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List Of Concerti Grossi
This list of concerti grossi contains work in the ''concerto grosso'' genre. * Concerto Grosso (Gregori), a 1698 work by Giovanni Lorenzo Gregori *Twelve concerti grossi, op.6 (Corelli), work by Arcangelo Corelli *Three sets of concerti grossi, op.2 (1732), op.3 (1733) and op.7 (1746) by Francesco Geminiani *L'estro Armonico, op.3 work by Antonio Vivaldi * Concerto Grosso (Locatelli), work by Pietro Locatelli * Concerto Grosso (Torelli), work by Giuseppe Torelli * Concerto Grosso (Manfredini), work by Francesco Manfredini * Concerti Grossi dalle Sonate di Corelli, work by Giovanni Benedetto Platti *Brandenburg Concertos, a set of 6 works by Johann Sebastian Bach * Handel concerti grossi Op.6, a 1739 work by George Frideric Handel * Handel concerti grossi Op.3, a collection of various preexisting works by George Frideric Handel assembled by his publisher John Walsh in 1743 * Concerto Grosso No. 1 (Bloch), a 1925 work by Ernest Bloch * Concerto Grosso No. 2 (Bloch), a 1952 work by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto Grosso
The concerto grosso (; Italian for ''big concert(o)'', plural ''concerti grossi'' ) is a form of baroque music in which the musical material is passed between a small group of soloists (the '' concertino'') and full orchestra (the ''ripieno'', ''tutti'' or ''concerto grosso''). This is in contrast to the solo concerto which features a single solo instrument with the melody line, accompanied by the orchestra. History The form developed in the late seventeenth century, although the name was not used at first. Alessandro Stradella seems to have written the first music in which two groups of different sizes are combined in the characteristic way. The name was first used by Giovanni Lorenzo Gregori in a set of ten compositions published in Lucca in 1698. The first major composer to use the term ''concerto grosso'' was Arcangelo Corelli. After Corelli's death, a collection of twelve of his ''concerti grossi'' was published. Not long after, composers such as Francesco Geminiani, Pietro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Handel Concerti Grossi Op
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical break ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malcolm Williamson
Malcolm Benjamin Graham Christopher Williamson, (21 November 19312 March 2003) was an Australian composer. He was the Master of the Queen's Music from 1975 until his death. Biography Williamson was born in Sydney in 1931; his father was an Anglican priest, Rev. George Williamson. He studied composition and horn at the Sydney Conservatorium of Music. His teachers included Eugene Goossens. In 1950 he moved to London where he worked as an organist, a proofreader, and a nightclub pianist. In 1952 he converted to Roman Catholicism. From 1953 he studied with Elisabeth Lutyens and Erwin Stein. His first major success was with his Piano Concerto No. 1, premiered by Clive Lythgoe at the 1958 Cheltenham Festival to a standing ovation. Williamson was a prolific composer at this time, receiving many commissions and often performing his own works, both on organ and piano. In 1975, the death of Arthur Bliss left the title of Master of the Queen's Music vacant. The selection of Williamson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto Grosso (Williamson)
The concerto grosso (; Italian for ''big concert(o)'', plural ''concerti grossi'' ) is a form of baroque music in which the musical material is passed between a small group of soloists (the '' concertino'') and full orchestra (the ''ripieno'', ''tutti'' or ''concerto grosso''). This is in contrast to the solo concerto which features a single solo instrument with the melody line, accompanied by the orchestra. History The form developed in the late seventeenth century, although the name was not used at first. Alessandro Stradella seems to have written the first music in which two groups of different sizes are combined in the characteristic way. The name was first used by Giovanni Lorenzo Gregori in a set of ten compositions published in Lucca in 1698. The first major composer to use the term ''concerto grosso'' was Arcangelo Corelli. After Corelli's death, a collection of twelve of his ''concerti grossi'' was published. Not long after, composers such as Francesco Geminiani, Pietro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Vaughan Williams
Ralph Vaughan Williams, (; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century. Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social life. Throughout his life he sought to be of service to his fellow citizens, and believed in making music as available as possible to everybody. He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–1908 with the French composer Maurice Ravel helped him clarify the textures of his music and free it from Music of Germany, Teutonic influences. Vaughan Williams i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto Grosso (Vaughan Williams)
Concerto Grosso is a work for string orchestra by Ralph Vaughan Williams. Originally composed in 1950 for a performance by the Rural Schools Music Association conducted by Sir Adrian Boult, the piece is unique in that the orchestra is split into three sections based on skill: Concertino (Advanced), Tutti (Intermediate), and Ad Lib (Novice) which only plays open strings. The piece is in five movements, and performances generally run for 14 minutes. Movements *I. Intrada: A dramatic theme that features heavy string writing *II. Burlesca Ostinata: A sprightly movement making brilliant use of perfect fifths to allow the "Ad Lib" players (who can only play open strings (tuned in intervals of perfect fifths) to play the theme. *III. Sarabande: A slow movement in triple time as indicated by the movement's name *IV. Scherzo: An energetic but lyrical short scherzo and a small coda *V. March and Reprise: A very lively march with much syncopation, leading seamlessly into a full reprise of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as '' Renard'', ''L'Histoire du soldat,'' and ''Les noces'', was followed in the 1920s by a period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto In E-flat (Dumbarton Oaks)
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastian B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
