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List Of Conga Players
Conga players perform on a tall, narrow, single-headed Cuban drum of African origin called the Tumbadora, or the Conga as it is internationally known. It is probably derived from the Congolese Makuta drums or Sikulu drums commonly played in Mbanza Ngungu, Congo. Originally a person who plays tumbadoras is called a "tumbador" but ever since they began using the name "conga", a man who plays conga is called a "conguero" and a woman who plays conga is called "conguera". Other common terms are "timbero" and "timbera", or "rumbero" and "rumbera" if one plays congas in rumba setting. Although ultimately derived from African drums made from hollowed logs, the Cuban conga can be staved from ribs like a barrel, or shaped from one solid piece like a hollowed log. Some are now made from fiberglass or other synthetic materials. Congas were originally made from salvaged rum or wine barrels and locally-available animal skins. Modern congas may have synthetic (or hybrid fiber-plastic) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Caribbean American
Caribbean Americans or West Indian Americans are Americans who trace their ancestry to the Caribbean. Caribbean Americans are a multi-ethnic and multi-racial group that trace their ancestry further in time mostly to Africa, as well as Asia, the Indigenous peoples of the Americas, and to Europe. As of 2016, about 13 million — about 4% of the total U.S. population — have Caribbean ancestry. The Caribbean is the source of the United States' earliest and largest Black immigrant group and the primary source of growth of the Black population in the U.S. The region has exported more of its people than any other region of the world since the abolition of slavery in 1834. The largest Caribbean immigrant sources to the U.S. are Cuba, the Dominican Republic, Jamaica, Guyana, Trinidad and Tobago and Haiti. U.S. citizens from Puerto Rico and the U.S. Virgin Islands also migrate to the US proper (known as Stateside Puerto Ricans and Stateside Virgin Islands Americans, respectively). C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julito Collazo
Julio "Julito" Collazo (1925 – March 5, 2004) was a master percussionist. Collazo was born in Havana, Cuba. He began playing the ritual music of Santería on the batá drums at the age of fifteen. He moved to United States in the 1950s to join in a world tour with the Afroamerican dancer Katherine Dunham and her Dance Company. Julito Collazo is one of a handful of Cuban percussionists who came to the United States in the 1940s and 1950s. Other notable Cuban percussionists who came to the U.S. during that time include Luciano "Chano" Pozo, Mongo Santamaría, Armando Peraza, Francisco Aguabella, Candido Camero, Carlos Vidal Bolado and ''Modesto Durán''. In the United States Collazo rose to prominence recording and performing with Tito Puente, Eddie Palmieri, Mongo Santamaría, Silvestre Méndez, Dizzy Gillespie and Machito, among others. These collaborations were magisterial and provide motivation and feedback for researchers, and assure the relevance of the research to the g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Candido Camero
Candido is both a given name and a surname. Notable people with the name include: Given name * Candido Amantini (1914–1992), Italian Roman Catholic priest * Candido Camero known simply as "Candido" (1921-2020), Cuban percussionist * Candido Jacuzzi (1903–1986), Italian-American inventor * Candido Portinari (1903–1962), Brazilian painter * Candido Tirona (1863–1896), Filipino Revolutionary Surname * Antonio Candido (1918–2017), writer, professor, and literary critic * Candy Candido (1913–1999), American actor and bass player * Chris Candido (1972–2005), American professional wrestler * Giacomo Candido (1871–1941), Italian mathematician * Johnny Candido (born 1982), American professional wrestler Pseudonym * Jose Martinez Ruiz (1873-1967) Spanish essayist See also * ''Candido (magazine)'' (1945–1961), Italian weekly monarchist satirical magazine, funded by Giovannino Guareschi * Cándido * Cândido {{given name, type=both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armando Peraza
Armando Peraza (May 30, 1924 – April 14, 2014) was a Latin jazz percussionist and a member of the rock band Santana. Peraza played congas, bongos, and timbales. Biography Early life Born in Lawton Batista, Havana, Cuba in 1924 (although the birth year is uncertain), he was orphaned by age 7 and lived on the streets. When he was twelve, he supported himself by selling vegetables, coaching boxing, playing semi-pro baseball, and becoming a loan shark. His music career began at seventeen when he heard at a baseball game that bandleader Alberto Ruiz was looking for a conga player. Ruiz's brother was on the same baseball team as Peraza. Despite the absence of experience in music, he practiced and won the audition. Moving to New York He left Cuba for Mexico in 1948 to tend to his sick friend, conga drummer Mongo Santamaría. They arrived in New York City in 1949. After playing in Machito's big band, Peraza was invited by Charlie Parker to participate in a recording session that incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tata Güines
Federico Arístides Soto Alejo (June 30, 1930 – February 4, 2008), better known as Tata Güines, was a Cuban percussionist, bandleader and arranger. He was widely regarded as a master of the conga drum, and alongside Carlos "Patato" Valdés, influential in the development of contemporary Afro-Cuban music, including Afro-Cuban jazz. He specialized in a form of improvisation known as descarga, a format in which he recorded numerous albums throughout the years with Cachao, Frank Emilio Flynn, Estrellas de Areito, Alfredo Rodríguez and Jane Bunnett, among others. In the 1990s he released two critically acclaimed albums as a leader: ''Pasaporte'' and ''Aniversario''. His composition "Pa' gozar" has become a standard of the descarga genre. Life and career Early years Arístides Soto was born in Güines, a town east of Havana in the former province of Havana in Cuba, on June 30, 1930. He grew up with his parents and his seven siblings, leaving school after year 4 to work as a shoeshine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlos "Patato" Valdes
