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List Of Compositions By Richard Wagner
This is a sortable list of compositions by Richard Wagner. __TOC__ See also *List of works for the stage by Richard Wagner Richard Wagner's works for the stage, representing more than 50 years of creative life, comprise his 13 completed operas and a similar number of failed or abandoned projects. His first effort, begun when he was 13, was a prose drama, '' Leubald'' ... Notes Sources *Deathridge J., Geck M. and Voss E. (1986). ''Wagner Werk-Verzeichnis (WWV): Verzeichnis der musikalischen Werke Richard Wagners und ihrer Quellen'' ("Catalogue of Wagner's Works: Catalogue of Musical Compositions by Richard Wagner and Their Sources"). Mainz, London, & New York: Schott Musik International. * * External links Listing of the ''Wagner-Werk-Verzeichnis'' {{Richard Wagner Wagner, Richard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex texture (mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Schweizer Familie
''Die Schweizer Familie'' (''The Swiss Family'') is an opera by the Austrian composer Joseph Weigl. It takes the form of a ''Singspiel'' in three acts. The libretto, by Ignaz Franz Castelli, is based on the vaudeville ''Pauvre Jacques'' (1807) by Charles-Augustin de Basson-Pierre, known as Sewrin, and René de Chazet. The opera was first performed at the Theater am Kärntnertor, conducted by the composer, in Vienna on 14 March 1809 and was a great success in German-speaking countries in the early 19th century. Roles Synopsis The Bolls, the Swiss family of the title, have been banished to an unspecified region in the Alps. Their daughter, Emmeline, pines for the love of Jakob, to whom she is secretly engaged. The local count, whose life was saved by Richard Boll, also shows concern for Emmeline's sufferings and with his help Emmeline and Jakob are reunited. Recording *''Die Schweizer Familie'' Soloists, Chorus and Orchestra Dreieck, conducted by Uri Rom (Guild, 2006) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Walküre
(; ''The Valkyrie''), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay '' Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs to represent people, ideas, and situations rather than the con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Rheingold
''Das Rheingold'' (; ''The Rhinegold''), WWV 86A, is the first of the four music dramas that constitute Richard Wagner's '' Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 22 September 1869, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus, on 13 August 1876. Wagner wrote the ''Ring'' librettos in reverse order, so that ''Das Rheingold'' was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874. The 1869 Munich premiere of ''Das Rheingold'' was staged, much against Wagner's wishes, on the orders of his patron, King Ludwig II of Bavaria. Following its 1876 Bayreuth premiere, the ''Ring'' cycle was introduced into the worldwide repertory, with per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lohengrin (opera)
''Lohengrin'', WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the '' Parzival'' of Wolfram von Eschenbach, and its sequel '' Lohengrin'', itself inspired by the epic of '' Garin le Loherain''. It is part of the Knight of the Swan legend. The opera has inspired other works of art. King Ludwig II of Bavaria named his castle Neuschwanstein Castle after the Swan Knight. It was King Ludwig's patronage that later gave Wagner the means and opportunity to complete, build a theatre for, and stage his epic cycle '' Der Ring des Nibelungen''. He had discontinued composing it at the end of Act II of ''Siegfried'', the third of the ''Ring'' tetralogy, to create his radical chromatic masterpiece of the late 1850s, '' Tristan und Isolde'', and his lyrical comic opera of the mid-1860s, ''Die Meistersinger von Nürnberg''. The most popular and recogn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German '' Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Flying Dutchman (opera)
The ''Flying Dutchman'' ( nl, De Vliegende Hollander) is a legendary ghost ship, allegedly never able to make port, but doomed to sail the seven seas forever. The myth is likely to have originated from the 17th-century Golden Age of the Dutch East India Company (VOC) and of Dutch maritime power. The oldest known extant version of the legend dates from the late 18th century. According to the legend, if hailed by another ship, the crew of the ''Flying Dutchman'' might try to send messages to land, or to people long dead. Reported sightings in the 19th and 20th centuries claimed that the ship glowed with a ghostly light. In ocean lore, the sight of this phantom ship functions as a portent of doom. It was commonly believed that the ''Flying Dutchman'' was a fluyt. Origins The first print reference to the ship appears in ''Travels in various part of Europe, Asia and Africa during a series of thirty years and upward'' (1790) by John MacDonald: The next literary referenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rienzi
