades. Early life and education Cooper was born in Mount Gilead, Ohio but moved to Coffeyville, Kansas when quite young. He left high school at seventeen to become a printer's devil. He studied illustration at Frank Holme's School of Illustration, first as a correspondence student, then moving to Chicago to study in person. While doing poorly at drawing, he did so well in a lettering class taught by Frederic Goudy, that he soon became director of the correspondence department for the school. After Holme died in 1903, the school closed due to financial difficulties, and Cooper took it on himself to provide correspondence education to prepaid students. Career In 1904 Cooper and Fred S. Bertsch formed the design firm of Bertsch & Cooper, providing ad campaigns for such accounts as the Packard Motor Car Company and Anheuser-Busch Br ...
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Cooper Black
Cooper Black is an ultra-bold serif typeface intended for display use that was designed by Oswald Bruce Cooper and released by the Barnhart Brothers & Spindler type foundry in 1922. The typeface was drawn as an extra-bold weight of Cooper's "Cooper Old Style" family. It rapidly became a standard typeface and was licensed by American Type Founders and also copied by many other manufacturers of printing systems. Its use in pop culture increased worldwide since 1966, when the Beach Boys used it for the cover artwork of their album ''Pet Sounds''. It was then featured in the Doors’ ''L.A. Woman'' (1971) and David Bowie’s '' Ziggy Stardust'' (1972), and in the opening credits of ''The Bob Newhart Show'', ''Diff'rent Strokes'', ''Garfield'', ''M*A*S*H'', ''Enos'', ''The New Adventures of Winnie the Pooh'', ''Everybody Hates Chris'' and other shows. The font is used for the ''Disney Sing-Along Songs'' from the intro.Lewis, Amanda Cooper Black: The Story Behind Louie's Typeface', l ...
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Berne Nadall
Bernard William "Berne" Nadal (born ''Bernard William Nadal'', but also known as "Berne Nadall"; 1869–1932) was an American typeface designer and artist. He was the designer of the Caslon Antique typeface, which is still in common use to this day. Life Bernard was born in Louisville, Kentucky on February 28, 1869. His mother was a French art teacher. After the death of his mother, he was placed under the instruction of H. Clay Wool ford, a prominent artist of the South, but they did not work well together. Two years later, Mr. Nadal began studying with Al. Legras, a classmate of Carl Brenner. Afterwards, he went to the Louisville School of Design for a term and, in less than a year, began working for the Louisville daily papers: the '' Louisville Post'', the ''Daily Commercial,'' etc... It was during his connection with the ''Post'' that he cartooned the "Newman Ward Granite Steal," an exposé of a swindle on the city, and the result was a suit for damages in the sum of $200 ...
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Caslon Antique
{{Infobox font , name = Caslon Antique , image = Caslon Antique.png , style = Display , date = 1894 , creator = Berne Nadall , foundry = Barnhart Brothers & Spindler , sample = } Caslon Antique is a decorative American typeface that was designed in 1894 by Berne Nadall. It was originally called "Fifteenth Century", but was renamed "Caslon Antique" by Nadall's foundry, Barnhart Bros. & Spindler, in the mid-1920s. The design of the typeface is meant to evoke the Colonial era. Early printers would reuse metal type over and over again, and the faces would become chipped and damaged from use. Caslon Antique emulates this look. Variants An italic variant of the font is also available. In addition to versions available under the traditional name, Corel produces its own version of the font under the name "Casablanca Antique." Notable uses Caslon Antique is popular today when an "old-fashioned" or "gothic" look is desired. It was used in the opening credits of the Jacque ...
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Morris Fuller Benton
Morris Fuller Benton (November 30, 1872 – June 30, 1948) was an American typeface designer who headed the design department of the American Type Founders (ATF), for which he was the chief type designer from 1900 to 1937. Many of Benton's designs, such as his large family of related sans-serif or "gothic" typefaces, including Alternate Gothic, Franklin Gothic, and News Gothic, are still in everyday use. Typefaces Benton is credited as America's most prolific designer of metal type, having (with his team) completed 221 typefaces, including revivals of historical models, like Bodoni and Cloister; original designs, such as Hobo, Bank Gothic, and Broadway; and adding new weights to existing faces, such as Century, Goudy Old Style and Cheltenham. Although he did not invent the concept, Benton working at ATF pioneered the concept of families of typeface designs, allowing consistency of appearance in different sizes, widths and weights. This allowed ATF to capitalise on a succ ...
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Broadway (typeface)
Broadway is a decorative typeface, perhaps the archetypal Art Deco typeface. The original face was designed by Morris Fuller Benton in 1927 for ATF as a capitals only display face. It had a long initial run of popularity, before being discontinued by ATF in 1954. It was re-discovered in the Cold Type Era and has ever since been used to evoke the feeling of the twenties and thirties. Several variants were made:MacGrew, Mac, ''American Metal Typefaces of the Twentieth Century'' Oak Knoll Books, New Castle Delaware, 1993, , pp. 50–51. * ''Broadway'' (1928, Morris Fuller Benton, ATF), capitals only. * ''Broadway Engraved'' (1928, Sol Hess, Monotype). * ''Broadway (with lowercase)'' (1929, Hess, Monotype). * ''Broadway Condensed'' (1929, Benton, ATF). Digital Copies Digital versions are now made by Linotype, Elsner+Flake, Monotype, Bitstream, and URW++ URW Type Foundry GmbH (formerly URW++ Design & Development GmbH) is a type foundry based in Hamburg, Germany. The fo ...
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