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List Of Copyright Collection Societies
This is a list of international and national copyright collection societies and companies, also called "copyright collectives". Global * Association of International Collective Management of Audiovisual Works (AGICOA) * Bureau International des Sociétés Gérant les Droits D'Enregistrement et les Reproduction Mecanique (BIEM) * Christian Copyright Licensing International (CCLI) * International Confederation of Societies of Authors and Composers (CISAC) * International Federation of the Phonographic Industry (IFPI) * Motion Picture Licensing Corporation (MPLC) Asia Azerbaijan * Copyright Agency of Azerbaijan Republic (Azərbaycan Respublikası Müəllif Hüquqları Agentliyi) China * Music Copyright Society of China (MCSC) India * Indian Reprographic Rights Organisation (IRRO) Recorded Music Performance Ltd(RMPL) The Indian Performing Right Society Ltd(IPRS) Hong Kong * Composers and Authors Society of Hong Kong Ltd. (CASH) Japan ; Music * Japanese Socie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copyright Collective
Copyrights can either be licensed or assigned by the owner of the copyright. A copyright collective (also known as a copyright society, copyright collecting agency, licensing agency or copyright collecting society or collective management organization) is a non-governmental body created by copyright law or private agreement which licenses copyrighted works on behalf of the authors and engages in collective rights management. Copyright societies track all the events and venues where copyrighted works are used and ensure that the copyright holders listed with the society are remunerated for such usage. The copyright society publishes its own tariff scheme on its websites and collects a nominal administrative fee on every transaction. Copyright societies evolved out of the need to have an organised body for licensing and managing copyrighted works. Without copyright societies, it would be impossible for users like restaurants, malls and large events to collect licenses from individu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pablo Picasso
Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist and Scenic design, theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of Assemblage (art), constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the Proto-Cubism, proto-Cubist ''Les Demoiselles d'Avignon'' (1907), and the anti-war painting ''Guernica (Picasso), Guernica'' (1937), Guernica (Picasso)#Composition, a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War. Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Southern African Music Rights Organisation
SAMRO, the Southern African Music Rights Organisation, is a copyright asset management society. It was established by the South African Copyright Act, and aims to protect the intellectual property of music creators by licensing music users, collecting licence fees and distributing royalties to music creators. SAMRO represents more than 15,000 Southern African music composers, lyricists/authors and music publishers. The organisation administers performing rights. History The Southern African Music Rights Organisation (name since 1974) was formed in December 1961 under the chairmanship of Dr. Gideon Roos Senior, a former Director-General of the South African Broadcasting Corporation (SABC). SAMRO began operations in January 1962 with 40 South African composers and 13 music publishers, taking over from the UK royalty collecting society PRS. In June 1962, SAMRO was accepted as a member of the International Confederation of Societies of Authors and Composers (CISAC). In the same ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Copyright Society Of Kenya
The Music Copyright Society of Kenya (MCSK) is a copyright collection society for Kenya. It collects royalties on behalf of authors, composers, arrangers, and publishers of music. It collects royalties for public performances and mechanical reproductions. In Kenya, the Kenya Copyright Board supervises the collection and disbursement of royalties. Related organizations include the Performers Rights Society of Kenya and the Kenya Association of Music Producers. In 2015, a number of artists including Elijah Wainaina Mira, Francis Jumba, and Carolyne Wanjiru Ndiba filed suit against MCSK, the Copyright Board, and other organizations claiming the right to collect royalties for their own works. The Kenya Copyright Board has also formally complained that MCSK's disbursement of royalties disbursed to artists has been decreasing for several years, falling to 58.9% of collected revenue, well below the 70% standard established by the Kenya Copyright Board. The MCSK has had problems from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghana Music Rights Organization
Ghana Music Rights Organization (GHAMRO) is a royalties collection agency within Ghana, that represents the rights of music copyright holders. It was created under section 49 of the Copyright Law, Act 690 of 2005. The agency collects royalties for all rights owners in Ghana. Before 2005, that function had been operated by the Copyright Society of Ghana. The organization has faced regular criticism about its transparency and engagement of stakeholders. As of 2018, the organization was led by Rex Omar. Abraham Adjatey, commonly known as 'Agya Abraham' is currently the CEO of the organization. References Music licensing organizations Music organisations based in Ghana Organizations established in 2005 {{Ghana-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korea JoongAng Daily
