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List Of Compositions By Muzio Clementi
{{Short description, none This is a list of compositions by Muzio Clementi. Clementi was a celebrated composer, pianist, pedagogue, conductor, music publisher, editor, and piano manufacturer. He is best known for his piano sonatas, and his collection of piano studies, ''Gradus ad Parnassum''. Nineteenth century enthusiasts lauded Clementi as "the father of the pianoforte", "father of modern piano technique", and "father of Romantic pianistic virtuosity". With opus numbers * Op. 1, 6 Sonatas For Keyboard (E♭, G, B♭, F, A, E), dedicated to Clementi's English patron, Sir Peter Beckford. Published in 1771. * Op. 1a, 4 Sonatas For Keyboard (1 to 4: F, B♭, G, A), 1 Fugue For Keyboard (5: a, revised as Op. 44 No. 69 in his Gradus ad Parnassum, Gradus Ad Parnassum) and 1 Duet For Two Keyboards (6: B♭), dedicated to Mme. Duvivier. Published in 1780. * Op. 2, 3 Sonatas For Keyboard And Flute/Violin (1, 3, and 5: E♭, G, F) and 3 Sonatas For Keyboard (2, 4, and 6: C, A, B♭), No.2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muzio Clementi
Muzio Filippo Vincenzo Francesco Saverio Clementi (23 January 1752 – 10 March 1832) was an Italian composer, virtuoso pianist, pedagogue, conductor, music publisher, editor, and piano manufacturer, who was mostly active in England. Encouraged to study music by his father, he was sponsored as a young composer by Sir Peter Beckford who took him to England to advance his studies. Later, he toured Europe numerous times from his long-standing base in London. It was on one of these occasions, in 1781, that he engaged in a piano competition with Wolfgang Amadeus Mozart. Influenced by Domenico Scarlatti's harpsichord school and Haydn's classical school and by the '' stile Galante'' of Johann Christian Bach and Ignazio Cirri, Clementi developed a fluent and technical legato style, which he passed on to a generation of pianists, including John Field, Johann Baptist Cramer, Ignaz Moscheles, Giacomo Meyerbeer, Friedrich Kalkbrenner, Johann Nepomuk Hummel and Carl Czerny. He was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monferrina
Monferrina is a lively Italian folk dance in time named after the place of its origin, Montferrat, in the Italian region of Piedmont. It has spread from Piedmont throughout Northern Italy, in Lombardy, Emilia-Romagna, Friuli-Venezia Giulia and even into Switzerland. It also became popular in late 18th-century England as a country dance, under the names monfrina, monfreda, and manfredina, being included in Wheatstone's ''Country Dances for 1810''. In Piedmont, it is usually accompanied by singing and it is danced by several couples. The dance goes under several different names: , , , ''giardiniera'' (or ) and ''baragazzina''. Execution and background The dance starts with two circular promenades by couples arm-in-arm using a lively march step. The individual couples then join both hands for a cross-step with bent knees. The dance often contains bows and mimed teasing and coaxing. Sachs takes the two part structure of the dance, a procession followed by a couple figure, as indicat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nonet (music)
In music, a nonet is a composition which requires nine musicians for a performance, or a musical group that consists of nine people. The standard nonet scoring is for wind quintet, violin, viola, cello, and contrabass, though other combinations are also found. Classical nonets The first work to actually bear the title of nonet was Louis Spohr's Grand Nonetto in F major, op. 31 (1813), for flute, oboe, clarinet, bassoon, horn, violin, viola, cello, and double bass. Earlier compositions, however, had been composed for nine instruments (Joseph Haydn's four '' Divertimenti'' (or '' Cassations''), for 2 oboes, 2 horns, 2 violins, 2 violas, and contrabass, Hob. II:9, 17 clarinets instead of oboes 20, and G1, Ignaz Pleyel's ''Nocturne'' of 1785, for 2 clarinets, 2 horns, 2 violas, contrabass, and 2 hurdy-gurdies, and Franz Schubert's '' Eine kleine Trauermusik'' of 1813 (D 79), for two clarinets, two bassoons, contrabassoon, two ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Cherubini
Luigi Cherubini ( ; ; 8 or 14 SeptemberWillis, in Sadie (Ed.), p. 833 1760 – 15 March 1842) was an Italian Classical and Romantic composer. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the greatest of his contemporaries. His operas were heavily praised and interpreted by Rossini. Early years Cherubini was born Maria Luigi Carlo Zenobio Salvatore Cherubini in Florence in 1760. There is uncertainty about his exact date of birth. Although 14 September is sometimes stated, evidence from baptismal records and Cherubini himself suggests the 8th is correct. Perhaps the strongest evidence is his first name, Maria, which is traditional for a child born on 8 September, the feast-day of the Nativity of the Virgin. His instruction in music began at the age of six with his father, Bartolomeo, '' maestro al cembalo'' ("Master of the harpsichord", in other words, ensemble leader from the harpsichord). Considered a child prodigy, Cherubini st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitation (music), imitations of the melody played after a given duration (music), duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different part (music), voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and Interval (music), intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called round (music), rounds—"Row, Row, Row Your Boat" and "Frère Jacques" are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate the melody. History Medieval and Renaissance During the Medieval music, Middle Ages, Renaissance music, Renaissance, and Baroque music, Baroque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Four Hands