' (''Rienzi, the last of the tribunes''; WWV 49) is an early opera by Richard Wagner in five acts, with the libretto written by the composer after Edward Bulwer-Lytton's novel of the same name (1835). The title is commonly shortened to ''Rienzi''. Written between July 1838 and November 1840, it was first performed at the Königliches Hoftheater Dresden, on 20 October 1842, and was the composer's first success. The opera's format is the Grand Opera in Meyerbeer style. Wagner had been fascinated by this genre of opera at an early age, and with Rienzi and its enormous dimensions wanted to surpass anything else that had previously been composed in this style. It is thus a rare study in pomp and splendor, both scenically and musically, and partly represents a great contrast to his later works. Rienzi is in full version Wagner's longest opera. It includes a ballet that lasts alone for 40 minutes. During the premiere in Dresden, Wagner noted to his dismay that the performance laste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Männerlist Größer Als Frauenlist
''Männerlist größer als Frauenlist oder Die glückliche Bärenfamilie'' (''Men Are More Cunning Than Women, or The Happy Bear Family''; WWV 48) is an unfinished Singspiel by Richard Wagner, written between 1837 and 1838. ''Männerlist'' was Wagner's last operatic project before he embarked on ''Rienzi''. Although the book of the opera (which Wagner as usual wrote himself) has long been available, the full text (including dialogue) and three completed musical numbers (in piano score), were discovered in a private collection in 1994 and later acquired by the archives of the Richard-Wagner-Stiftung in Bayreuth. Wagner refers to this project in his "Red Pocketbook" and his autobiographical works ''A Communication to My Friends'' (1851) and ''My Life'' (1870–1880). In the latter he describes the work as "in a light neo-French style," which he began to write in Königsberg, but that later when he took it up in Riga for completion, "I was overtaken by utter disgust at this kind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Liebesverbot
' (''The Ban on Love'', WWV 38), is an early comic opera in two acts by Richard Wagner, with the libretto written by the composer after Shakespeare's ''Measure for Measure''. Described as a ', it was composed in early 1836. Restrained sexuality versus eroticism plays an important role in '; themes that recur throughout much of Wagner's output, most notably in ''Tannhäuser'', ''Die Walküre'' and ''Tristan und Isolde''. In each opera, the self-abandonment to love brings the lovers into mortal combat with the surrounding social order. In ', because it is a comedy, the outcome is a happy one: unrestrained sexuality wins as the carnival of the entire population goes rioting on after curtain-fall. Wagner's second opera, and his first to be performed, has many signs of an early work: the style is modelled closely on contemporary French and Italian comic opera. It is also referred to as the forgotten comedy, in that only two of Wagner's works are comedies, the other being ''Die Meister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Feen
''Die Feen'' (, ''The Fairies'') is an opera in three acts by Richard Wagner. The German libretto was written by the composer after Carlo Gozzi's '' La donna serpente''. ''Die Feen'' was Wagner's first completed opera, but remained unperformed in his lifetime. It has never established itself firmly in the operatic repertory although it receives occasional performances, on stage or in concert, most often in Germany. The opera is available on CD and in a heavily cut, adapted-for-children version, DVD. Although the music of ''Die Feen'' shows the influences of Carl Maria von Weber and other composers of the time, commentators have recognised embryonic features of the mature Wagnerian opera. The fantasy plot also anticipates themes such as redemption that were to reappear in his later works. Background and composition ''Die Feen'' was Wagner's first completed opera, composed in 1833, when he was 20 years old and working as a part-time chorus master in Würzburg. He gave it the descr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romantische Oper
''Romantische Oper'' () was a genre of early nineteenth-century German opera, developed not from the German Singspiel of the eighteenth-century but from the opéras comiques of the French Revolution. It offered opportunities for an increasingly important role for the orchestra, and greater dramatic possibilities for reminiscence motifs – phrases that are identified with a place, person or idea and which, when re-used in a work, remind the listener of the place, person or idea in question. Carl Maria von Weber's ''Der Freischütz'' (1821) inaugurated the genre, which increasingly became associated with a distinctively German national style, as exemplified by composers such as Heinrich Marschner (e.g. ''Der Vampyr'' and ''Hans Heiling''), Albert Lortzing (e.g. ''Undine'') and Louis Spohr. Themes explored included nature, the supernatural, the Middle Ages and popular culture, specifically folklore. Musically, German folk music also served as an inspiration. Spoken dialogue contin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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