''Korea JoongAng Daily'' is the English edition of the South Korean national daily newspaper ''JoongAng Ilbo''. The newspaper was first published on October 17, 2000, originally named as ''JoongAng Ilbo English Edition''. It mainly carries news and feature stories by staff reporters, and some stories translated from the Korean language newspaper. ''Korea JoongAng Daily'' is one of the three main English newspapers in South Korea along with ''The Korea Times'' and ''The Korea Herald''. The newspaper is published with a daily edition of ''The New York Times'' and it is located within the main offices of the ''JoongAng Ilbo'' in Sangam-dong, Mapo-gu, Seoul. See also *List of newspapers in South Korea This is a list of newspapers in South Korea. National papers Top 10 Comprehensive Daily newspapers *Chosun Ilbo (daily) 1,212,208 *Dong-A Ilbo (daily) 925,919 *JoongAng Ilbo (daily) 861,984 *''Hankook Ilbo'' (daily) 219,672 *''Hankyoreh'' (da ... References External linksOff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korea Music Copyright Association
The Korea Music Copyright Association (KOMCA) is a South Korean non-profit copyright collective for musical works, administering public performance and broadcasting rights, and mechanical recording and reproduction rights. Founded in 1964, it is the second collective rights management organization for musical works in Asia, after JASRAC in Japan. It is also one of the largest in Asia, with over 40,000 members. In 2021, it collected (US$221 million) in licensing fees and distributed ₩256 billion (US$196 million) in royalties to its members. Copyright owners—including authors, composers, arrangers, and music publishers—can join KOMCA as associate members. Associate members who have "engaged in substantial musical creation" are promoted to full members by the board of directors. These members can attend and vote at the annual general meeting and can be elected to the board of directors. The board consists of 21 members, elected to three-year terms of office. History KOMCA w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Organization For Multimedia And Digital Systems
Russian Organization for Multimedia and Digital Systems (ROMS, Russian: РОМС), also known as Russian Multimedia and Internet Society is a Russian collective rights management organization. ROMS is a body designated by Russian law for collecting and distributing statutory copyright royalty payments from radio stations Radio broadcasting is transmission of audio (sound), sometimes with related metadata, by radio waves to radio receivers belonging to a public audience. In terrestrial radio broadcasting the radio waves are broadcast by a land-based radio sta ... and Internet download sites in Russia. It is disputed whether they are authorized by law to allow music for download. This is currently pending in the Russian legal system. Timeline * Was created in 2000 by Russian Authors Society. * Banned from payment services by its credit card processor company Chronopay due to a law dispute. ROMS filed a complaint with the Prosecutor's Office against ChronoPay and its owne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Organization For Intellectual Property VOIS
The Russian Organization for Intellectual Property VOIS ( rus, Всероссийская организация интеллектуальной собственности, ВОИС) is the collective management society for neighboring rights of Russian performers and labels, established in 2008. Today VOIS unites more than 3,500 performers and hundreds of record-labels in different music styles. In 2009 Rosohrankultura (the Ministry of Culture Department) accredited VOIS as the sole society to collect and distribute remuneration for related rights owners within the territory of the Russian Federation. It means that only VOIS has the right to act on behalf of an unlimited number of performers and phonogram producers, collect and distribute money to the right-owners. In everyday activity VOIS concludes contracts with music users both in public sphere and broadcasting. The main goals of VOIS are: # To collect the remuneration # To distribute the remuneration between Russian and f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FILSCAP
The Filipino Society of Composers, Authors and Publishers, Inc. (FILSCAP), is a collecting society in the Philippines. It undertakes collective rights management for public performances and use of songs in television and radio broadcast and movies. FILSCAP's responsibility of royalty collecting extends to members of foreign affiliates such as the American Society of Composers, Authors, and Publishers (ASCAP), Broadcast Music Inc. (BMI), Composers and Authors Society of Hong Kong The Composers and Authors Society of Hong Kong Ltd.(CASH) is a copyright society in Hong Kong established in 1977 which aims to administer and enforce collectively the rights of composers and authors of musical works subsisting under the copyright l ... (CASH), and more than fifty other organizations. FILSCAP is the holder of deeds of assignment to collect royalties from artists both in within and outside the Philippines. Established in 1965, FILSCAP is the Philippines’ sole collective management organi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Public Performance Malaysia (PPM)
In public relations and communication science, publics are groups of individual people, and the public (a.k.a. the general public) is the totality of such groupings. This is a different concept to the sociological concept of the ''Öffentlichkeit'' or public sphere. The concept of a public has also been defined in political science, psychology, marketing, and advertising. In public relations and communication science, it is one of the more ambiguous concepts in the field. Although it has definitions in the theory of the field that have been formulated from the early 20th century onwards, and suffered more recent years from being blurred, as a result of conflation of the idea of a public with the notions of audience, market segment, community, constituency, and stakeholder. Etymology and definitions The name "public" originates with the Latin '' publicus'' (also '' poplicus''), from ''populus'', to the English word 'populace', and in general denotes some mass population ("the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