Piano four hands (french: À quatre mains, german: Zu vier Händen, Vierhändig, it, a quattro mani) is a type of piano duet involving two players playing the same piano simultaneously. A duet with the players playing separate instruments is generally referred to as a '' piano duo''.Bellingham, Jane"piano duet" ''The Oxford Companion to Music'', Ed. Alison Latham, Oxford Music Online, accessed 31 March 2012 Music written for piano four hands is usually printed so that left-hand pages contain only the part for the pianist sitting on the left, while right-hand pages contain only the part for the pianist sitting on the right. The upper part (right) is called ''primo'' while the lower part (left) is called ''secondo''. Repertoire Arrangements By far the greater proportion of music "à quatre mains" consists of arrangements of orchestral and vocal compositions and of quartets and other groups for stringed instruments. Indeed, scarcely any composition of importance for any combin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarentella
() is a group of various southern Italian folk dances originating in the regions of Calabria, Campania and Puglia. It is characterized by a fast upbeat tempo, usually in time (sometimes or ), accompanied by tambourines. It is among the most recognized forms of traditional southern Italian music. The specific dance-name varies with every region, for instance ''Sonu a ballu'' in Calabria, ''tammurriata'' in Campania, and ''pizzica'' in Salento. Tarantella is popular in Southern Italy and Argentina. The term may appear as in a linguistically masculine construction. History In the Italian province of Taranto, Apulia, the bite of a locally common type of wolf spider, named "tarantula" after the region, was popularly believed to be highly venomous and to lead to a hysterical condition known as tarantism. This became known as the "tarantella". R. Lowe Thompson proposed that the dance is a survival from a "Dianic or Dionysiac cult", driven underground. John Compton later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto
A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpieces which require an advanced level of technique on the instrument. These concertos are typically written out in music notation, including sheet music for the pianist (which they typically memorize for a more virtuosic performance), orchestra parts for the orchestra members, and a full score for the conductor, who leads the orchestra in the accompaniment of the soloist. Depending on the era in which a piano concerto was composed, the orchestra parts may provide a fairly subordinate accompaniment role, setting out the bassline and chord progression over which the piano plays solo parts (more typical during the Baroque music era, from 1600 to 1750 and the Classical period, from 1730 to 1800), or the orchestra may be given an almost equal ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Music
Vocal music is a type of singing performed by one or more singers, either with musical instruments, instrumental accompaniment, or without instrumental accompaniment (a cappella), in which singing provides the main focus of the piece. Music which employs singing but does not feature it prominently is generally considered to be instrumental music (e.g. the wordless women's choir in the final movement of Gustav Holst, Holst's symphonic work ''The Planets'') as is music without singing. Music without any non-vocal instrumental accompaniment is referred to as ''a cappella''. Vocal music typically features sung words called lyrics, although there are notable examples of vocal music that are performed using non-linguistic syllables, sounds, or noises, sometimes as musical onomatopoeia, such as jazz scat singing. A short piece of vocal music with lyrics is broadly termed a song, although in different styles of music, it may be called an aria or hymn. Vocal music often has a sequence of s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the United States Military Academy West Point Cadet Chapel.">West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Canzonetta
In music, a canzonetta (; pl. canzonette, canzonetti or canzonettas) is a popular Italian secular vocal composition that originated around 1560. Earlier versions were somewhat like a madrigal but lighter in style—but by the 18th century, especially as it moved outside of Italy, the term came to mean a song for voice and accompaniment, usually in a light secular style. Origins in Italy In its earliest form, the canzonetta was closely related to a popular Neapolitan form, the villanella. The songs were always secular, and generally involved pastoral, irreverent, or erotic subjects. The rhyme and stanza schemes of the poems varied but always included a final "punch line." Typically the early canzonetta was for three unaccompanied voices, moved quickly, and shunned contrapuntal complexity, though it often involved animated cross-rhythms. It was fun to sing, hugely popular, and quickly caught on throughout Italy, paralleling the madrigal, with which it later began to interact. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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