Carlos Valdés Galán (November 4, 1926 – December 4, 2007), better known as Patato, was a Cuban conga player. In 1954, he emigrated from La Habana to New York City where he continued his prolific career as a sideman for several jazz and Latin music ensembles, and occasionally as a bandleader. He contributed to the development of the tunable conga drum which revolutionized the use of the instrument in the US. His experimental descarga albums recorded for Latin Percussion are considered the counterpart to the commercial salsa boom of the 1970s. Tito Puente once called him "the greatest conguero alive today". Nicknames Like most Cuban musicians, Carlos Valdés had several nicknames throughout his artistic career. Early on he was known as "El Toro" (''The Bull'') as a young dancer and boxer. In school he was known as "Patato" (''Potato'') due to his short stature; more disrespectfully he was known as "Remache" and "Tampón de bañera" around his neighbourhood. While playing al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miguelito Valdés
Miguelito Valdés (September 6, 1912 – November 9, 1978), also known as Mr. Babalú, was a renowned Cuban singer. His performances were characterized by a strong voice and a particular sense of ''cubanismo''. Life Miguelito Valdés was born as Miguel Ángel Eugenio Lázaro Zacarías Izquierdo Valdés Hernández on September 6, 1912 in Havana. His father was Spanish and his mother was Mexican from Yucatán. He was born in Belén (in Old Havana), and moved to another barrio, Cayo Hueso (in Centro Habana), when his father died. In his youth he worked as an auto mechanic and was a good amateur boxer. In 1934 he won the Amateur Championship of Cuba at his weight. One of his closest friends from his days in the barrio was Chano Pozo, and in his singing style he has been called "as black a white guy as you would meet in Havana". In 1936 he married Vera Eskildsen, an aristocrate from Panama City with whom he had a son, Juan Miguel Valdés Eskildsen. In 1968 he lived in Palm Springs, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlos Vidal Bolado
Carlos Vidal Bolado also known as "Vidal Bolado" (1914–1996) was a Cuban conga drummer and an original member of Machito and his Afro-Cubans. Vidal holds the double distinction of being the first to record authentic folkloric Cuban rumba and the first to play congas in Latin jazz (with Machito and his Afro-Cubans). Early career In the 1930s Vidal began performing with the Afro-Cuban Ensemble of Santos Ramírez and with the Casino de la Playa orchestra in and Havana, Cuba. Later career In the 1940s and 1950s, Carlos Vidal became one of a handful of Cuban ''congueros'' to emigrate to the United States and settled in New York. Other notable congueros who came to the U.S. during that time include Mongo Santamaria, Armando Peraza, Chano Pozo, Francisco Aguabella, Julito Collazo and Cándido Camero. Vidal arrived in the U.S. in 1943, before any of the other previously mentioned musicians. New York In 1943 he is first reported to have performed at the Havana-Madrid Club located o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chano Pozo
Luciano Pozo González (January 7, 1915 – December 3, 1948), known professionally as Chano Pozo, was a Cuban jazz percussionist, singer, dancer, and composer. Despite only living to age 33, he played a major role in the founding of Latin jazz. He co-wrote some of Dizzy Gillespie's Latin-flavored compositions, such as " Manteca" and "Tin Tin Deo", and was the first Latin percussionist in Gillespie's band. Early life Luciano "Chano" Pozo González was born in Havana to Cecelio González and Carnación Pozo. Chano grew up with three sisters and a brother, as well as his older half brother, Félix Chappottín, who would later become one of the great Cuban '' soneros''. The family struggled with poverty throughout his youth. His mother died when Chano was eleven, and Cecelio took his family to live with his long-time mistress, Natalia, who was Felix's mother. Chano showed an early interest in playing drums, and performed ably in Afro-Cuban religious ceremonies in which drumming w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Hidalgo
Giovanni Hidalgo a.k.a. "Mañenguito" (born November 22, 1963) is a Latin jazz percussionist. Early years Hidalgo was born in San Juan, Puerto Rico, where he received his primary education. His grandfather was a musician, and his father, José Manuel Hidalgo "Mañengue", was a renowned conga player. Hidalgo was raised in a household surrounded by drums, bongos, congas, and timbales. For his eighth birthday, he received a conga which was handmade by his father. As a young child he practiced and developed his skills on the conga and on other instruments in his house. Hidalgo would drum a tune with sticks and then play the same tune with his hands. Music career Hidalgo auditioned and was hired by the Batacumbele Band in 1980. In 1981, he traveled with the band to Cuba, where he met a musician by the name |
Popular Music
Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training.Popular Music. (2015). ''Funk & Wagnalls New World Encyclopedia'' It stands in contrast to both art music and traditional or "folk" music. Art music was historically disseminated through the performances of written music, although since the beginning of the recording industry, it is also disseminated through recordings. Traditional music forms such as early blues songs or hymns were passed along orally, or to smaller, local audiences. The original application of the term is to music of the 1880s Tin Pan Alley period in the United States. Although popular music sometimes is known as "pop music", the two terms are not interchangeable. Popular music is a generic term for a wide variety of genres of music that appeal to the tastes of a large segment of the population, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
